Pride and Prejudice
discussion
Which book did you enjoy more P&P or Wuthering Heights?

I agree that the narration did capture me in WH but that's it. Okay, I may have liked the ending a bit and the H and C love in the beginning but apart from that I did not enjoy the book at all. Sorry to sound so harsh but that's my opinion. On the other hand, I would read P&P any number of times.
Now, having said that, I would like to point out that those were my feelings.Coming to the criticising part of both books, here goes.
I appreciate the questions cemre raised on WH but though they tell so much about Emily's remarkable ability of depicting intense things, they don't remain on people's memories because they tell so much only when analysed critically and seperately. I am afraid that though thatey give lot of importance to the ambience of the story they don't actually relate to it-as in, mostly the story is actually more to the point without them, except where heathcliff saves baby hareton.
In P&P, every incident seems to carry a lot of weight in the storyline.( I mean that they enable us to understand the characters better, while this is not the case in the incidents mentioned from WH ). Also Austen's comments seem to dwell more on the character of the people and the society whereas Bronte seems to linger more on the religious and superstitious parts.
I am merely pointing out the subject which each dwells on when trying to add that something to the story. This answers the question of why P&P writing impresses people where WH fails to.
WH attraction lies in its uniqueness I think. Not always but most of the time it becomes the favourite for those who prefer something different and are always trying to look for flaws in what's more popular, no offence.
Anyway, that's my opinion.

I don't like WH cause it's wierd or different. I like it because it's ballsy and passionate. Not saying Austen wasn't a rebel in her time but I feel like she pulls back slightly whereas Emily just goes for the jugular, so to speak. Granted I've only read part way through P&P and gave up on Emma (no offence to Austen but Clueless is by far my preference for that particular storyline.) So perhaps I'm judging a bit premature.
Even still for me Austen, though I respect her as an author, is a tad too for lack of a better word too fluffy for me. Make of that what you will.

My point is that you're being a little too hard on P&P. I feel that just because it is a story about people who are- if not quite belonging to the regency world, definitely at least to a better society, people think its heartless and is only meant for fun and light reading and "fluffy". It's not. Austen's written about what was plaguing the world around her then. I agree I made a mistake about what's more relevant. But its not like there are no values in P&P- they may not be society concerns but more of a character building type. Austen's criticisms and satire lies in mocking the rich, who distinguish themselves so much above others, while most of them are not even capable of sincere feelings in their activities (the Bingley sisters). Also it is more about the failings and nuances of certain people. There is so much in what she says of Mr.Bennet, who without being mean or selfish seems to have made graver mistakes than even his silly wife who at least has the excuse of being silly. He failed to exert himself out for the sake of his family and only amused himself. Charlotte's views on marriage is a nail on the head and no doubt would have created quite a stir then when this was no doubt how things happened. Mr.Hurst gives a perfect example of wasting life. There is a difference between a thing being common knowledge and what is written in black and white. The first line of the book is a very bold statement in itself. A character sketch of each person which has been mentioned is enough material for any soul-searching.
WH is, according to me, a raw way-does that sound right?- of pointing out the abuse cycles and burning of religious books.So I am not saying it is in anyway socially irrelevant or something.
There, I am getting better at wording my thoughts. Its so difficult trying to express myself clearly so I hope I haven't been contradicting myself.
Do you like Jane Eyre too? I don't. Man, I sound like I don't like anything out of the way, but that is most definitely the case. In fact, its taken me quite a few years (almost 5)to bring myself to read another Bronte novel and I am not happy with the result. Pity, so many people think WH is great- almost every Hollywood movie, has a heroine who loves it. I don't regret reading it only it's not to my taste.Sigh. I am wandering off the point, huh?
Again I mean no offence to any WH fans- only I can't understand your taste.

Jane Austen is a fluffy writer, writing the things that everyone wants her to write and wants to read. Nice books where the woman stays in her place and the man is clearly in control, but what Austen did is she created these characters that stayed within their bounds as women, but did little things (speaking out of turn with wisecracks so that the people around them were on the fence okay with it, having a very dynamic personality that was unusual at the time, refusing proposals because they could, etc.)

I doubt that a writer of Nabokov's caliber would have bothered to discuss Austen's 'Mansfield Park' in Lectures on Literature if he thought that Austen was 'a fluffy writer.' As for myself, I will say that you don't get Austen if that is what you think. Satire, however gracious, is hardly agreeable to most fluffy readers.


"Jane Austen is a fluffy writer, writing the things that everyone wants her to write and wants to read. Nice books where the woman stays in her place and the man is clearly in control, but what Austen did is she created these characters that stayed within their bounds as women, but did little things (speaking out of turn with wisecracks so that the people around them were on the fence okay with it, having a very dynamic personality that was unusual at the time, refusing proposals because they could, etc.)"
Now this has me wondering if you have ever read Jane Austen.

"Jane Austen is a fluffy writer, writing the things that everyone wants her to write and wants to read. Nice books where the woman stays in her place and the man is clearly in control, but what Austen did is she created these characters that stayed within their bounds as women, but did little things (speaking out of turn with wisecracks so that the people around them were on the fence okay with it, having a very dynamic personality that was unusual at the time, refusing proposals because they could, etc.)"
I am now wondering if you have ever read Jane Austen- on the road to becoming a literature teacher are you?

Pride and Prejudice, on the other hand, shows that people can change, that individuals are not always as they seem, that for love to exist there must be some form of respect and admiration, some quiet foundation rather than just passion and extremes.
In Pride and Prejudice, no one is perfect, but there are strong characters. In fact, the characters are strong BECAUSE they are not perfect.
I have reread Pride and Prejudice numerous times. I read Wuthering Heights once, rolling my eyes most of the way through it.
PS - Susan, I am inclined to agree with you. I prefer Jane Eyre as well. (Though still not as much as Pride and Prejudice)

It is more the level at which it is done in Pride and Prejudice. I am not saying that Austen is the world's greatest writer (though I have enjoyed all of her books), or that Wuthering Heights is not without merit; it is.
Jacque wrote: "P&P. I can't stand the legacy Wuthering Heights has of being one of the greatest "star-crossed lovers stories." Can't. Stand. It. It's practically incest, there's an issue of identity here, and He..."
This is exactly spot on. It is more difficult to write well and develop strong characters with subtlety than it is to have in insane character (I'm sorry, but Heathcliff is pretty nuts.)
I think the biggest problem I have with Wuthering Heights is that "love story" reputation. Please. When things are said to be that important, that "good", that transcendent (only some of the things for which "Wuthering Heights" has a reputation), they had better stand up to it. I just feel like it doesn't. I did enjoy studying it when I did, but I just don't feel like it deserves that which Pride and Prejudice does. I love classics and hold them to a pretty high standard. Wuthering Heights is interesting, but it doesn't meet the standards laid out for it.
I was wondering if it is, perhaps, because it is dark... but no, I enjoy other "dark" books more.
I wish I liked Wuthering Heights as much as some; I feel like maybe I am missing something?


As for Jane Eyre, there we also disagree and I believe many others would disagree with you as well. And of what importance (to the book) is someone's report of Charlotte Bronte's actions over 100 years ago? Emily Bronte is said to have beaten her dog to such an extent he was injured and took some time recovering. I like dogs, so I guess I can have no regard for WH, having read that. Well, not so. Some members of the Bronte family had problems and I think many of us in general have behaved regrettably. CB's behavior in life is irrelevant so why throw stones at a dead woman? Does that really strengthen your argument against Jane Eyre's value? I don't think so; quite the opposite.

I am inclined to say that there should be some semblance of similarity between the two; even in the most unrealistic contexts, a human would still have a human reaction (unless there is some sort of reason why they would or would not, such as an illness or so on, but even then, that is a human situation).
In literature we allow ourselves to say the things that we only wish we could, which is all well and good and fine.
I just believe that the most influential development of characters occurs subtly. And Wuthering Heights is certainly not subtle. I do agree that it borders on melodrama.
I once read an article in which someone drew a comparison between two books, saying that one was an older sister rolling her eyes and trying to keep everything in order, while the other was a petulant younger child knocking things over and refusing to grow up. (I just searched for the article... no luck. Maybe it sounds familiar to someone else?). Anyway, the point was that one was grounded but seemed a little boring. The other was chaotic but undeveloped.
I would venture to categorize Pride and Prejudice somewhat like the older sibling. While Wuthering Heights is not the young child in that analogy, I get the sense that it is more of a stereotypical teenager, full of passions, waving its hand in the air, going to extremes to get attention. Probably a little harsh, but it goes with the analogy.
Pride and Prejudice, like the older sister in that writing (sure wish I could find it!), perhaps seems a little boring, and is more worried about holding things together, is more responsible but also developed. Maybe even a little condescending? It is definitely "quieter", but there is a lot to it when you look closer.
Neither sibling is "better", really, but one will definitely appeal to certain people more. And therefore will be touted as being better by those people. Like me, thinking Pride and Prejudice is better, for all its subtlety and nuances and boring nature.
I think the analogy works, but maybe that is just me being distracted by the fact that so much of Pride and Prejudice deals with the relationships between the sisters?
Cemre, I literally laughed out loud with your alternate title for Pride and Prejudice! That was certainly funny! Though I don't know about your comment saying:
"Maybe people like the latter more because there's nothing risky in it. You can't hate something if there isn't something there."
I get what you are saying there, but I think it depends on what you consider "something". I see Pride and Prejudice as having more substance than Wuthering Heights, for example. Which is probably why I certainly do not hate Wuthering Heights... I just think it is "fine"... an interesting study, particularly in obsession.
On a side note, I did find it interesting that Twilight brought such a resurgence in interest in it; even my youngest students (grades 7 - 9 at that time) wanted to read Wuthering Heights. It brought a lot of interesting comparisons between Edward and Bella's really unhealthy relationship and the connection between that and WH.

And regardless, it is not a reflection on the work itself. Any number of authors and artists have done morally ambiguous or even repugnant things, and it is interesting to keep this in mind while studying a piece of work, but at the end of the day, the work must stand alone.
Destroying her work is in the context of the writing, but is no more important than other information about their lives. Sure, it would have been interesting to have that available, but it does not reflect poorly on the work, just the writer. Society would have loved for Emily Dickinson to publish and write and speak at events. It didn't happen. It would have been awesome for Byron to have lived longer and published more... he didn't. It would have been great for Emily's work to have not been destroyed. It was.
It doesn't change the work that exists now.

Comparisons between these two (or three) great novels are absurd anyway. I just don't accept people having to put down novels they can't appreciate, as if they are offended by the very idea of anyone enjoying a novel despite their own vociferous, no-holds-barred, ranting criticism. If the novels in question were pop 'lit' or historic fiction lite, or genre novels indulging the latest craze for ghouls etc. I could understand. But they are not; they have endured for a long time because they are excellent novels that don't deserve rants and tear-downs.

I was bringing it up in the context of my junior high students. When it first gained resurgence. I, personally, was elated that it encouraged more interest in the book. Which I have said is worth studying.
Of course that comparison is really redundant and superficial now. I was saying I was pleased they were able to get that from it at that age and time. That was interesting.

I do not find her novels extremely personal.

Just keep in mind that people can admire JE but also and equally admire Jean Rhys's 'Wide Sargasso Sea.' We who think a lot of JE are not so simple-minded as you seem to assume.

"P&P is as unrealistic as WH, just in a different way."
And what way is that?"
I liked Jane Eyre very much, and Pride and Prejudice- which I got on the first reading. Haven't read Wuthering Heights. This ongoing argument for why WH is better is tiring Cemre.

The things that I liked so much in this story are probably also the very things that someone else will probably hate. The same is probably true of P&P and Jane Eyre.

I likened her BOOK to a teenager. For the reasons I gave before.
I was not intending to attack; rather, to provide another way of looking at things. Similarly, I brought up positives and negatives for both books under that analogy.

Both have some TRUTH to it.
I've typed these wrong."
That is because because the discussion is under P&P and might not be the case were it under a WH forum. As a person very knowledgeable about WH, why not start a discussion thread about that and similar books rather than belaboring a comparison to P&P, with which it has so little in common?

at the top of this screen, type "Wuthering Heights" in the search title/author/isbn box. On the book's main page, scroll down to the bottom (past all of the reviews) to where the discussion topics begin. In the discussion banner...to the right, in small print, there are the words "new topic". Click that and it takes you to a screen where you can start a new discussion.
you can also start a new topic from the page that lists all of the discussions. to the right, click on the words "post a new topic". That also takes you to the same page.

Wuthering Heights is a book about adolascence. Actually it's about not w..."
I think your passionate interest in WH could be a great catalyst for discussing that book and would read for a third time to join such a discussion (would have to; it's been a while).
I don't know about Rochester. He is left a bit of an enigma. I see no reason from anything I do know to eliminate the Sultan perspective. He does hold sway over a lot of women in his life, and with mixed feelings towards those women (except Jane). He is not the typical English gentleman.

Just to put this out there, I never considered this to be a discussion about which book is better. The title of the thread asked which of the books was more personally enjoyable to read, which seems to implicitly foster the sharing of viewpoints more than angry arguments.


Thank you Mochaspresso !"
well no kidding

I do not like Jane Eyre. Nor do I like Rochester or even St.John(that is his name right?) and not even Adele.In fact, certainly not Adele. But I think I liked St.John's girlfriend(?), his sisters and I could even tolerate Mrs.Fairfax and the St.John housekeeper.
And unfortunately since it was the only book I could get my hands on for some time( this was some years ago) I actually revisited it or at least most part of it more times than I wanted because something is better than nothing and I am afraid it only decreased my liking for it even more. And it is not in the least way about strong women if anything I found Jane Eyre weak.
Ok, maybe that was going too far.
If I had read WH as many times I might find better points to argue with because I certainly didn't get into it at my first shot and it will be many a day before I take it for a second time.
Oh and Mrs.Mac's analogy was very interesting to me though it is an exaggeration on both sides, it is apt enough.
Yes I was waiting for something for someone to bring up WH's mention in Twilight too. I barely avoided it myself.


The Twilight series does contain genuine and deliberate allusions to WH. Bella wandering in the woodlands of the Pacific Northwest thinking that she hears Edward's voice. The ways in which the setting is incorporated into the narrative. Besides the love triangle, there is also the obsessive and all-consuming to the point of being dysfunctional nature of the love between Edward and Bella. Neither Edward, Bella or Jacob devolve into bitterness over a lost/unrequited love, but the character of Leah Clearwater certainly does.

Maybe. I think it's both, really. Heathcliff was wandering around believing that he could hear the ghost of Cathy too.

Yes, Mochapresso, it was the nature of the relationship that my students kept bringing up. The fixation, obsession, and dysfunction of it. And, because they were 12 - 14, the "craziness" of it. (Although I do think they probably said "cray-cray"... hahahaha)


It depends. In the angsty, immature love way, yes Twilight and Romeo and Juliet is a better comparison. But all three are immature loves in which there is unhealthy obsession.
I agree with your analysis about the Wuthering Heights relationship and actually don't think your Cathyism comment, though funny, is far off.
I don't know that it cannot be compared to the hormonal teenager story though; Healthcliff and Cathy never matured passed that stage of completely being emotion-driven.
Now, is Wuthering Heights far superior to Twilight? Absolutely. Of course. Vastly superior, without question. But I don't know that, at the heart of it, it is much more complex. Perhaps the routes that it takes. But at the heart of it, there is obsession which fuels all of the characters' actions. "Look at how much I love this person! Look what I am willing to do! Look!" I really think their motivations are the same.


I would not compare Romeo and Juliet to either of these. However intense their love might have been it was love not obsession. It was also a simple one. Don't ask me why it's not an obsession-because there was as much revenge on Romeo's part as on Heathcliff's or because of that part were Edward dies thinking Bella's dead just like R and J? I don't know why but it just doesn't give the obsession feeling.
All right maybe there is a link between all 3- T and WH, R&J and T, WH and R&J(extremely doubtful on this) in some weird sense but I don't think that matters for in that sense we can find a link between every other book, can't we?(this is not a rhetorical question-can we? or can't we?)

I am not saying that it SHOULD be remembered... but it is.
And, like I have said repeatedly, it was pertinent in the context of Wuthering Heights as it introduced numerous young people to it.

I would not compare Romeo and Juliet to either of these. However intense their love might have been it wa..."
I think if you look hard enough and are willing to draw very thin or tenuous or insubstantial lines at times, yes, you can probably find connections between anything.


I'm convinced that this is exactly why I ended up initially hating Wuthering Heights in school. :(


Twilight's the lit equivalent of this phenomenon: https://www.youtube.com/watch?v=Bo-Y_...
We're a weird species.


Not necessarily. Anne of Green Gables has also been fleetingly but frequently mentioned in T. So anyone would have thought that Anne is a stupid girl into dresses from the context and since I felt that this was surely an exaggeration I actually went back and read Anne of Green Gables just to prove my point and whatever anyone else might say-though I did find Anne's imaginations a little tiresome- I could see it was an overstatement.
So the mentioning of some book by some character shouldn't influence our reading of the book. As long as it prompts us to read nothing else should matter as they must then be quite capable of assessing it themselves. Only when they try to judge without reading can you feel the effects of T on WH.

So I guess when the world becomes as comfortable with vampires as though they had been our next door neighbours, T might die out.

"2- Isabella's story clearly shows that Bronte does not support abuse"
But just because a writer writes about abuse does not mean the writer supports it.

What kills me is, with the help of Twilight, people began to..."
The relationship between Heathcliff and Cathy may not have been physically abusive, but it was most certainly emotionally abusive at worst and co-dependent, obsessive and unhealthy, at best. Acknowledging that does not have to necessarily be taken as a criticism of the novel.
That accusation is directed at Twilight quite a bit. WH not as much. Imo, WH doesn't romanticize abuse any more than Twilight does. The people in WH who are victims of abuses certainly do not have it "good". But I do think reader's and Hollywood's romanticizing of Healthcliff does tend to lean toward romanticizing a man with genuine abusive tendencies. Heathcliff devolved into a miserable wretch. This is made very clear. Yet, Hollywood and readers tend to tone down this side of his character and this was going on long before Twilight ever existed. Heathcliff never physically hurt Cathy...this is true...but Heathcliff and Cathy never got the opportunity to truly be together either. IRL, had they gotten that chance, with their level of obsession and dysfunction, they likely would have hurt each other far more in some way (whether it be physically or emotionally) eventually. That's why I view WH as a romance, but it's not a "good" one, from a traditional standpoint. Meaning that it's not of the HEA fairy tale variety, nor was it ever intended to be.
I took me a very long time and multiple readings to realize that I don't actually have to like Heathcliff or Cathy or their relationship to like Wuthering Heights.
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Writer's so often express their ideals in this way.