Pride and Prejudice
discussion
Which book did you enjoy more P&P or Wuthering Heights?



Hannah wrote: That's what makes it so revolutionary. We don't get the usual bed of roses view of love. And that's fascinating. It's definitely one of my favorite books.
I think it's a matter of different strokes for different folks Hannah. Personally speaking, I don't find the relationships or the dynamics portrayed in Wuthering Heights to be fascinating. To me there is a banality to the dysfunction portrayed in the novel, as there generally is (for me) with all activities predominated by low choices. What I see in the novel is profound and destructive ignorance masquerading as something more noble. Not that such things can't be interesting; but Emily Bronte didn't render them in a way that was interesting to me personally. On the contrary, the book almost romanticizes mental illness in my reading of it.
On the other hand, I recognize that a great many people like or love Wuthering Heights for a variety of different reasons. So I accept that I'm 'missing the boat' so to speak on something about the novel. At the end of the day I'm okay with this, and certainly wouldn't begrudge anyone their own experience. Obviously the work has inspired you in a far different way than what I have gotten from it. Believe it or not, I actually celebrate that fact-- life, it seems, is not limited to my personal limitations, phew! Seriously, if you are deriving heartfelt inspiration or admiration from the story,then in some way or another you are on some kind of right track, because the part of yourself that has such experiences would not mislead you (all in my opinion of course). So I am glad that you are going where I, alas, do not on this one. I may not share your wavelength for this particular story, but all the same can appreciate your enthusiasm, and recognize that there is something valuable within it.

Why do you think WH romanticizes dysfunction and menmak ilness? Of course it will try to present it as dramatic and meaningful, that's what literature do, finding meaning in meaningless ..."
I love menmak! For me, the fact that Cathy and Heathcliff might today be diagnosed as mentally ill people who make low choices is irrelevant. Couldn't that could be said of characters in many of the world's greatest tales and stories? WH is a work of art in its evocation of a place, time, and characters, whatever their dynamics. When I think of it I think of raw yet delicate emotion and color.

Perhaps I should have put it a little differently. The story presents dysfunction and mental illness, and then some of its more vocal fans seem (to me) to romanticize all of that. Now none of this has anything to do with 'encouraging' anything-- in my reading of it, Emily Bronte wasn't writing for the purpose of encouraging any one thing or another. I felt that she was simply presenting a different, harsher, more intense and desperate picture of life than what was commonly published in her time-- along with a stylized spirituality implicit in the text for accommodating such pictures. She 'colored outside of the lines' so to speak, and obviously did so in a way that has secured a legion of admiring fans ever afterward.
Now in my opinion Heathcliff and Cathy (among others) would have been much better served had they chosen to focus on healing their own emotional injuries than in locating their 'answers' outside of themselves. They would have helped both themselves and everyone outside of themselves, by healing rather than expanding the destructiveness of profound emotional injury. So when I hear Wuthering Heights characterized as a great love story, it rings very hollow for me personally, and even lamentably so. For me it reads more like a horror story, with even 'love' perverted into something deplorably warped and destructive.
And I know that it's possible to consider and even appreciate the work in those terms, rather than as a great love story. But even in those terms, it's not the kind of substance that I personally find very interesting in stories. If I could magically leap into the book, then I'm sure that I would have felt real compassion for many of the characters-- but little or no admiration, considering that they were abandoning themselves to lower choices rather than trying to make higher ones. Or something like that anyway.

So much hate in that book.

I'm glad I'm not the only one. I was disturbed by Wuthering Heights. I don't understand why it's considered to be a great romance. To me, it's a book about abusive relationships.

Now ı understand what you're saying. We like different kind of stories then, ı respect your tastes, there isn't much that can be said about that."
I think that you put it perfectly. And for whatever it may be worth to you, I am enjoying seeing the story through your eyes, precisely because I know that there are things to appreciate within the story that I am not seeing. So the window of perspective that you provide is, for me, something that I can't duplicate, which allows me glimpses that otherwise would be be obscured from my horizon. Or something like that-- I'm glad to have access to other points of view, and appreciate when people are willing to detail theirs.

Now ı understand what you're saying. We like different kind of stories then, ı respect your tastes, there isn't much that can be said about that."
You know the story really well. I've read it twice but I couldn't discuss the story so clearly. Thanks. I'll probably read it again. From what I've read, Emily herself was a tormented soul. Emily Dickinson very much admired Bronte's poetry and you can see the influence, though I haven't read nearly so much of Bronte's poetry as Dickinson's.

I don't consider it a love story, because by the time they reach adulthood Cathy and Heathcliff are both too damaged to love anyone. Heathcliff may be largely a product of his circumstances, but I have to wonder if there was not something essentially wrong with Cathy, since so much of her suffering is self-inflicted, and seems to be inspired by spite, so that those who care for her might suffer too.
Darcy and Elizabeth are not as exciting. But as I read their story I think, "This is how romantic love in the real world begins and grows." I can identify with what Elizabeth feels, and I recognize Mr. Darcy as someone I might come to love. By the end, sexual attraction, being "in love," is turning into the kind of loving relationship that will only deepen with time. To me, P &P is a love story, while W H is not.

I think you really hit this topic right on the nose for me. When I read Wuthering Heights, I didn't feel that it was a love story at all. At first I was drawn in about how cute they were together as kids but after that..I felt that the relationship became abusive.
Darcy and Elizabeth to me always was a great love story. Maybe it's not as dramatic as Wuthering Heights, but the type of scandal in P&P I'm sure it was considered to be very dramatic in its time.



But I have a special place in my heart for happly-ever afters like P&P. I mean who can resist a Mr. Darcy. Come on thats the one you take home to momma.

Something I must say in regards to Wuthering Heights, it might have gone against Emily Bronte's nature, but I feel if Emily Bronte lived, and wrote a sequel it may have possibly gone in the direction of Austen. Hareton & Cathy were moving away from the madness and dysfunction into something more stable and social. The ghosts of Heathcliff & Catherine would eventually fade through time, they would eventually have to become a part of society sooner or later, and they accepted each other.
Emily doesn't exactly guarantee it to be a happy union, but it strongly is suggested to me it will be. I think this is Emily's ultimate statement in the novel: that a Heathcliff and Catherine could not possibly function in the real, and changing world of the time, Heatchliff shutting himself away from the world, hating everyone in the world, brooding etc etc. Hareton and Cathy, while being less dramatic and for many people, interesting as their formers, are more adaptable, grounded and willing to learn, these people can function and contribute to society.

Remember that Joseph is the one who accompanies Lockwood in his first dream to hear Jabes Branderham preach about the unforgivable sin, and always forgiving your fellow man. I always felt that dream was a very underrated and overlooked part of the novel, and quite humorous too how Lockwood is astounded at Jabe's conceiving all of these sins, and his restless boredom at the sermon. It certainly sets the tone for the rest of the novel in the domino effect of violence and hostility the characters pursue: "every man's hand was against his neighbour".



No, I like the rambling. And the idea of comparing House of Mirth and Pride and Prejudice. I would say right off that Austen liked women a lot more than Wharton did. But that's just the beginning.


I found an essay Emily Bronte wrote while studying in Belgium in 1842. I noticed many allusions, and ideas she later expounded upon in Wuthering Heights: Spirituality, religion, death, sin, rebirth...it's amazing she turned it into one of the greatest novels of all time. I guess that's the power of the creative mind.
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Both are set in the Regency Era, both are written by women, both are considered classics, so they HAVE to be compared. Seriously? They are so different. They have nothing in common except for the three things I've just said. Both books are wonderful in their own right, even though lots of people love both, lots of people love one of them (Pride and Prejudice is a lot more popular, but gothic fans prefer Wuthering Heights) and many people don't like either.
I love both books in their way.
I love both books in their way.

Well, both books were written in 1800s and the English was different then.


Pride and Prejudice isn't a barrel of laughs all the way through - there's the small matter of Lydia's elopement and Wickham's character, both of which would have been shocking to Austen's readers. Neither of these, however, can compare to the necrophilia of Wuthering Heights.
Of the Bronte sisters I prefer Charlotte, especially Villette, but I might give Wuthering Heights another go.


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I always thought Frankenstein was a good comparison for WH; multiple narrators, letters, conflict, revenge, both Bronte and Shelley drawing from Milton & Shakespeare. The fact it was written during Austen's time is incredible.

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I always thought Frankenstein was a good comparison for WH; multip..."
Good comparison. Both are Gothic, hyper-real, romantic, tortured. I was not altogether surprised to read that Emily Dickinson admired Emily Bronte's poetry. I don't know if she read Wuthering Heights.

Good analysis of differences and I hadn't thought of WH as more like a folk tale though I think it (and the novel form) more sophisticated. This distinction supports the opinion that comparing the two books makes little sense; they are from entirely different 'genres.' WH is gothic, romantic, and P&P a comedy of manners (of the time). I like them both, for very different kinds of reading pleasure. When people say one is better than the other, aren't they mainly stating a preference for one type of story over another?


And WH is most certainly sophisticated. E..."
Oh, I very much like the comparison of WH to a folk tale. As I said, hadn't thought of that and folk tales are particularly fascinating to me because they do reflect culture. It's fresh to me, thinking of WH in that way.

I'm not an Austen fan; maybe some other time I will be

For me, Pride And Prejudice had much more meaning than just upon the surface (as all of Jane Austen's mature works do for me). I find her a masterful chronicler of human nature whose works are replete with simple natural wisdom. This is why many fans including myself have found her work to be genuinely universal. Her settings may have been exclusive, but her characters and their interactions have spoken a deftly familiar language to millions of fans across two-hundred years and counting.






Lol!! Best description of WH ever!

I liked Cemre's WH in a nutshell too. I think Emily Bronte had a very different disposition toward the world than Austen, who believably contrived for Elizabeth to avoid marriage to Collins (I doubt that often happened in real life).

Well Emily did not think highly of Austen, to say the least. She felt that Austen didn't "get" her characters and probably found them a bit flat. I guess the romanticized world of Austen bored her and probably felt out of reach.


Emily's characters seem romanticized because of public opinion, not because of the actual writing. Though I agree with you that the Gothic Romance aspect is present, obviously. But both Heathcliff and Cathy Sr are a couple of.....well for a lack of a better term assholes. At least that's how they are presented to us.
Much like people treat Romeo and Juliet as an epic world wind romance when in reality the characters are a couple of insipid twits who exemplify blind irrational lust and conflate it with "true love." So do people treat WH as some romantic epic, when it's really kind of a sick story, if you think about it.
But regardless, I didn't say I agree with Emily's assessment, just pointing out something I learned in English Class and a probable reason why WH turned out to be something of an antithesis for P&P. I'm sorry if I implied otherwise.

I hadn't thought of that. It's interesting if Emily Bronte found the happy ending romance of JA stories annoying. I haven't read a lot about her life (and her family's) but as I remember it was difficult and her brother had problems, and she was an intense, emotional person.
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I've read Wuthering Heights — twice.