Embroidery Quotes

Quotes tagged as "embroidery" Showing 1-10 of 10
“Helda's been trying to impress me with the embroidery on the sheets. One more minute and I thought I might use them to hang myself."
"My mother did the embroidery," Bittterblue said.
Katsa clapped her mouth shut and glared at Helda. "Thank you, Helda, for mentioning that detail.”
Kristin Cashore, Bitterblue

Erik Pevernagie
“If the reality of our life has become an unsettling arabesque puzzle and we still want to add more filigree embroidery to it, we might, some day, expect to stray from the point of recognition, lose the final thread, be expelled to the edge of delusion and forced to dance on the brim of chaos. ("Alert. High noon." )”
Erik Pevernagie

W.H. Auden
“Base words are uttered only by the base
And can for such at once be understood;
But noble platitudes — ah, there's a case
Where the most careful scrutiny is needed
To tell a voice that's genuinely good
From one that's base but merely has succeeded.”
W.H. Auden, Collected Poems

Jane Johnson
“There are days when I think there really is some huge great tapestry of a plan out there and we're all woven into it - this fabulous, complex pattern of life and death, full of recurring motifs and waves of color, and we're each one tiny thread in the weave.”
Jane Johnson, The Tenth Gift

William Shakespeare
“In emerald tufts, flowers purple, blue and white;
Like sapphire, pearl, and rich embroidery,
Buckled below fair knighthood's bending knee;
Fairies use flower for their charactery.”
Shakespeare "Merry Wives of Windsor"

Laura Esquivel
“She was passionate about knitting because it allowed her to reach a state of peacefulness, and she loved to embroider because it let her express her creativity. Both activities were liberating. They allowed her to exist outside of time.”
Laura Esquivel, Pierced by the Sun

“As far as we could tell, the face of the revolution was a sea of embroidering women, patiently waiting the resignation of their repressive governor.”
Diana Denham

“Kate Walker´s attitude is characteristic of contemporary feminists' determination not to reject femininity but to empty the term of its negative connotations, to reclaim and refashion the category:
"I have never worried that embroidery's association with femininity, sweetness, passivity and obedience may subvert my work's feminist intention. Femininity and sweetness are part of women's strength. Passivity and obedience, moreover, are the very opposites of the qualities necessary to make a sustained effort in needlework. What's required are physical and mental skills, fine aesthetic judgement in colour, texture and composition; patient during long training: and assertive individuality of design (and consequence disobedience of aesthetic convention). Quiet strength need not be mistaken for useless vulnerability".”
Rozsika Parker, The Subversive Stitch: Embroidery and the Making of the Feminine

Tessa Dare
“The careful, embroidered stitches delineated a coil of some sort. It looked rather like a halved snail shell, but the interior was divided into dozen of intricate chambers.
"Is that a nautilus?" he asked.
"Close, but no. It's an ammonite."
"An ammonite? What's an ammonite? Sounds like an Old Testament people overdue for smiting."
"Ammonites are not a biblical people," she replied in a tone of strained forbearance. "But they have been smited."
"Smote."
With a snap of linen, she shot him a look. "Smote?"
"Grammatically speaking, I think the word you want is 'smote.' "
"Scientifically speaking, the word I want is 'extinct.' Ammonites are extinct. They're only known to us in fossils."
"And bedsheets, apparently."
"You know..." She huffed aside a lock of hair dangling
in her face. "You could be helping."
"But I'm so enjoying watching," he said, just to devil her. Nonetheless, he picked up the edge of the top sheet and fingered the stitching as he pulled it straight. "So you made this?"
"Yes." Though judging by her tone, it hadn't been a labor of love. "My mother always insisted, from the time I was twelve years old, that I spend an hour every evening on embroidery. She had all three of us forever stitching things for our trousseaux."
'Trousseaux.' The word hit him queerly. "You brought your trousseau?"
"Of course I brought my trousseau. To create the illusion of an elopement, obviously. And it made the most logical place to store Francine. All these rolls of soft fabric made for good padding."
Some emotion jabbed his side, then scampered off before he could name it. Guilt, most likely. These were sheets meant to grace her marriage bed, and she was spreading them over a stained straw-tick mattress in a seedy coaching inn.
"Anyhow," she went on, "so long as my mother forced me to embroider, I insisted on choosing a pattern that interested me. I've never understood why girls are always made to stitch insipid flowers and ribbons."
"Well, just to hazard a guess..." Colin straightened his edge. "Perhaps that's because sleeping on a bed of flowers and ribbons sounds delightful and romantic. Whereas sharing one's bed with a primeval sea snail sounds disgusting."
Her jaw firmed. "You're welcome to sleep on the floor."
"Did I say disgusting? I meant enchanting. I've always wanted to go to bed with a primeval sea snail.”
Tessa Dare, A Week to Be Wicked

Sakoon Singh
“Two kingfishers frolicking amidst branches of a small fig tree. Fleshy petals with streaks of pale yellow hiding a spread of fine black dots, embroidered in gradient with dark shades of saffron gradually giving way to yellow. Two birds alighting from the flower bush: one with its spindly beak , looking upwards- wings spread out, over sized head with a gay blue breast. The creature looked skywards, poised for a higher flight. The one below hovered over stalks of lilies. Its prussian blue head highlighted with lighter shades of blue and its orange body tapering in a stubby tail. One more fig blossom seemingly at a distance from the main frame looked more of a spectral double of its full bodied cousin, while a whole array of vegetation with stalky leaves seen two notches away as shadows embroidered in grey.”
Sakoon Singh, In The Land of The Lovers