tumulus > tumulus's Quotes

“As long as she thinks of a man, nobody objects to a woman thinking.”
― Virginia Woolf, Orlando

“Why are women... so much more interesting to men than men are to women?”
― Virginia Woolf

“But who prays for Satan? Who, in eighteen centuries, has had the common humanity to pray for the one sinner that needed it most?”
― Mark Twain

“A woman knows very well that, though a wit sends her his poems, praises her judgment, solicits her criticism, and drinks her tea, this by no means signifies that he respects her opinions, admires her understanding, or will refuse, though the rapier is denied him, to run through the body with his pen.”
― Virginia Woolf, Orlando

“She wanted to die, but she also wanted to live in Paris.”
― Gustave Flaubert, Madame Bovary

“An infinity of passion can be contained in one minute, like a crowd in a small space.”
― Gustave Flaubert, Madame Bovary

“Whereas I think: I’m lying here in a haystack... The tiny space I occupy is so infinitesimal in comparison with the rest of space, which I don’t occupy and which has no relation to me. And the period of time in which I’m fated to live is so insignificant beside the eternity in which I haven’t existed and won’t exist... And yet in this atom, this mathematical point, blood is circulating, a brain is working, desiring something... What chaos! What a farce!”
― Ivan Sergeevich Turgenev, Fathers and Sons

“There is no surer foundation for a beautiful friendship than a mutual taste in literature.”
― P.G. Wodehouse

“Chumps always make the best husbands. When you marry, Sally, grab a chump. Tap his head first, and if it rings solid, don't hesitate. All the unhappy marriages come from husbands having brains. What good are brains to a man? They only unsettle him.”
― P.G. Wodehouse, Doctor Sally

“That no life lives forever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.”
― Algernon Charles Swinburne, The Garden of Proserpine

“Socialism is nothing but the capitalism of the lower classes.”
― Oswald Spengler, The Hour of Decision

“Work is the curse of the drinking classes.”
― Oscar Wilde

“This royal throne of kings, this scepter’d isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall
Or as a moat defensive to a house,
Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England,
This nurse, this teeming womb of royal kings,
Fear’d by their breed and famous by their birth,
Renowned for their deeds as far from home,
For Christian service and true chivalry,
As is the sepulchre in stubborn Jewry
Of the world’s ransom, blessed Mary’s Son,
This land of such dear souls, this dear dear land,
Dear for her reputation through the world,
Is now leased out, I die pronouncing it,
Like to a tenement or pelting farm:
England, bound in with the triumphant sea,
Whose rocky shore beats back the envious siege
Of watery Neptune, is now bound in with shame,
With inky blots and rotten parchment bonds:
That England, that was wont to conquer others,
Hath made a shameful conquest of itself.
Ah, would the scandal vanish with my life,
How happy then were my ensuing death!”
― William Shakespeare, Richard II

“Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death--ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.”
― James Baldwin, The Fire Next Time

“These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume. The sweetest honey
Is loathsome in his own deliciousness
And in the taste confounds the appetite.
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.”
― William Shakespeare, Romeo and Juliet

“If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?”
― Aleksandr Solzhenitsyn, The Gulag Archipelago 1918–1956

“Gradually it was disclosed to me that the line separating good and evil passes not through states, nor between classes, nor between political parties either -- but right through every human heart -- and through all human hearts. This line shifts. Inside us, it oscillates with the years. And even within hearts overwhelmed by evil, one small bridgehead of good is retained. And even in the best of all hearts, there remains ... an unuprooted small corner of evil.

Since then I have come to understand the truth of all the religions of the world: They struggle with the evil inside a human being (inside every human being). It is impossible to expel evil from the world in its entirety, but it is possible to constrict it within each person.”
― Aleksandr I. Solzhenitsyn, The Gulag Archipelago 1918–1956

“For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.

It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.

And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.

It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.

I would have done anything to feel real again.”
― Gillian Flynn, Gone Girl

“What do you despise? By this are you truly known.”
― Frank Herbert, Dune

“La femme est insatiable comme la mer (...), mystérieuse comme la nuit (...) image de l'immensité, elle engendre la claustrophobie.”
― Pierre Darmon, Mythologie de la femme dans l'ancienne France: XVIe-XVIIIe siècle

“But there is nothing a man might not do, with you to encourage him. You make me wish to be a hero." He laughed, but Hester did not laugh. She gave him a keen look, in which there was a touch of disdain. " Do you really think," she said, " that the charm of inspiring, as you call it, is what any reasonable creature would prefer to doing? To make somebody else a hero rather than be a hero yourself? Women would need to be disinterested indeed if they like that best. I don't see it. Besides, we are not in the days of chivalry. What could you be inspired to do— make better bargains on your Stock Exchange?”
― Mrs. Oliphant, Hester

“Besides,'' she said, "it was not a hero I was thinking of. If anybody, it was Catherine Vernon." "Whom you don't like. These women, who step out of their sphere, they may do much to be respected, they may be of great use; but " "You mean that men don't like them," said Hester, with a smile; " but then women do; and, after all, we are the half of creation — or more.”
― Mrs. Oliphant, Hester

“I only care for the subjective life; I am very German, you see: The woods interest me, and the world does not.”
― Ouida, Wanda, Countess von Szalras.

“Is there a more pitiable spectacle than that of a wife contending with others for that charm in her husband's sight which no philters and no prayers can renew when once it has fled forever?
Women are so unwise. Love is like a bird's song beautiful and eloquent when heard in forest freedom, harsh and worthless in repetition when sung from behind prison bars.
You cannot secure love by vigilance, by environment, by captivity. What use is it to keep the person of a man beside you if his soul be truant from you?”
― Ouida, Wanda, Countess von Szalras.

“There are wrongs for which religion makes no provision, and of which it has no comprehension.
--"Wanda”
― Ouida

“Shakespeare wrote Moby-Dick, using Melville as a Ouija board.”
― Ray Bradbury

“Has it ever struck you that life is all memory, except for the one present moment that goes by you so quick you hardly catch it going?”
― Tennessee Williams, The Milk Train Doesn't Stop Here Anymore

“The word 'however' is like an imp coiled beneath your chair. It induces ink to form words you have not yet seen, and lines to march across the page and overshoot the margin. There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.”
― Hilary Mantel, Bring Up the Bodies