Jes > Jes's Quotes

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  • #1
    Kurt Vonnegut Jr.
    “Say what you will about the sweet miracle of unquestioning faith, I consider a capacity for it terrifying and absolutely vile.”
    Kurt Vonnegut, Mother Night

  • #2
    Kurt Vonnegut Jr.
    “If you can do no good, at least do no harm.”
    Kurt Vonnegut, Slapstick, or Lonesome No More!

  • #3
    Kurt Vonnegut Jr.
    “A sane person to an insane society must appear insane.”
    Kurt Vonnegut, Welcome to the Monkey House

  • #4
    Kurt Vonnegut Jr.
    “I was a victim of a series of accidents, as are we all.”
    Kurt Vonnegut, The Sirens of Titan

  • #5
    Kurt Vonnegut Jr.
    “Being a Humanist means trying to behave decently without expectation of rewards or punishment after you are dead.”
    Kurt Vonnegut

  • #6
    Kurt Vonnegut Jr.
    “How nice -- to feel nothing, and still get full credit for being alive.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #7
    Kurt Vonnegut Jr.
    “1492. As children we were taught to memorize this year with pride and joy as the year people began living full and imaginative lives on the continent of North America. Actually, people had been living full and imaginative lives on the continent of North America for hundreds of years before that. 1492 was simply the year sea pirates began to rob, cheat, and kill them.”
    Kurt Vonnegut

  • #8
    Kurt Vonnegut Jr.
    “I tell you, we are here on Earth to fart around, and don't let anybody tell you different.”
    Kurt Vonnegut, A Man Without a Country

  • #9
    Kurt Vonnegut Jr.
    “I want to stand as close to the edge as I can without going over. Out on the edge you see all kinds of things you can't see from the center.”
    Kurt Vonnegut, Player Piano

  • #10
    Kurt Vonnegut Jr.
    “Those who believe in telekinetics, raise my hand.”
    Kurt Vonnegut

  • #11
    Kurt Vonnegut Jr.
    “We are what we pretend to be, so we must be careful about what we pretend to be.”
    Kurt Vonnegut, Mother Night

  • #12
    Tori Amos
    “I don't see myself as weird, I just see myself as honest.”
    Tori Amos

  • #13
    Tori Amos
    “The truth lies in between the 1st and the 40th drink”
    Tori Amos, To Venus and Back

  • #14
    Tori Amos
    “Most people would rather be sheep than stand on their own with antlers on.”
    Tori Amos

  • #15
    Tori Amos
    “Some of the most wonderful people are the ones who don`t fit into boxes.”
    Tori Amos

  • #16
    Tori Amos
    “From in the shadow she calls. And in the shadow she finds a way, finds a way. And in the shadow she crawls, clutching her faded photograph. My image under her thumb. Yes with a message for my heart. She’s been everybody else’s girl maybe one day she’ll be her own.”
    Tori Amos

  • #17
    Tori Amos
    “It's hard to hide a hundred girls in your hair.”
    Tori Amos

  • #18
    Audrey Hepburn
    “As you grow older, you will discover that you have two hands, one for helping yourself, the other for helping others.”
    Audrey Hepburn

  • #19
    Katharine Hepburn
    “I'm an atheist, and that's it. I believe there's nothing we can know except that we should be kind to each other and do what we can for people.”
    Katharine Hepburn

  • #20
    Coco J. Ginger
    “Writing is hard. Not as hard as not writing.

    Not writing is torturous, bloody, chaotic and a gruesome winless battle.

    A writer who writes, knows peace, lives connected to truth.

    Not writing is ache, betrayal, death of the soul and imagination.”
    Jamie Weise

  • #21
    “Those who write are writers. Those who wait are waiters.”
    A. Lee Martinez

  • #22
    Lili St. Crow
    “Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that bitch.”
    Lili St. Crow

  • #23
    Junot Díaz
    “In order to write the book you want to write, in the end you have to become the person you need to become to write that book.”
    Junot Diaz

  • #24
    Inez Kelley
    “Dear Aspiring Writer, you are not ready. Stop. Put that finished story away and start another one. In a month, go back and look at the first story. RE-EDIT it. Then send it to a person you respect in the field who will be hard on you. Pray for many many many red marks. Fix them. Then put it away for two weeks. Work on something else. Finally, edit one last time. Now you are ready to sub your first work.

    Criticism is hard to take at first. Trust me, I've been there. But learn to think of crit marks as a knife. Each one is designed to cut away the bad and leave a scar. Scars prove you've lived, learned and walked away a winner. Any writer who tells you they don't need edits is lying. I don't care if they have 100 books out. Edits make you grow and if you aren't growing as a writer, you are dead.”
    Inez Kelley

  • #25
    Virginia Woolf
    “Needless to say, the business of living interferes with the solitude so needed for any work of the imagination. Here's what Virginia Woolf said in her diary about the sticky issue: "I've shirked two parties, and another Frenchman, and buying a hat, and tea with Hilda Trevelyan, for I really can't combine all this with keeping all my imaginary people going.”
    Virginia Woolf

  • #26
    Kurt Vonnegut Jr.
    “Here we are, trapped in the amber of the moment. There is no why.”
    Kurt Vonnegut

  • #27
    Kurt Cobain
    “I'd rather be hated for who I am, than loved for who I am not.”
    Kurt Cobain

  • #28
    Kurt Cobain
    “Wanting to be someone else is a waste of who you are.”
    Kurt Cobain

  • #29
    Edgar Allan Poe
    “Once upon a midnight dreary, while I pondered, weak and weary,
    Over many a quaint and curious volume of forgotten lore,
    While I nodded, nearly napping, suddenly there came a tapping,
    As of some one gently rapping, rapping at my chamber door.
    Tis some visitor," I muttered, "tapping at my chamber door —
    Only this, and nothing more."

    Ah, distinctly I remember it was in the bleak December,
    And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow; — vainly I had sought to borrow
    From my books surcease of sorrow — sorrow for the lost Lenore —
    For the rare and radiant maiden whom the angels name Lenore —
    Nameless here for evermore.

    And the silken sad uncertain rustling of each purple curtain
    Thrilled me — filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating,
    Tis some visitor entreating entrance at my chamber door —
    Some late visitor entreating entrance at my chamber door; —
    This it is, and nothing more."

    Presently my soul grew stronger; hesitating then no longer,
    Sir," said I, "or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
    That I scarce was sure I heard you"— here I opened wide the door; —
    Darkness there, and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
    Doubting, dreaming dreams no mortals ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, "Lenore?"
    This I whispered, and an echo murmured back the word, "Lenore!" —
    Merely this, and nothing more.

    Back into the chamber turning, all my soul within me burning,
    Soon again I heard a tapping somewhat louder than before.
    Surely," said I, "surely that is something at my window lattice:
    Let me see, then, what thereat is, and this mystery explore —
    Let my heart be still a moment and this mystery explore; —
    'Tis the wind and nothing more."

    Open here I flung the shutter, when, with many a flirt and flutter,
    In there stepped a stately raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door —
    Perched upon a bust of Pallas just above my chamber door —
    Perched, and sat, and nothing more.

    Then this ebony bird beguiling my sad fancy into smiling,
    By the grave and stern decorum of the countenance it wore.
    Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
    Ghastly grim and ancient raven wandering from the Nightly shore —
    Tell me what thy lordly name is on the Night's Plutonian shore!"
    Quoth the Raven, "Nevermore."

    Much I marveled this ungainly fowl to hear discourse so plainly,
    Though its answer little meaning— little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blest with seeing bird above his chamber door —
    Bird or beast upon the sculptured bust above his chamber door,
    With such name as "Nevermore.”
    Edgar Allan Poe, The Raven

  • #30
    Edgar Allan Poe
    “I have absolutely no pleasure in the stimulants in which I sometimes so madly indulge. It has not been in the pursuit of pleasure that I have periled life and reputation and reason. It has been the desperate attempt to escape from torturing memories, from a sense of insupportable loneliness and a dread of some strange impending doom.”
    Edgar Allan Poe



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