Amy > Amy's Quotes

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  • #1
    Tara Westover
    “Guilt is the fear of one’s own wretchedness. It has nothing to do with other people.”
    Tara Westover, Educated

  • #2
    Sharon Olds
    “I can tell you we were right, our bodies were right, life was really going to be that good, that pleasurable in every cell. Suddenly I remember the exact look of your body, but better than that the bright corners of your eyes, or the light of your face, the rich Long Island puppy-fat of your thighs, or the slick chino of your pants bright in the corners of my eyes, I remember your extraordinary act of courage in loving me”
    Sharon Olds

  • #3
    Gabriel García Márquez
    “When I'm well, I can raise the dead.”
    Gabriel García Márquez, No One Writes to the Colonel and Other Stories

  • #4
    Richard Siken
    “Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.”
    Richard Siken, Crush

  • #5
    Louisa May Alcott
    “They were very happy, even after they discovered that they couldn't live on love alone.”
    Louisa May Alcott, Little Women

  • #6
    Sharon Olds
    “What can I tell you now, now that I know so much and you are a freshman still, drinking a quart of orange juice and
    playing three sets of tennis to cure a hangover, such an ardent student of the grown-ups! I can tell you we were right, our bodies were right, life was pleasurable in every cell. Suddenly I remember the exact look of your body, but better than the bright corners of your eyes, or the rich, Long Island puppy-fat of your thighs, or the slick chino of your pants bright in the corners of my eyes, I remember your extraordinary act of courage in loving me, something no one but the blind and halt had done before. You were fearless, you could drive after a sleepless night just like a grown-up, and not be afraid, you could fall asleep at the wheel easily and never know it, each blond hair of your head -- and they were thickly laid -- put out like a filament of light, twenty years ago.”
    Sharon Olds, The Gold Cell

  • #7
    Louisa May Alcott
    “A heavy weight fell on Jo's heart as she saw her sister's face. It was no paler and but littler thinner than in the autumn, yet there was a strange, transparent look about it, as if the mortal was being slowly refined away, and the immortal shining through the frail flesh with an indescribably pathetic beauty.”
    Louisa May Alcott, Little Women

  • #8
    Louisa May Alcott
    “Love is the only thing that we can carry with us when we go, and it makes the end so easy.”
    Louisa May Alcott, Good Wives

  • #9
    Louisa May Alcott
    “While we wait we may all work, so that these hard days need not be wasted.”
    Louisa May Alcott, Little Women

  • #10
    Herman Melville
    “But Faith, like a jackal, feeds among the tombs, and even from these dead doubts she gathers her most vital hope. (Moby Dick; Chap 7 p36)”
    herman melville

  • #11
    Herman Melville
    “Talk not to me of blasphemy, man; I'd strike the sun if it insulted me.”
    Herman Melville, Moby-Dick or, The Whale

  • #12
    Gabriel García Márquez
    “She felt an irresistible longing to begin life with him over again so that they could say what they had left unsaid and do everything right that they had done badly in the past.”
    Gabriel García Márquez, Love in the Time of Cholera

  • #13
    Fyodor Dostoevsky
    “She only lived in his life”
    Fyodor Dostoyevsky, Crime and Punishment

  • #14
    Albert Camus
    “the Greeks claimed that those who died young were beloved of the gods. And that is true only if you are willing to believe that entering the ridiculous world of the gods is forever losing the purest of joys, which is feeling, and feeling on this earth.”
    Albert Camus, The Myth of Sisyphus and Other Essays

  • #15
    Alain de Botton
    “prayer is when night descends over thought”
    Alain de Botton

  • #16
    Albert Camus
    “The absurd does not liberate; it binds. It does not authorize all actions. "Everything is permitted" does not mean that nothing is forbidden.”
    Albert Camus, The Myth of Sisyphus and Other Essays

  • #18
    Albert Camus
    “We turn our backs on nature; we are
    ashamed of beauty. Our wretched tragedies have a smell of the office clinging to them, and the blood that trickles from them is the color of printer’s ink.”
    Albert Camus, The Myth of Sisyphus and Other Essays

  • #18
    Albert Camus
    “Knowing that there are no victorious causes, I have a liking for lost causes: they require an uncontaminated soul”
    albert camus, The Myth of Sisyphus and Other Essays

  • #19
    “Create myth for the mythless American”
    James E Miller Jr

  • #20
    Walt Whitman
    “Human bodies are words, myriads of words; In the best poems reappears the body, man's or woman's, well-shaped,         natural, gay;”
    Walt Whitman, Poems by Walt Whitman

  • #21
    Jorge Luis Borges
    “Matthew XV:30”

    The first bridge, Constitution Station. At my feet
    the shunting trains trace iron labyrinths.
    Steam hisses up and up into the night,
    which becomes at a stroke the night of the Last Judgment.

    From the unseen horizon
    and from the very center of my being,
    an infinite voice pronounced these things—
    things, not words. This is my feeble translation,
    time-bound, of what was a single limitless Word:

    “Stars, bread, libraries of East and West,
    playing-cards, chessboards, galleries, skylights, cellars,
    a human body to walk with on the earth,
    fingernails, growing at nighttime and in death,
    shadows for forgetting, mirrors busily multiplying,
    cascades in music, gentlest of all time's shapes.
    Borders of Brazil, Uruguay, horses and mornings,
    a bronze weight, a copy of the Grettir Saga,
    algebra and fire, the charge at Junín in your blood,
    days more crowded than Balzac, scent of the honeysuckle,
    love and the imminence of love and intolerable remembering,
    dreams like buried treasure, generous luck,
    and memory itself, where a glance can make men dizzy—
    all this was given to you, and with it
    the ancient nourishment of heroes—
    treachery, defeat, humiliation.
    In vain have oceans been squandered on you,
    in vain the sun, wonderfully seen through Whitman’s eyes.
    You have used up the years and they have used up you,
    and still, and still, you have not written the poem.”
    Jorge Luis Borges, Selected Poems

  • #22
    “In all of the languages of the five hundred original North American Indian cultures, and in most of the southern hemisphere, there is no word for "art" apart from the spiritual or tribal functions that any esthetic creation might serve. This creation is non-mimetic, that is, it is not a copy or shadow of the real but incorporates reality, in essence, and becomes the thing itself. For the word-sender, the singing of the poem is sacred and practical rather than secular and artistic. The purpose is to name, mythify; initiate, heal, unify, or psychically transport, rather than, as we understand the artistic function, for individual self-expression, entertainment, or purely esthetic pleasure. Beauty is not a secondary reflection of goodness, but, as with the Pueblos, "good" and "beautiful" are the same word.”
    james nolan, Poet-Chief: The Native American Poetics of Walt Whitman and Pablo Neruda

  • #23
    Pablo Neruda
    “We se that [anguish] is the way that capitalism rids itself of those mentalities that could prove hostile to it in the class struggle”
    Pablo Neruda

  • #24
    Édouard Levé
    “Your taste for literature did not come from your father, who read little, but from your mother, who taught it. You wondered how, being so different, they could have formed a union; but you noted that in you there was a mixture of the violence of the one and the gentleness of the other. Your father exerted his violence on others. Your mother was sympathetic to the suffering of others. One day you directed the violence you had inherited toward yourself. You dished it out like your father and you took it like your mother.”
    Édouard Levé, Suicide

  • #25
    Andrea Gibson
    “Whenever they ask why we stayed together for so long I say, "I don't know. I just know that we cried at the exact same time in every movie. I know we blushed every day for the first two years. I know I always stole the covers and she never woke me up.”
    Andrea Gibson, Take Me With You

  • #26
    Pauli Murray
    “And while I could not always suppress the violent thoughts that raged inside me, I would nevertheless dedicate my life to seeking alternatives to physical violence, and would wrestle continually with the problem of transforming psychicviolence into creative energy”
    Pauli Murray, Song in a Weary Throat: Memoir of an American Pilgrimage

  • #26
    Howard Thurman
    “Don’t ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive.”
    Howard Thurman

  • #27
    Sylvia Plath
    “I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #28
    Alexandre Dumas
    “You are my son Dantés! You are the child of my captivity. My priestly office condemned me to celibacy: God sent you to me both to console the man who could not be a father and the prisoner who could not be free”
    Alexandre Dumas, The Count of Monte Cristo

  • #29
    James Baldwin
    “It's a miracle to realize that somebody loves you.”
    James Baldwin, If Beale Street Could Talk



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