Selected Poems Quotes
Selected Poems
by
Jorge Luis Borges6,681 ratings, 4.34 average rating, 193 reviews
Selected Poems Quotes
Showing 1-30 of 37
“The Suicide
Not a single star will be left in the night.
The night will not be left.
I will die and, with me,
the weight of the intolerable universe.
I shall erase the pyramids, the medallions,
the continents and faces.
I shall erase the accumulated past.
I shall make dust of history, dust of dust.
Now I am looking on the final sunset.
I am hearing the last bird.
I bequeath nothingness to no one.”
― Selected Poems
Not a single star will be left in the night.
The night will not be left.
I will die and, with me,
the weight of the intolerable universe.
I shall erase the pyramids, the medallions,
the continents and faces.
I shall erase the accumulated past.
I shall make dust of history, dust of dust.
Now I am looking on the final sunset.
I am hearing the last bird.
I bequeath nothingness to no one.”
― Selected Poems
“Let not the rash marble risk
garrulous breaches of oblivion's omnipotence,
in many words recalling
name, renown, events, birthplace.
All those glass jewels are best left in the dark.
Let not the marble say what men do not.
The essentials of the dead man's life--
the trembling hope,
the implacable miracle of pain, the wonder of sensual delight--
will abide forever.
Blindly the uncertain soul asks to continue
when it is the lives of others that will make that happen,
as you yourself are the mirror and image
of those who did not live as long as you
and others will be (and are) your immortality on earth.”
― Selected Poems
garrulous breaches of oblivion's omnipotence,
in many words recalling
name, renown, events, birthplace.
All those glass jewels are best left in the dark.
Let not the marble say what men do not.
The essentials of the dead man's life--
the trembling hope,
the implacable miracle of pain, the wonder of sensual delight--
will abide forever.
Blindly the uncertain soul asks to continue
when it is the lives of others that will make that happen,
as you yourself are the mirror and image
of those who did not live as long as you
and others will be (and are) your immortality on earth.”
― Selected Poems
“God has created nights well-populated
with dreams, crowded with mirror images,
so that man may feel that he is nothing more
than vain reflection. That's what frightens us.”
― Selected Poems
with dreams, crowded with mirror images,
so that man may feel that he is nothing more
than vain reflection. That's what frightens us.”
― Selected Poems
“Three hundred nights like three hundred walls
must rise between my love and me
and the sea will be a black art between us.
Time with a hard hand will tear out
the streets tangled in my breast.
Nothing will be left but memories.
(O afternoons earned with suffering,
nights hoping for the sight of you,
dejected vacant lots, poor sky
shamed in the bottom of the puddles
like a fallen angel. . . .
And your life that graces my desire
and that run-down and lighthearted neighborhood
shining today in the glow of my love. . . .)
Final as a statue
your absence will sadden other fields.”
― Selected Poems
must rise between my love and me
and the sea will be a black art between us.
Time with a hard hand will tear out
the streets tangled in my breast.
Nothing will be left but memories.
(O afternoons earned with suffering,
nights hoping for the sight of you,
dejected vacant lots, poor sky
shamed in the bottom of the puddles
like a fallen angel. . . .
And your life that graces my desire
and that run-down and lighthearted neighborhood
shining today in the glow of my love. . . .)
Final as a statue
your absence will sadden other fields.”
― Selected Poems
“The Moon"
There is such loneliness in that gold.
The moon of the nights is not the moon
Who the first Adam saw. The long centuries
Of human vigil have filled her
With ancient lament. Look at her. She is your mirror.”
― Selected Poems
There is such loneliness in that gold.
The moon of the nights is not the moon
Who the first Adam saw. The long centuries
Of human vigil have filled her
With ancient lament. Look at her. She is your mirror.”
― Selected Poems
“What can I hold you with?
I offer you lean streets, desperate sunsets, the moon of the ragged
suburbs.
I offer you the bitterness of a man who has looked long and long
at the lonely moon.[…]
I offer you that kernel of myself that I have saved, somehow
—the central heart that deals not in words, traffics not with
dreams and is untouched by time, by joy, by adversities.
I offer you explanations of yourself, theories about yourself, authentic
and surprising news of yourself.
I can give you my loneliness, my darkness, the hunger of my
heart; I am trying to bribe you with uncertainty, with danger,
with defeat.
from “Two English Poems”
― Selected Poems
I offer you lean streets, desperate sunsets, the moon of the ragged
suburbs.
I offer you the bitterness of a man who has looked long and long
at the lonely moon.[…]
I offer you that kernel of myself that I have saved, somehow
—the central heart that deals not in words, traffics not with
dreams and is untouched by time, by joy, by adversities.
I offer you explanations of yourself, theories about yourself, authentic
and surprising news of yourself.
I can give you my loneliness, my darkness, the hunger of my
heart; I am trying to bribe you with uncertainty, with danger,
with defeat.
from “Two English Poems”
― Selected Poems
“Equivocamos esa paz con la muerte
y creemos anhelar nuestro fin
y anhelamos el sueno y la indiferencia.
(We mistake peace for death
and we believe we long for our end
when what we long for is sleep and indifference.)”
― Selected Poems
y creemos anhelar nuestro fin
y anhelamos el sueno y la indiferencia.
(We mistake peace for death
and we believe we long for our end
when what we long for is sleep and indifference.)”
― Selected Poems
“Afterglow"
Sunset is always disturbing
whether theatrical or muted,
but still more disturbing
is that last desperate glow
that turns the plain to rust
when on the horizon nothing is left
of the pomp and clamor of the setting sun.
How hard holding on to that light, so tautly drawn
and different,
that hallucination which the human fear of the dark
imposes on space
and which ceases at once
the moment we realize its falsity,
the way a dream is broken
the moment the sleeper knows he is dreaming.”
― Selected Poems
Sunset is always disturbing
whether theatrical or muted,
but still more disturbing
is that last desperate glow
that turns the plain to rust
when on the horizon nothing is left
of the pomp and clamor of the setting sun.
How hard holding on to that light, so tautly drawn
and different,
that hallucination which the human fear of the dark
imposes on space
and which ceases at once
the moment we realize its falsity,
the way a dream is broken
the moment the sleeper knows he is dreaming.”
― Selected Poems
“Today is tomorrow and yesterday.”
― Selected Poems
― Selected Poems
“Happy is he who forgives others and who forgives himself.”
― Selected Poems
― Selected Poems
“I am this groping intensity that is a soul.”
― Selected Poems
― Selected Poems
“What is past is what is real.”
― Selected Poems
― Selected Poems
“Matthew XV:30”
The first bridge, Constitution Station. At my feet
the shunting trains trace iron labyrinths.
Steam hisses up and up into the night,
which becomes at a stroke the night of the Last Judgment.
From the unseen horizon
and from the very center of my being,
an infinite voice pronounced these things—
things, not words. This is my feeble translation,
time-bound, of what was a single limitless Word:
“Stars, bread, libraries of East and West,
playing-cards, chessboards, galleries, skylights, cellars,
a human body to walk with on the earth,
fingernails, growing at nighttime and in death,
shadows for forgetting, mirrors busily multiplying,
cascades in music, gentlest of all time's shapes.
Borders of Brazil, Uruguay, horses and mornings,
a bronze weight, a copy of the Grettir Saga,
algebra and fire, the charge at Junín in your blood,
days more crowded than Balzac, scent of the honeysuckle,
love and the imminence of love and intolerable remembering,
dreams like buried treasure, generous luck,
and memory itself, where a glance can make men dizzy—
all this was given to you, and with it
the ancient nourishment of heroes—
treachery, defeat, humiliation.
In vain have oceans been squandered on you,
in vain the sun, wonderfully seen through Whitman’s eyes.
You have used up the years and they have used up you,
and still, and still, you have not written the poem.”
― Selected Poems
The first bridge, Constitution Station. At my feet
the shunting trains trace iron labyrinths.
Steam hisses up and up into the night,
which becomes at a stroke the night of the Last Judgment.
From the unseen horizon
and from the very center of my being,
an infinite voice pronounced these things—
things, not words. This is my feeble translation,
time-bound, of what was a single limitless Word:
“Stars, bread, libraries of East and West,
playing-cards, chessboards, galleries, skylights, cellars,
a human body to walk with on the earth,
fingernails, growing at nighttime and in death,
shadows for forgetting, mirrors busily multiplying,
cascades in music, gentlest of all time's shapes.
Borders of Brazil, Uruguay, horses and mornings,
a bronze weight, a copy of the Grettir Saga,
algebra and fire, the charge at Junín in your blood,
days more crowded than Balzac, scent of the honeysuckle,
love and the imminence of love and intolerable remembering,
dreams like buried treasure, generous luck,
and memory itself, where a glance can make men dizzy—
all this was given to you, and with it
the ancient nourishment of heroes—
treachery, defeat, humiliation.
In vain have oceans been squandered on you,
in vain the sun, wonderfully seen through Whitman’s eyes.
You have used up the years and they have used up you,
and still, and still, you have not written the poem.”
― Selected Poems
“...I Fear the mirror may disclose
The true, unvarnished visage of my soul,
Bruised by shadows, black and blue with guilt-
The face God sees, that men perhaps see too.”
― Selected Poems
The true, unvarnished visage of my soul,
Bruised by shadows, black and blue with guilt-
The face God sees, that men perhaps see too.”
― Selected Poems
“Not a single star will be left in the night.
The night will not be left.
I will die and, with me,
the weight of the intolerable universe.
I shall erase the pyramids, the medallions,
the continents and faces.
I shall erase the accumulated past.
I shall make dust of history, dust of dust.
Now I am looking on the final sunset.
I am hearing the last bird.
I bequeath nothingness to no one.
― Jorge Luis Borges, “The Suicide,” Selected Poems. (Penguin Books; Reprint edition, April 1, 2000) Originally published October 1st 1971.”
― Selected Poems
The night will not be left.
I will die and, with me,
the weight of the intolerable universe.
I shall erase the pyramids, the medallions,
the continents and faces.
I shall erase the accumulated past.
I shall make dust of history, dust of dust.
Now I am looking on the final sunset.
I am hearing the last bird.
I bequeath nothingness to no one.
― Jorge Luis Borges, “The Suicide,” Selected Poems. (Penguin Books; Reprint edition, April 1, 2000) Originally published October 1st 1971.”
― Selected Poems
“I kept getting close to happiness and have stood in the shadow of suffering.”
― Selected Poems
― Selected Poems
“Vivimos descubriendo y olvidando
esa dulce costumbre de la noche.
Hay que mirarla bien. Puede ser última.
(Our life is spent discovering and forgetting
that gentle habit of the night.
Take a good look. It could be the last.)”
― Selected Poems
esa dulce costumbre de la noche.
Hay que mirarla bien. Puede ser última.
(Our life is spent discovering and forgetting
that gentle habit of the night.
Take a good look. It could be the last.)”
― Selected Poems
“Un idioma es una tradición, un modo de sentir la realidad, no un arbitrario repertorio de símbolos.
(A language is a tradition, a way of grasping reality, not an arbitrary assemblage of symbols.)”
― Selected Poems
(A language is a tradition, a way of grasping reality, not an arbitrary assemblage of symbols.)”
― Selected Poems
“A veces en las tardes una cara
Nos mira desde el fondo de un espejo;
El arte debe ser como ese espejo
Que nos revela nuestra propia cara.
(At times in the evenings a face
Looks at us out of the depths of a mirror;
Art should be like that mirror
Which reveals to us our own face.)”
― Selected Poems
Nos mira desde el fondo de un espejo;
El arte debe ser como ese espejo
Que nos revela nuestra propia cara.
(At times in the evenings a face
Looks at us out of the depths of a mirror;
Art should be like that mirror
Which reveals to us our own face.)”
― Selected Poems
“ELEGIJA O NEMOGUĆOJ USPOMENI
Šta ne bih dao za sećanje
na prašnjav puteljak sa niskim ogradama
i visokog konjanika što zoru ispunjava
(pohaban dugački pončo)
jednog dana među danima ravnice,
jednog dana bez datuma.
Šta ne bih dao za sećanje
na majku koja posmatra jutro
na estansiji Svete Irene
a ne zna da će se zvati Borhes.
Šta ne bih dao za sećanje
da sam se borio kod Sepede
i video Estanislaa Del Kampa
kako pozdravlja prvi kuršum
s radošću hrabra čoveka.
Šta ne bih dao za sećanje
na kapiju skrivenog letnjikovca
koju je moj otac svake večeri zatvarao
pre no što bi se izgubio u snu
i koju je zatvorio poslednji put
četrnaestog februara 38.
Šta ne bih dao za sećanje
na Hengistove čunove
koji kreću sa peščanih obala Danske
da osvoje ostrvo
koje još Engleska ne beše.
Šta ne bih dao za sećanje
(imao sam ga i izgubio)
na jedno zlatasto Tarnerovo platno
široko kao muzika.
Šta ne bih dao za sećanje
da sam čuo Sokrata
kad je pred veče kukute
s vedrinom ispitivao problem
besmrtnosti,
naizmenično navodeći mitove i razloge
dok se plava smrt penjala
iz već studenih nogu.
Šta ne bih dao za sećanje
da si mi rekla da me voliš
i da nisam spavao do zore,
bestidan i srećan.”
― Selected Poems
Šta ne bih dao za sećanje
na prašnjav puteljak sa niskim ogradama
i visokog konjanika što zoru ispunjava
(pohaban dugački pončo)
jednog dana među danima ravnice,
jednog dana bez datuma.
Šta ne bih dao za sećanje
na majku koja posmatra jutro
na estansiji Svete Irene
a ne zna da će se zvati Borhes.
Šta ne bih dao za sećanje
da sam se borio kod Sepede
i video Estanislaa Del Kampa
kako pozdravlja prvi kuršum
s radošću hrabra čoveka.
Šta ne bih dao za sećanje
na kapiju skrivenog letnjikovca
koju je moj otac svake večeri zatvarao
pre no što bi se izgubio u snu
i koju je zatvorio poslednji put
četrnaestog februara 38.
Šta ne bih dao za sećanje
na Hengistove čunove
koji kreću sa peščanih obala Danske
da osvoje ostrvo
koje još Engleska ne beše.
Šta ne bih dao za sećanje
(imao sam ga i izgubio)
na jedno zlatasto Tarnerovo platno
široko kao muzika.
Šta ne bih dao za sećanje
da sam čuo Sokrata
kad je pred veče kukute
s vedrinom ispitivao problem
besmrtnosti,
naizmenično navodeći mitove i razloge
dok se plava smrt penjala
iz već studenih nogu.
Šta ne bih dao za sećanje
da si mi rekla da me voliš
i da nisam spavao do zore,
bestidan i srećan.”
― Selected Poems
“That I might be allowed to dream the other
Whose fertile memory will be a part
Of all the days of man, I humbly pray;
My god, my dreamer, keep on dreaming me”
― Selected Poems
Whose fertile memory will be a part
Of all the days of man, I humbly pray;
My god, my dreamer, keep on dreaming me”
― Selected Poems
“There is a line by Verlaine that I will not remember again.
There is a street nearby that is off limits to my feet.
There is a mirror that has seen me for the last time.
There is a door I have closed until the end of the world.
Among the books in my library (I’m looking at them now) are some I will never open.
This summer I will be fifty years old.
Death is using me up, relentlessly.”
― Selected Poems
There is a street nearby that is off limits to my feet.
There is a mirror that has seen me for the last time.
There is a door I have closed until the end of the world.
Among the books in my library (I’m looking at them now) are some I will never open.
This summer I will be fifty years old.
Death is using me up, relentlessly.”
― Selected Poems
“But again the world has been spared.
Light roams the streets inventing dirty colours
And with a certain remorse
For my complicity in the day’s rebirth
I ask my house to exist”
― Selected Poems
Light roams the streets inventing dirty colours
And with a certain remorse
For my complicity in the day’s rebirth
I ask my house to exist”
― Selected Poems
“But again the world has been spared.
Light romans the streets inventing dirty colours
And with a certain remorse
For my complicity in the day’s rebirth
I ask my house to exist”
― Selected Poems
Light romans the streets inventing dirty colours
And with a certain remorse
For my complicity in the day’s rebirth
I ask my house to exist”
― Selected Poems
“I think of things that weren't, but might have been.
The treatise on Saxon myths Bede never wrote.
The inconceivable work Dante might have had a glimpse of,
As soon as he’d corrected the Comedy’s last verse.
History without the afternoons of the Cross and the hemlock.
History without the face of Helen.
Man without the eyes that gave us the moon.
On Gettysburg’s three days, victory for the South.
The love we never shared.
The wide empire the Vikings chose not to found.
The world without the wheel or the rose.
The view John Donne held of Shakespeare.
The other horn of the Unicorn.
The fabled Irish bird that lights on two trees at once.
The child I never had.”
― Selected Poems
The treatise on Saxon myths Bede never wrote.
The inconceivable work Dante might have had a glimpse of,
As soon as he’d corrected the Comedy’s last verse.
History without the afternoons of the Cross and the hemlock.
History without the face of Helen.
Man without the eyes that gave us the moon.
On Gettysburg’s three days, victory for the South.
The love we never shared.
The wide empire the Vikings chose not to found.
The world without the wheel or the rose.
The view John Donne held of Shakespeare.
The other horn of the Unicorn.
The fabled Irish bird that lights on two trees at once.
The child I never had.”
― Selected Poems
“The pettiest will be generous
And the most craven will be brave:
Nothing improves a reputation
Like confinement to a grave.”
― Selected Poems
And the most craven will be brave:
Nothing improves a reputation
Like confinement to a grave.”
― Selected Poems
“Europe was lost, but there were other scions:
The dream bequeathed a grand inheritance
To people of the Orient's arid lands
And those who share the sultry night with lions.”
― Selected Poems
The dream bequeathed a grand inheritance
To people of the Orient's arid lands
And those who share the sultry night with lions.”
― Selected Poems
“The Labyrinth
Zeus himself could not undo the web
of stone closing around me, I have forgotten the men I was before; I follow the hated
path of monotonous walls
that is my destiny. Severe galleries
which curve in secret circles
to the end of the years. Parapets
cracked by the day’s usury.
In the pale dust I have discerned
signs that frighten me. In the concave
evenings the air has carries a roar
toward me, or the echo of a desolate howl.
I know there is an Other in the shadows,
whose fate it is to wear out the long solitudes
which weave and unweave this Hades
and to long for my blood and devour my death.
Each of us seeks the other. If only this were the final day of waiting.
- S.K.”
― Selected Poems
Zeus himself could not undo the web
of stone closing around me, I have forgotten the men I was before; I follow the hated
path of monotonous walls
that is my destiny. Severe galleries
which curve in secret circles
to the end of the years. Parapets
cracked by the day’s usury.
In the pale dust I have discerned
signs that frighten me. In the concave
evenings the air has carries a roar
toward me, or the echo of a desolate howl.
I know there is an Other in the shadows,
whose fate it is to wear out the long solitudes
which weave and unweave this Hades
and to long for my blood and devour my death.
Each of us seeks the other. If only this were the final day of waiting.
- S.K.”
― Selected Poems
“But the days are a web of small troubles,
And is there a greater blessing
Than to be the ash of which oblivion is made?
Pero los dias son una red de triviales miserias,
y habra suerte mejor que la ceniza
de que esat hecho el ovido?”
― Selected Poems
And is there a greater blessing
Than to be the ash of which oblivion is made?
Pero los dias son una red de triviales miserias,
y habra suerte mejor que la ceniza
de que esat hecho el ovido?”
― Selected Poems
“El concepto de arte comprometido es una ingenuidad porque nadie sabe del todo lo que ejecuta.
(The notion of art as a compromise is a simplification, for no one knows entirely what they are doing.)”
― Selected Poems
(The notion of art as a compromise is a simplification, for no one knows entirely what they are doing.)”
― Selected Poems
