Pedro Zavala > Pedro's Quotes

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  • #1
    Julio Cortázar
    “La rayuela se juega con una piedrita que hay que empujar con la punta del zapato. Ingredientes: una acera, una piedrita, un zapato, y un bello dibujo con tiza, preferentemente de colores. En lo alto está el Cielo, abajo está la Tierra, es muy difícil llegar con la piedrita al Cielo, casi siempre se calcula mal y la piedra sale del dibujo. Poco a poco, sin embargo, se va adquiriendo la habilidad necesaria para salvar las diferentes casillas (rayuela caracol, rayuela rectangular, rayuela de fantasía, poco usada) y un día se aprende a salir de la Tierra y remontar la piedrita hasta el Cielo, hasta entrar en el Cielo, (Et tous nos amours, sollozó Emmanuèle boca abajo), lo malo es que justamente a esa altura, cuando casi nadie ha aprendido a remontar la piedrita hasta el Cielo, se acaba de golpe la infancia y se cae en las novelas, en la angustia al divino cohete, en la especulación de otro Cielo al que también hay que aprender a llegar. Y porque se ha salido de la infancia (Je n'oublierai pas le temps des cérises, pataleó Emmanuèle en el suelo) se olvida que para llegar al Cielo se necesitan, como ingredientes, una piedrita y la punta de un zapato.”
    Julio Cortázar, Hopscotch

  • #2
    Banana Yoshimoto
    “That's the advantage of insomnia. People who go to be early always complain that the night is too short, but for those of us who stay up all night, it can feel as long as a lifetime. You get a lot done”
    Banana Yoshimoto, N.P

  • #3
    Banana Yoshimoto
    “I wonder what it felt to move to a country where you didn't grow up. I had thought about that often since my sister got married. Do you become a character in a story native to that land, or do you, somewhere in your heart, want to return to your homeland.”
    Banana Yoshimoto, N.P

  • #4
    Banana Yoshimoto
    “Living like that utterly convinced me of the extreme limitations of language. I was just a child then, so I had only an intuitive understanding of the degree to which one losses control of words once they are spoken or written. It was then that I first felt a deep curiosity about language, and understood it as a tool that encompasses both a single moment and eternity.”
    Banana Yoshimoto, N.P

  • #5
    Oliverio Girondo
    “Te has jugado la vida tantas veces, que
    posees un olor a barajas usadas”
    GIRONDO OLIVERIO

  • #6
    Óscar de la Borbolla
    “Yo sólo he podido protegerme de mis enemigos; en el resto de los casos, con la moral hecha añicos, he descubierto que fui yo, siempre yo, quien introdujo a mi vida los caballos de Troya”
    Oscar de la Borbolla, La libertad de ser distinto

  • #7
    Óscar de la Borbolla
    “Son muchas las lecciones que da la muerte. A mí me ha enseñado un par de cosas que no se aprenden en los libros ni en los doctorados: que nada es para tanto y que siempre se puede escapar.”
    Oscar de la Borbolla, La libertad de ser distinto

  • #8
    Xiaolu Guo
    “But why people need privacy? Why privacy is important? In China, every family live together, grandparents, parents, daughter, son and their relatives too. Eat together and share everything, talk about everything. Privacy make people lonely. Privacy make family fallen apart.”
    Xiaolu Guo, A Concise Chinese-English Dictionary for Lovers

  • #9
    Xiaolu Guo
    “I don't feel naked around you anymore. ”
    Xiaolu Guo

  • #10
    Oscar Wilde
    “Be yourself; everyone else is already taken.”
    Oscar Wilde

  • #11
    Edgar Allan Poe
    “Once upon a midnight dreary, while I pondered, weak and weary,
    Over many a quaint and curious volume of forgotten lore,
    While I nodded, nearly napping, suddenly there came a tapping,
    As of some one gently rapping, rapping at my chamber door.
    Tis some visitor," I muttered, "tapping at my chamber door —
    Only this, and nothing more."

    Ah, distinctly I remember it was in the bleak December,
    And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow; — vainly I had sought to borrow
    From my books surcease of sorrow — sorrow for the lost Lenore —
    For the rare and radiant maiden whom the angels name Lenore —
    Nameless here for evermore.

    And the silken sad uncertain rustling of each purple curtain
    Thrilled me — filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating,
    Tis some visitor entreating entrance at my chamber door —
    Some late visitor entreating entrance at my chamber door; —
    This it is, and nothing more."

    Presently my soul grew stronger; hesitating then no longer,
    Sir," said I, "or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
    That I scarce was sure I heard you"— here I opened wide the door; —
    Darkness there, and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
    Doubting, dreaming dreams no mortals ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, "Lenore?"
    This I whispered, and an echo murmured back the word, "Lenore!" —
    Merely this, and nothing more.

    Back into the chamber turning, all my soul within me burning,
    Soon again I heard a tapping somewhat louder than before.
    Surely," said I, "surely that is something at my window lattice:
    Let me see, then, what thereat is, and this mystery explore —
    Let my heart be still a moment and this mystery explore; —
    'Tis the wind and nothing more."

    Open here I flung the shutter, when, with many a flirt and flutter,
    In there stepped a stately raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door —
    Perched upon a bust of Pallas just above my chamber door —
    Perched, and sat, and nothing more.

    Then this ebony bird beguiling my sad fancy into smiling,
    By the grave and stern decorum of the countenance it wore.
    Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
    Ghastly grim and ancient raven wandering from the Nightly shore —
    Tell me what thy lordly name is on the Night's Plutonian shore!"
    Quoth the Raven, "Nevermore."

    Much I marveled this ungainly fowl to hear discourse so plainly,
    Though its answer little meaning— little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blest with seeing bird above his chamber door —
    Bird or beast upon the sculptured bust above his chamber door,
    With such name as "Nevermore.”
    Edgar Allan Poe, The Raven

  • #12
    Edgar Allan Poe
    “There is no exquisite beauty… without some strangeness in the proportion.”
    Edgar Allan Poe

  • #13
    Edgar Allan Poe
    “It was many and many a year ago,
    In a kingdom by the sea,
    That a maiden there lived whom you may know
    By the name of ANNABEL LEE;
    And this maiden she lived with no other thought
    Than to love and be loved by me.

    I was a child and she was a child,
    In this kingdom by the sea;
    But we loved with a love that was more than love-
    I and my Annabel Lee;
    With a love that the winged seraphs of heaven
    Coveted her and me.

    And this was the reason that, long ago,
    In this kingdom by the sea,
    A wind blew out of a cloud, chilling
    My beautiful Annabel Lee;
    So that her highborn kinsman came
    And bore her away from me,
    To shut her up in a sepulchre
    In this kingdom by the sea.

    The angels, not half so happy in heaven,
    Went envying her and me-
    Yes!- that was the reason (as all men know,
    In this kingdom by the sea)
    That the wind came out of the cloud by night,
    Chilling and killing my Annabel Lee.

    But our love it was stronger by far than the love
    Of those who were older than we-
    Of many far wiser than we-
    And neither the angels in heaven above,
    Nor the demons down under the sea,
    Can ever dissever my soul from the soul
    Of the beautiful Annabel Lee.

    For the moon never beams without bringing me dreams
    Of the beautiful Annabel Lee;
    And the stars never rise but I feel the bright eyes
    Of the beautiful Annabel Lee;
    And so, all the night-tide, I lie down by the side
    Of my darling- my darling- my life and my bride,
    In the sepulchre there by the sea,
    In her tomb by the sounding sea.”
    Edgar Allen Poe

  • #14
    Jorge Luis Borges
    “Me dijo que su libro se llamaba el Libro de Arena, porque ni el libro ni la arena tienen ni principio ni fin”
    Jorge Luis Borges

  • #15
    Beatriz Guido
    “Siempre me he preguntado si somos nosotros los que engendramos las situaciones, o son éstas las que nos engendran a nosotros.”
    Beatriz Guido

  • #16
    Beatriz Guido
    “Hay días, repito, en que nuestro pasado se nos presenta desnudo.”
    Beatriz Guido

  • #17
    Albert Camus
    “Don’t walk in front of me… I may not follow
    Don’t walk behind me… I may not lead
    Walk beside me… just be my friend”
    Albert Camus

  • #18
    Haruki Murakami
    “Anyone who falls in love is searching for the missing pieces of themselves. So anyone who's in love gets sad when they think of their lover. It's like stepping back inside a room you have fond memories of, one you haven't seen in a long time.”
    Murakami, Haruki

  • #19
    Haruki Murakami
    “Pain is inevitable. Suffering is optional.”
    haruki murakami, What I Talk About When I Talk About Running

  • #20
    Haruki Murakami
    “But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #21
    Haruki Murakami
    “I could go on like this forever, but would I ever find a place that was meant for me? Like, for example, where? After lengthy considerations, the only place I could think of was the cockpit of a two-seater Kamikaze torpedo-plane. Of all the dumb ideas. In the first place, all the torpedo-planes were scrapped thirty years ago”
    Haruki Murakami, Pinball, 1973

  • #22
    Haruki Murakami
    “The problem was, I think, that the places I fit in were always falling behind the rimes.”
    Haruki Murakami, Pinball, 1973

  • #23
    Haruki Murakami
    “That's when I gave up pinball. When the times comes, everybody gives up pinball. Nothing more to it.”
    Haruki Murakami, Pinball, 1973

  • #24
    Haruki Murakami
    “We fell silent again. The thing we had shared was nothing more than a fragment of time that had died longe ago.Even so, a faint glimmer of that warm memory still claimed a part of my heart. And when death claim me, no doubt I would walk along by that faint light in the brief instant before being flung once again into the abyss of nothingness”
    Haruki Murakami, Pinball, 1973

  • #25
    Banana Yoshimoto
    “No one can survive childhood without being wounded. Everyone remembers at least one time when their parents rejected them, pushed them away, even though they may have still been in the womb, blind, and unable to speak. That's why, as adults, we all look for someone to become our parents again, and for someone to look after us in times of need. And we search for a person to live with who can provide the companionship we so desperately want.”
    banana yoshimoto

  • #26
    Haruki Murakami
    “What happens when people open their hearts?"
    "They get better.”
    Haruki Murakami, Norwegian Wood

  • #27
    Haruki Murakami
    “Something inside me had dropped away, and nothing came in to fill the cavern.”
    Haruki Murakami, Norwegian Wood

  • #28
    Haruki Murakami
    “I've never met a girl who thinks like you."

    "A lot of people tell me that," she said, digging at a cuticle. "But it's the only way I know how to think. Seriously. I'm just telling you what I believe. It's never crossed my mind that my way of thinking is different from other people's. I'm not trying to be different. But when I speak out honestly, everybody thinks I'm kidding or playacting. When that happens, I feel like everything is such a pain!”
    Haruki Murakami, Norwegian Wood

  • #29
    Roberto Bolaño
    “Yo no puedo olvidar nada. Dicen que ]ése es mi problema.”
    Roberto Bolaño, Amulet

  • #30
    Roberto Bolaño
    “...y cuando una está feliz o presiente que la felicidad está cerca, pues se mira en los espejos sin ninguna reserva, es más, cuando una está feliz o se siente predestinada a la experiencia de la felicidad, tiene a bajar las defensas y a aceptar los espejos”
    Roberto Bolaño, Amulet



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