Elo > Elo's Quotes

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  • #1
    John Green
    “So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.”
    John Green, Looking for Alaska

  • #2
    John Green
    “I didn’t need you, you idiot. I picked you. And then you picked me back.”
    John Green, Paper Towns

  • #3
    John Green
    “I may die young, but at least I'll die smart.”
    John Green, Looking for Alaska

  • #4
    John Green
    “And then something invisible snapped insider her, and that which had come together commenced to fall apart.”
    John Green, Looking for Alaska

  • #5
    John Green
    “And I wanted to tell her that the pleasure for me wasn't planning or doing or leaving; the pleasure was in seeing our strings cross and separate and then come back together.”
    John Green, Paper Towns

  • #6
    John Green
    “We were kissing.
    I thought: This is good.
    I thought: I am not bad at this kissing. Not bad at all.
    I thought: I am clearly the greatest kisser in the history of the universe.
    Suddenly she laughed and pulled away from me. She wiggled a hand out of her sleeping bag and wiped her face. "You slobbered on my nose," she said, and laughed”
    John Green, Looking for Alaska

  • #7
    John Green
    “I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was hurricane.”
    John Green, Looking for Alaska

  • #8
    Becca Fitzpatrick
    “It isn't about love," Vee said. "It's about fun.”
    Becca Fitzpatrick, Hush, Hush

  • #9
    John Green
    “The nature of the labyrinth, I scribbled into my spiral notebook, and the way out of it. This teacher rocked. I hated discussion classes. I hated talking, and I hated listening to everyone else stumble on their words and try to phrase things in the vaguest possible way so they wouldn't sound dumb, and I hated how it was all just a game of trying to figure out what the teacher wanted to hear and then saying it. I'm in class, so teach me.”
    John Green, Looking for Alaska

  • #10
    John Green
    “It was right then, between when I asked about the labyrinth and when she answered me, that I realized the importance of curves, of the thousand places where girls' bodies ease from one place to another, from arc to the foot to ankle to calf, from calf to hip to wait to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc. I'd noticed curves before, of course, but I had never quite apprehended their significance.”
    John Green, Looking for Alaska

  • #11
    John Green
    “When you're walking home at night, do you even get creeped out and even though it's silly and embarrassing you just want to run home?"
    It seemed too secret and personal to admit to virtual stranger, but I told her, "Yeah, totally."
    For a moment, she was quiet. Then she grabbed my hand, whispered, "Run run run run run," and took off, pulling me behind her.”
    John Green, Looking for Alaska

  • #12
    John Green
    “You don't remember what happened. What you remember becomes what happened.”
    John Green, An Abundance of Katherines

  • #13
    John Green
    “Here's to all the places we went. And all the places we'll go. And here's to me, whispering again and again and again and again: iloveyou”
    John Green, An Abundance of Katherines

  • #14
    John Green
    “That's who you really like. The people you can think out loud in front of.”
    John Green, An Abundance of Katherines

  • #15
    John Green
    “Abligurition: an actual, if very obscure, English word, which means the spending of too much money on food.”
    John Green, An Abundance of Katherines

  • #16
    John Green
    “Her underwear, her jeans, the comforter, my corduroys and my boxers between us, I thought. Five layers, and yet I felt it, the nervous warmth of touching – a pale reflection of the fireworks of one mouth on another, but a reflection nonetheless. And in the almostness of the moment, I cared at least enough. I wasn’t sure whether I liked her, and doubted whether I could trust her, but I cared at least enough to try to find out. Her on my bed, wide green eyes staring down at me. The enduring mystery of her sly, almost smirking, smile. Five layers between us.”
    John Green

  • #17
    Laurell K. Hamilton
    “Accidental sex. He made it sound like I fell down, and there just happened to be an erection in the way.”
    Laurell K. Hamilton, Incubus Dreams

  • #18
    Daphne Gottlieb
    “you can take this mouth
    this wound you want
    but you can't kiss
    and make it
    better.”
    Daphne Gottlieb, Why Things Burn

  • #19
    John Green
    “NO. No no no. I don't want to screw you. I just love you. When did who you want to screw become the whole game? Since when is the person you want to screw the only person you get to love? It's so stupid, Tiny! I mean, Jesus, who even gives a fuck about sex?! People act like it's the most important thing humans do, but come on. How can our sentient fucking lives revolve around something slugs can do. I mean, who you want to screw and whether you screw them? Those are important questions, I guess. But they're not that important. You know what's important? Who would you die for? Who do you wake up at five forty-five in the morning for even though you don't even know why he needs you? Whose drunken nose would you pick?!”
    John Green, Will Grayson, Will Grayson

  • #20
    Anthony Horowitz
    “You're never too young to die.”
    Anthony Horowitz, Stormbreaker

  • #21
    “Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise...”
    Emma Thompson, The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film

  • #22
    Kay Thompson
    “I am Eloise. I am six. I live at the Plaza hotel.”
    Kay Thompson, Eloise

  • #23
    “Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides, you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion, it is not the desire to mate every second minute of the day, it is not lying awake at night imagining that he is kissing every cranny of your body. No, don't blush, I am telling you some truths. That is just being "in love", which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.”
    Shawn Slovo, Captain Corelli's Mandolin filmscript

  • #24
    Chad Sugg
    “Enjoy your youth.
    You'll never be younger than
    you are at this very moment.”
    Chad Sugg

  • #25
    John Keats
    “Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?”
    John Keats, Letters of John Keats

  • #26
    John Keats
    “You cannot conceive how I ache to be with you: how I would die for one hour...”
    John Keats, Bright Star: Love Letters and Poems of John Keats to Fanny Brawne

  • #27
    Joseph Conrad
    “Being a woman is a terribly difficult trade since it consists principally of dealings with men.”
    Joseph Conrad, Chance

  • #28
    Laurel Thatcher Ulrich
    “Well-behaved women seldom make history.”
    Laurel Thatcher Ulrich, Well-Behaved Women Seldom Make History

  • #29
    Anaïs Nin
    “I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naïve or innocent, who has the courage to treat me like a woman.”
    Anaïs Nin

  • #30
    Anaïs Nin
    “We write to taste life twice, in the moment and in retrospect.”
    Anais Nin



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