Elan Durham > Elan's Quotes

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  • #1
    William Shakespeare
    “Now I am alone. O, what a rogue and peasant slave am I! (520)
    Is it not monstrous that this player here,
    But in a fiction, in a dream of passion,
    Could force his soul so to his own conceit
    That from her working all his visage wann'd,
    Tears in his eyes, distraction in's aspect,
    A broken voice, and his whole function suiting
    With forms to his conceit? and all for nothing!
    For Hecuba!
    What's Hecuba to him, or he to Hecuba, (530)
    That he should weep for her? What would he do,
    Had he the motive and the cue for passion
    That I have? He would drown the stage with tears
    And cleave the general ear with horrid speech,
    Make mad the guilty and appal the free,
    Confound the ignorant, and amaze indeed
    The very faculties of eyes and ears. Yet I,
    A dull and muddy-mettled rascal, peak,
    Like John-a-dreams, unpregnant of my cause, (540)
    And can say nothing; no, not for a king,
    Upon whose property and most dear life
    A damn'd defeat was made. Am I a coward?
    Who calls me villain? breaks my pate across?
    Plucks off my beard, and blows it in my face?
    Tweaks me by the nose? gives me the lie i' the throat,
    As deep as to the lungs? who does me this?
    Ha!
    'Swounds, I should take it: for it cannot be



    But I am pigeon-liver'd and lack gall (550)
    To make oppression bitter, or ere this
    I should have fatted all the region kites
    With this slave's offal: bloody, bawdy villain!
    Remorseless, treacherous, lecherous, kindless villain!
    O, vengeance!
    Why, what an ass am I! This is most brave,
    That I, the son of a dear father murder'd,
    Prompted to my revenge by heaven and hell,
    Must, like a whore, unpack my heart with words,
    And fall a-cursing, like a very drab, (560)
    A scullion!
    Fie upon't! foh! About, my brain! I have heard
    That guilty creatures sitting at a play
    Have by the very cunning of the scene
    Been struck so to the soul that presently
    They have proclaim'd their malefactions;
    For murder, though it have no tongue, will speak
    With most miraculous organ. I'll have these players
    Play something like the murder of my father
    Before mine uncle: I'll observe his looks; (570)
    I'll tent him to the quick: if he but blench,
    I know my course. The spirit that I have seen
    May be the devil: and the devil hath power
    To assume a pleasing shape; yea, and perhaps
    Out of my weakness and my melancholy,
    As he is very potent with such spirits,
    Abuses me to damn me: I'll have grounds
    More relative than this: the play's the thing
    Wherein I'll catch the conscience of the king.”
    William Shakespeare, Hamlet

  • #2
    P.D. James
    “If our sex life were determined by our first youthful experiments, most of the world would be doomed to celibacy. In no area of human experience are human beings more convinced that something better can be had only if they persevere.”
    P.D. James, The Children of Men

  • #3
    P.D. James
    “Time didn't heal, but it anesthetized. The human mind could only feel so much.”
    P.D. James, Innocent Blood

  • #4
    P.D. James
    “Not so much two ships passing in the night as two ships sailing together for a time but always bound for different ports.”
    P.D. James, The Lighthouse

  • #5
    Gore Vidal
    “It is not enough to succeed. Others must fail.”
    Gore Vidal

  • #6
    Lee Child
    “Never forgive, never forget. Do it once and do it right. You reap what you sow. Plans go to hell as soon as the first shot is fired. Protect and serve. Never off duty.”
    Lee Child, 61 Hours

  • #7
    Lee Child
    “Reacher said, "So here's the thing Brett. Either you take your hand off my chest, or I'll take it off your wrist.”
    Lee Child, Worth Dying For

  • #8
    Lee Child
    “Don't get it right - get it WRITTEN!”
    Lee Child

  • #9
    Georgia   Scott
    “If Mrs. Child's ghost was planting, my father's was building. Half finished, nearly finished, and just started projects which waited throughout the house. In Evie's room, the closet he built swung open with a bang, impatient for a latch. The closet without a door in Rene's room just stared - day and night - like someone gone mad. The garage let in birds that left a mess where planks had been pried off for a second car to rest. Worst of all, the hole that he dug for my mother's patio filled with rainwater and grew grass as tall as in the marsh. Instead of a place to entertain in summer, it became a nature reserve which she could not close down. A holiday park for mosquitos. A rest home for caterpillars and other things that she loathed that squirmed.”
    Georgia Scott, American Girl: Memories That Made Me

  • #10
    Georgia   Scott
    “In this part of America, 'R's' are the dissidents of the alphabet. They won't be ruled. Behind closed doors, they conspire and print leaflets. They make love to many women. They smoke cigarettes in place of eating food. Then, in front of witnesses with no recourse to justice, they are pulled from their beds in the middle of the night. Some are imprisoned. Some silenced. Others go missing. A few reappear sealed up in the wall of another word if they are found at all. Thus, a thought that is valued is truly an 'idear.' Wanda comes out as Wonder or Wander and both fit her.”
    Georgia Scott, American Girl: Memories That Made Me

  • #11
    Flannery O'Connor
    “The truth does not change according to our ability to stomach it.”
    Flannery O'Connor

  • #12
    Flannery O'Connor
    “She looked at nice young men as if she could smell their stupidity.”
    Flannery O'Connor

  • #13
    Flannery O'Connor
    “Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.”
    Flannery O'Connor

  • #14
    Flannery O'Connor
    “I write to discover what I know.”
    Flannery O'Connor

  • #15
    Flannery O'Connor
    “I don't deserve any credit for turning the other cheek as my tongue is always in it.”
    Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor

  • #16
    Flannery O'Connor
    “Anybody who has survived his childhood has enough information about life to last him the rest of his days.”
    Flannery O'Connor, Mystery and Manners: Occasional Prose

  • #17
    Flannery O'Connor
    “Art never responds to the wish to make it democratic; it is not for everybody; it is only for those who are willing to undergo the effort needed to understand it.”
    Flannery O'Connor, Mystery and Manners: Occasional Prose

  • #18
    Flannery O'Connor
    “You shall know the truth and the truth shall make you odd.”
    Flannery O'Connor, Flannery O'Connor: Collected Works

  • #19
    Flannery O'Connor
    “Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.”
    Flannery O'Connor, Mystery and Manners: Occasional Prose

  • #20
    Flannery O'Connor
    “Where you come from is gone, where you thought you were going to never was there, and where you are is no good unless you can get away from it”
    Flannery O' Connor, Wise Blood

  • #21
    Flannery O'Connor
    “Whenever I’m asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one.”
    Flannery O'Connor

  • #22
    Flannery O'Connor
    “There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored. The reader of today looks for this motion, and rightly so, but what he has forgotten is the cost of it. His sense of evil is diluted or lacking altogether, and so he has forgotten the price of restoration. When he reads a novel, he wants either his sense tormented or his spirits raised. He wants to be transported, instantly, either to mock damnation or a mock innocence.”
    Flannery O'Connor, Mystery and Manners: Occasional Prose

  • #23
    Flannery O'Connor
    “Only if we are secure in our beliefs can we see the comical side of the universe.”
    Flannery O'Connor

  • #24
    Flannery O'Connor
    “To expect too much is to have a sentimental view of life and this is a softness that ends in bitterness.”
    Flannery O'Connor

  • #25
    Flannery O'Connor
    “I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted.”
    Flannery O'Connor

  • #26
    Flannery O'Connor
    “The old woman was the kind who would not cut down a large old tree because it was a large old tree.”
    Flannery O'Connor, The Complete Stories

  • #27
    Flannery O'Connor
    “I come from a family where the only emotion respectable to show is irritation. In some this tendency produces hives, in others literature, in me both.”
    Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor

  • #28
    Flannery O'Connor
    “I hope you don’t have friends who recommend Ayn Rand to you. The fiction of Ayn Rand is as low as you can get re fiction. I hope you picked it up off the floor of the subway and threw it in the nearest garbage pail. She makes Mickey Spillane look like Dostoevsky.”
    Flannery O'Connor

  • #29
    Charles Dickens
    “A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other.”
    Charles Dickens, A Tale of Two Cities



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