Patrick > Patrick's Quotes

“Nur die phantasielosen flüchten sich in die Realität.”
― Arno Schmidt

“When grief for fiction’s idle words More real than human life appears, Reflect that life itself’s a dream And do not mock the reader’s tears.”
― Cao Xueqin, The Story of the Stone: The Dreamer Wakes

“[E]very man hath liberty to write, but few ability. Heretofore learning was graced by judicious scholars, but now noble sciences are vilified by base and illiterate scribblers, that either write for vain-glory, need, to get money, or as Parasites to flatter and collogue with some great men, they put out trifles, rubbish and trash. Among so many thousand Authors you shall scarce find one by reading of whom you shall be any whit better, but rather much worse; by which he is rather infected than any way perfected…

What a catalogue of new books this year, all his age (I say) have our Frankfurt Marts, our domestic Marts, brought out. Twice a year we stretch out wits out and set them to sale; after great toil we attain nothing…What a glut of books! Who can read them? As already, we shall have a vast Chaos and confusion of Books, we are oppressed with them, our eyes ache with reading, our fingers with turning. For my part I am one of the number—one of the many—I do not deny it...”
― Robert Burton, The Anatomy of Melancholy

“When life itself seems lunatic, who knows where madness lies? Perhaps to be too practical may be madness. To surrender dreams, this may be madness ...Maddest of all is to see life as it is and not as it should be.”
― Miguel de Cervantes Saavedra

“If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.

Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.

We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.

You burn with hunger for food that does not exist.

A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.”
― David Foster Wallace

“08/14/1025h. Dessert Competitions.

08/14/1315h. Illinois State Fair Infirmary; then motel; then Springfield Memorial Medical Center Emergency Room for distention and possible rupture of transverse colon (false alarm); then motel; incapacitated till well after sunset; whole day a washout; incredibly embarrassing, unprofessional; indescribable. Delete entire day.”
― David Foster Wallace, A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

“You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.”
― Jorge Luis Borges

“Do you suppose it's so much easier to make conversation with someone you already know well than with someone you don't know at all primarily because of all the previously exchanged information and shared experiences between two people who know each other well, or because maybe it's only with people we already know well and know know us well that we don't go through the awkward mental process of subjecting everything we think of saying or bringing up as a topic of light conversation to a self-conscious critical analysis and evaluation that manages to make anything we think of proposing to say the other person seem dull or stupid or banal or on the other hand maybe overly intimate or tension-producing?”
― David Foster Wallace, The Pale King

“Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers.

Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.”
― David Foster Wallace, The Pale King

“The children would remember for the rest of their lives the august solemnity with which their father, devastated by his prolonged vigil and by the wraith of his imagination, revealed his discovery to them: 'The world is round, like an orange.”
― Gabriel Garcia Marquez

“If you think this Universe is bad, you should see some of the others.”
― Philip K. Dick

“The tragedy of a species becoming unfit for life by over-evolving one ability is not confined to humankind. Thus it is thought, for instance, that certain deer in paleontological times succumbed as they acquired overly-heavy horns. The mutations must be considered blind, they work, are thrown forth, without any contact of interest with their environment. In depressive states, the mind may be seen in the image of such an antler, in all its fantastic splendour pinning its bearer to the ground.”
― Peter Wessel Zapffe, Essays

“Whereof one cannot speak, thereof one must be silent.”
― Ludwig Wittgenstein, Tractatus Logico-Philosophicus

“Dreams, memories, the sacred--they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.”
― Yukio Mishima, Spring Snow

“What transforms this world is — knowledge. Do you see what I mean? Nothing else can change anything in this world. Knowledge alone is capable of transforming the world, while at the same time leaving it exactly as it is. When you look at the world with knowledge, you realize that things are unchangeable and at the same time are constantly being transformed.”
― Yukio Mishima, The Temple of the Golden Pavilion

“before men could speak they enjoyed confounding another with signs
they enjoyed this as much as a mirror enjoys an image
as much as the evening like a ship enjoys a sapphire grave”
― Frank Stanford, The Battlefield Where the Moon Says I Love You

“The mighty sturgeon has his pool; The stork upon the dam makes his habitation. Fish in scaly armour, Birds in serried plumes, find protection. In my distress I question that inscrutable expanse: O bowels of earth! O boundless sky! Will ye not hearken to my cry? Above, the twinkling Milky Way; The air cold, Slanting moonlight, The water-clock sunk past midnight. My restless heart grieves still;”
― Cao Xueqin, The Story of the Stone: The Debt of Tears

“One of the most momentous, yet all but invisible, psychological changes in human history has been the intensification of a sense of insecurity and alienation from the world around us that arose when we became no longer able easily to get food in a few hours just by gathering it, or hunting it, but had to organize ourselves in a purposeful fashion simply to survive. This change is undocumented, though occasional clues can be gained about it from the comments of the few still alive who have lived through a version of it, such as old Australian Aboriginals. Its essence is subjection to a pervasive but unacknowledged, indeed unnamed, fear. It is the foundation of civilization.”
― Mark Elvin, The Retreat of the Elephants: An Environmental History of China

“I love three things, I then say. I love a dream of love I once had, I love you, and I love this patch of earth.

And which do you love best?

The dream.”
― Knut Hamsun, Pan

“La vida es difícil. Para estar en paz con uno mismo hay que decir la verdad. Para estar en paz con el prójimo hay que mentir.”
― Adolfo Bioy Casares

“Todo eso que está inútilmente añadido a la pura necesidad, es arte.”
― Torcuato Luca de Tena, Los renglones torcidos de Dios

“All I know is that while I’m asleep, I’m never afraid, and I have no hopes, no struggles, no glories — and bless the man who invented sleep, a cloak over all human thought, food that drives away hunger, water that banishes thirst, fire that heats up cold, chill that moderates passion, and, finally, universal currency with which all things can be bought, weight and balance that brings the shepherd and the king, the fool and the wise, to the same level. There’s only one bad thing about sleep, as far as I’ve ever heard, and that is that it resembles death, since there’s very little difference between a sleeping man and a corpse.”
― Miguel de Cervantes Saavedra

“...Y mirá que apenas nos conocíamos y ya la vida urdía lo necesario para desencontrarnos minuciosamente. Como no sabías disimular me di cuenta en seguida de que para verte como yo quería era necesario empezar por cerrar los ojos...”
― Julio Cortázar

“Si te caes te levanto y sino me acuesto contigo”
― Julio Cortázar, Hopscotch

“Hay ríos metafísicos, ella los nada como esa golondrina está nadando en el aire, girando alucinada en torno al campanario, dejándose caer para levantarse mejor con el impulso. Yo describo y defino y deseo esos ríos, ella los nada. Yo los busco, los encuentro, los miro desde el puente, ella los nada.”
― Julio Cortázar, Hopscotch

“I have perceived that in all cases man must eventually lower, or at least shift, his conceit of attainable felicity; not placing it anywhere in the intellect or the fancy; but in the wife, the heart, the bed, the table, the saddle, the fire-side, the country.”
― Herman Melville, Moby Dick

“Material life, of course, presents itself to us in the anecdotal form of thousands and thousands of assorted facts. Can we call these events? No: to do so would be to inflate their importance, to grant them a significance they never had. That the Holy Roman Emperor Maximilian ate with his fingers from the dishes at a banquet (as we can see from a drawing) is an everyday detail, not an event. So is the story about the bandit Cartouche, on the point of execution, preferring a glass of wine to the coffee he was offered. This is the dust of history, microhistory in the same sense that Georges Gurvitch talks about micro-sociology: little facts which do, it is true, by indefinite repetition, add up to form linked chains. Each of them represents the thousands of others that have crossed the silent depths of time and endured.”
― Fernand Braudel, Civilization and Capitalism 15th-18th Century, Vol 2: The Wheels of Commerce

“When the farthest corner of the globe has been conquered
technologically and can be exploited economically; when any incident you like, in any place you like, at any time you like, becomes
accessible as fast as you like; when you can simultaneously "experience" an assassination attempt against a king in France and a symphony concert in Tokyo; when time is nothing but speed, instantaneity, and simultaneity, and time as history has vanished from all
Being of all peoples; when a boxer counts as the great man of a
people; when the tallies of millions at mass meetings are a triumph;
then, yes then, there still looms like a specter over all this uproar the
question: what for? — where to? — and what then?”
― Martin Heidegger, Introduction to Metaphysics

“Without music, life would be a mistake.”
― Friedrich Nietzsche, Twilight of the Idols

“Those who will not dance will have to be shot”
― Sun Ra