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  • #1
    Virginia Woolf
    “Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.”
    Virginia Woolf, A Room of One’s Own

  • #2
    Umberto Eco
    “To read fiction means to play a game by which we give sense to the immensity of things that happened, are happening, or will happen in the actual world. By reading narrative, we escape the anxiety that attacks us when we try to say something true about the world. This is the consoling function of narrative — the reason people tell stories, and have told stories from the beginning of time.”
    Umberto Eco, Six Walks in the Fictional Woods

  • #3
    Charlotte Brontë
    “Do you think I am an automaton? — a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!”
    Charlotte Brontë, Jane Eyre

  • #4
    Umberto Eco
    “To survive, you must tell stories.”
    Umberto Eco, The Island of the Day Before

  • #5
    Ford Madox Ford
    “You seduced a young woman in order to be able to finish your talks with her. You could not do that without living with her. You could not live with her without seducing her; but that was the by-product. The point is that you can't otherwise talk. You can't finish talks at street corners; in museums; even in drawing-rooms. You mayn't be in the mood when she is in the mood – for the intimate conversation that means the final communion of your souls. You have to wait together – for a week, for a year, for a lifetime, before the final intimate conversation may be attained...and exhausted. So that...

    That in effect was love.”
    Ford Madox Ford, Parade's End
    tags: love

  • #6
    Henrik Ibsen
    “But no man would sacrifice his honor for the one he loves."

    "It is a thing hundreds of thousands of women have done.”
    Henrik Ibsen, A Doll's House

  • #7
    Charles Baudelaire
    “ENIVREZ-VOUS

    Il faut être toujours ivre, tout est là ; c'est l'unique question. Pour ne pas sentir l'horrible fardeau du temps qui brise vos épaules et vous penche vers la terre, il faut vous enivrer sans trêve.

    Mais de quoi? De vin, de poésie, ou de vertu à votre guise, mais enivrez-vous!

    Et si quelquefois, sur les marches d'un palais, sur l'herbe verte d'un fossé, vous vous réveillez, l'ivresse déjà diminuée ou disparue, demandez au vent, à la vague, à l'étoile, à l'oiseau, à l'horloge; à tout ce qui fuit, à tout ce qui gémit, à tout ce qui roule, à tout ce qui chante, à tout ce qui parle, demandez quelle heure il est. Et le vent, la vague, l'étoile, l'oiseau, l'horloge, vous répondront, il est l'heure de s'enivrer ; pour ne pas être les esclaves martyrisés du temps, enivrez-vous, enivrez-vous sans cesse de vin, de poésie, de vertu, à votre guise.

    (in Le Spleen de Paris)”
    Charles Baudelaire, Paris Spleen

  • #8
    Kazuo Ishiguro
    “Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it's a bit of a shock and takes me a while to adjust.”
    Kazuo Ishiguro, Never Let Me Go

  • #9
    Kazuo Ishiguro
    “What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.”
    Kazuo Ishiguro, Never Let Me Go

  • #10
    Charles Baudelaire
    À une passante

    La rue assourdissante autour de moi hurlait.

    Longue, mince, en grand deuil, douleur majestueuse,

    Une femme passa, d'une main fastueuse

    Soulevant, balançant le feston et l'ourlet;

    Agile et noble, avec sa jambe de statue.

    Moi, je buvais, crispé comme un extravagant,

    Dans son oeil, ciel livide où germe l'ouragan,

    La douceur qui fascine et le plaisir qui tue.

    Un éclair . . . puis la nuit! — Fugitive beauté 

    Dont le regard m'a fait soudainement renaître,

    Ne te verrai-je plus que dans l'éternité?

    Ailleurs, bien loin d'ici! trop tard! jamais peut-être!

    Car j'ignore où tu fuis, tu ne sais où je vais,

    Ô toi que j'eusse aimée, ô toi qui le savais!”
    Charles Baudelaire, Les Fleurs du Mal
    tags: poems

  • #11
    Kazuo Ishiguro
    “But what is the sense in forever speculating what might have happened had such and such a moment turned out differently? One could presumably drive oneself to distraction in this way. In any case, while it is all very well to talk of 'turning points', one can surely only recognize such moments in retrospect. Naturally, when one looks back to such instances today, they may indeed take the appearance of being crucial, precious moments in one's life; but of course, at the time, this was not the impression one had. Rather, it was as though one had available a never-ending number of days, months, years in which to sort out the vagaries of one's relationship with Miss Kenton; an infinite number of further opportunities in which to remedy the effect of this or that misunderstanding. There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.”
    Kazuo Ishiguro, The Remains of the Day

  • #12
    Edgar Allan Poe
    “I would define, in brief, the poetry of words as the rhythmical creation of beauty.”
    Edgar Allan Poe, The Poetic Principle

  • #13
    Charlotte Brontë
    “I am no bird; and no net ensnares me: I am a free human being with an independent will.”
    Charlotte Brontë, Jane Eyre

  • #14
    Alice Munro
    “People’s lives, in Jubilee as elsewhere, were dull, simple, amazing, and unfathomable – deep caves paved with kitchen linoleum.”
    Alice Munro, Lives of Girls and Women

  • #15
    Umberto Eco
    “Books are not made to be believed, but to be subjected to inquiry. When we consider a book, we mustn't ask ourselves what it says but what it means...”
    Umberto Eco, The Name of the Rose

  • #17
    Pat Barker
    “And the Great Adventure - the real life equivalent of all the adventure stories they'd devoured as boys - consisted of crouching in a dugout, waiting to be killed. The war that had promised so much in the way of 'manly' activity had actually delivered 'feminine' passivity, and on a scale that their mothers and sisters had hardly known. No wonder they broke down.”
    Pat Barker, The Regeneration Trilogy

  • #18
    Charles Dickens
    “Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day.”
    Charles Dickens, Great Expectations

  • #19
    Charles Dickens
    “Ask no questions, and you'll be told no lies.”
    Charles Dickens, Great Expectations

  • #20
    Charles Dickens
    “The broken heart. You think you will die, but you just keep living, day after day after terrible day.”
    Charles Dickens, Great Expectations

  • #21
    Thomas Hardy
    “How could I be expected to know? I was a child when I left this house four months ago. Why didn't you tell me there was danger? Why didn't you warn me? Ladies know what to guard against, because they read novels that tell them of these tricks; but I never had the chance of discovering in that way, and you did not help me!”
    Thomas Hardy, Tess of the D’Urbervilles

  • #22
    Sylvia Plath
    “Do you know what a poem is, Esther?'
    No, what?' I would say.
    A piece of dust.'
    Then, just as he was smiling and starting to look proud, I would say, 'So are the cadavers you cut up. So are the people you think you're curing. They're dust as dust as dust. I reckon a good poem lasts a whole lot longer than a hundred of those people put together.'
    And of course Buddy wouldn't have any answer to that, because what I said was true. People were made of nothing so much as dust, and I couldn't see that doctoring all that dust was a bit better than writing poems people would remember and repeat to themselves when they were unhappy or sick or couldn't sleep.”
    Sylvia Plath, The Bell Jar

  • #23
    John Milton
    “The mind is its own place, and in itself can make a heaven of hell, a hell of heaven..”
    John Milton, Paradise Lost

  • #24
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #25
    Sylvia Plath
    “If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days.”
    Sylvia Plath, The Bell Jar

  • #26
    Sylvia Plath
    “I wanted to tell her that if only something were wrong with my body it would be fine, I would rather have anything wrong with my body than something wrong with my head, but the idea seemed so involved and wearisome that I didn’t say anything. I only burrowed down further in the bed.”
    Sylvia Plath, The Bell Jar

  • #27
    Sylvia Plath
    “To the person in the bell jar, blank and stopped as a dead baby, the world itself is a bad dream.”
    Sylvia Plath, The Bell Jar

  • #28
    Sylvia Plath
    “But I wasn't sure. I wasn't sure at all. How did I know that someday―at college, in Europe, somewhere, anywhere―the bell jar, with its stifling distortions, wouldn't descend again?”
    Sylvia Plath, The Bell Jar

  • #29
    Umberto Eco
    “I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.”
    Umberto Eco, Foucault’s Pendulum

  • #30
    Wilkie Collins
    “The books - the generous friends who met me without suspicion - the merciful masters who never used me ill!”
    Wilkie Collins, Armadale

  • #31
    Imre Kertész
    “Des quantités de livres dorment ainsi en moi, des bons et des mauvais, de tout genre. Des phrases, des mots, des alinéas et des vers qui, pareils à des locataires remuants, reviennent brusquement à la vie, errent solitaires ou entament dans ma tête de bruyants bavardages que je suis incapable de faire taire.”
    Imre Kertész, Liquidation



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