Effie > Effie's Quotes

Showing 1-30 of 66
« previous 1 3
sort by

  • #1
    Robert A. Heinlein
    “People simplify 'Apollonian' into 'mild', and 'calm', and 'cool'. But 'Apollonian' and 'Dionysian' are two sides of one coin--a nun kneeling in her cell, holding perfectly still, can be in ecstacy more frenzied than any priestess of Pan Priapus celebrating the vernal equinox.”
    Robert A. Heinlein, Stranger in a Strange Land

  • #2
    Gillian Flynn
    “For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.

    It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.

    And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.

    It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.

    I would have done anything to feel real again.”
    Gillian Flynn, Gone Girl

  • #3
    Donna Tartt
    “And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.”
    Donna Tartt, The Goldfinch

  • #4
    Paul Neilan
    “But really it’s condescending and patronizing not to make fun of someone because they’re old or stupid or crippled or morbidly obese. Banged up people don’t want your pity. They just want to be treated like everyone else. Mockery, when done without prejudice or discretion, can be a form of respect. It’s the closest we’ll ever come to true equality.”
    Paul Neilan, Apathy and Other Small Victories

  • #5
    John Milton
    “Knowledge forbidden?
    Suspicious, reasonless. Why should their Lord
    Envy them that? Can it be a sin to know?
    Can it be death?”
    John Milton, Paradise Lost

  • #6
    Emily Brontë
    “And I pray one prayer--I repeat it till my tongue stiffens--Catherine Earnshaw, may you not rest as long as I am living! You said I killed you--haunt me, then!...Be with me always--take any form--drive me mad! only do not leave me in this abyss, where I cannot find you!”
    Emily Brontë, Wuthering Heights

  • #7
    George R.R. Martin
    “For herself, she wanted sleet and ice, howling winds, thunder to shake the very stones of the Red Keep. She wanted a storm to match her rage.”
    George R.R. Martin, A Feast for Crows

  • #8
    Shannon Hale
    “But, how do you know if an ending is truly good for the characters unless you've traveled with them through every page?”
    Shannon Hale, Midnight in Austenland

  • #9
    F. Scott Fitzgerald
    “That is part of the beauty of all literature. You discover that your longings are universal longings, that you're not lonely and isolated from anyone. You belong.”
    F. Scott Fitzgerald

  • #10
    Anaïs Nin
    “You are so terribly nimble, so clever. I distrust your cleverness. You make a wonderful pattern, everything is in its place, it looks convincingly clear, too clear. And meanwhile, where are you? Not on the clear surface of your ideas, but you have already sunk deeper, into darker regions, so that one only thinks one has been given all your thoughts, one only imagines you have emptied yourself in that clarity. But there are layers and layers -- you're bottomless, unfathomable. Your clearness is deceptive. You are the thinker who arouses most confusion in me, most doubt, most disturbance.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #11
    Mary Wollstonecraft Shelley
    “I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other.”
    Mary Shelley, Frankenstein

  • #12
    Marguerite Duras
    “I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.”
    Marguerite Duras, Hiroshima mon amour

  • #13
    Paula Hawkins
    “it’s possible to miss what you’ve never had, to mourn for it.”
    Paula Hawkins, The Girl on the Train

  • #14
    Ian McEwan
    “Is there any meaning in my life that the inevitable death awaiting me does not destory?”
    Ian McEwan, Atonement

  • #15
    Neil Gaiman
    “I wonder, Are fictions safe places? And then I ask myself, Should they be safe places?”
    Neil Gaiman, Trigger Warning: Short Fictions and Disturbances

  • #16
    Neil Gaiman
    “I could be blindfolded and dropped into the deepest ocean and I would know where to find you. I could be buried a hundred miles underground and I would know where you are.”
    Neil Gaiman, American Gods

  • #17
    Alain de Botton
    “The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.”
    Alain de Botton

  • #18
    Alfred Hitchcock
    “Puns are the highest form of literature.”
    Alfred Hitchcock

  • #19
    Alfred Hitchcock
    “What is drama but life with the dull bits cut out.”
    Alfred Hitchcock

  • #20
    Alfred Hitchcock
    “I have a perfect cure for a sore throat: cut it.”
    Alfred Hitchcock

  • #21
    Alfred Hitchcock
    “I’m frightened of eggs, worse than frightened, they revolt me. That white round thing without any holes … have you ever seen anything more revolting than an egg yolk breaking and spilling its yellow liquid? Blood is jolly, red. But egg yolk is yellow, revolting. I’ve never tasted it.”
    Alfred Hitchcock

  • #22
    Derek Jarman
    “Oh how Shakespeare would have loved cinema!”
    Derek Jarman, Dancing Ledge

  • #23
    Osamu Dazai
    “For someone like myself in whom the ability to trust others is so cracked and broken that I am wretchedly timid and am forever trying to read the expression on people's faces.”
    Osamu Dazai, No Longer Human

  • #24
    Osamu Dazai
    “I like roses best. But they bloom in all four seasons. I wonder if people who like roses best have to die four times over again.”
    Osamu Dazai, The Setting Sun

  • #25
    Osamu Dazai
    “I drink out of desperation. Life is too dreary to endure. The misery, loneliness, crampedness — they're heartbreaking.[...] What feelings do you suppose a man has when he realizes that he will never know happiness or glory as long as he lives? Hard work. All that amounts to is food for the wild beasts of hunger.”
    Osamu Dazai, The Setting Sun

  • #26
    Osamu Dazai
    “I must go on living. And, though it
    may be childish of me, I can't go on in
    simple compliance. From now on I must
    struggle with the world. I thought that
    Mother might well be the last of those
    who can end their lives beautifully and
    sadly, struggling with no one, neither
    hating nor betraying anyone. In the
    world to come there will be no room for
    such people. The dying are beautiful,
    but to live, to survive – those things
    somehow seem hideous and
    contaminated with blood.”
    Osamu Dazai, The Setting Sun

  • #27
    Osamu Dazai
    “But people almost never say, "Die!", Paltry prudent, hypocrites.”
    Osamu Dazai, The Setting Sun

  • #28
    Lemony Snicket
    “If writers wrote as carelessly as some people talk, then adhasdh asdglaseuyt[bn[ pasdlgkhasdfasdf.”
    Lemony Snicket, Horseradish: Bitter Truths You Can't Avoid

  • #29
    Osamu Dazai
    “Is it painful to be the person who waits? Or is it more painful to be the person who makes others wait? Either way, there's no need to wait anymore. That's what is most painful." - Osamu Dazai”
    Osamu Dazai, Run, Melos! and Other Stories

  • #30
    Richard Siken
    “A man takes his sadness down to the river and throws it in the river
                        but then he’s still left
    with the river. A man takes his sadness and throws it away
                                                                            but then he’s still left with his hands.”
    Richard Siken, Crush



Rss
« previous 1 3