Teodora > Teodora's Quotes

“Да заминеш - ето една дума,която твърде рядко бива осъществена на дело. Думите не бива да се мечтаят,а да се живеят”
― Frederick Beigbeder

“...Дълго време едничката ми цел в живота бе да се саморазрушавам. И ето че веднъж ми се прииска щастие. Ужасно е, срам ме е, простете ми, но един ден изпаднах в плен на вулгарното изкушение да бъда щастлив. По-късно разбрах, че това е най-добрият начин да се саморазрушиш.”
― Frederick Beigbeder, L'amour dure trois ans

“Раят
е винаги другаде
в рая
са винаги другите
другаде
раят е другаде
друг
ад
е”
― Георги Господинов, Балади и разпади

“Старостта е свикване.”
― Георги Господинов, Физика на тъгата

“Ще ми се някой да каже:
този роман е хубав, защото е изтъкан от колебания.”
― Георги Господинов, Natural Novel

“Blessed are the hearts that can bend; they shall never be broken.”
― Albert Camus

“I’m not good at talking,” Naoko said. “Haven’t been for the longest while. I start to say something and the wrong words come out. Wrong or sometimes completely backward. I try to go back and correct it, but things get even more complicated and confused, so that I don’t even remember what I started to say in the first place. Like I was split into two or something, one half chasing the other. And there’s this big pillar in the middle and they go chasing each other around and around it. The other me always latches onto the right word and this me absolutely never catches up”
― Haruki Murakami, Norwegian Wood

“I want to write because I have the urge to excel in one medium of translation and expression of life. I can't be satisfied with the colossal job of merely living. Oh, no, I must order life in sonnets and sestinas and provide a verbal reflector for my 60-watt lighted head.”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“Лабиринтът е нечие вкаменено колебание.

Най-потискащото в лабиринта е това, че непрекъснато си в ситуация на избор. Не липсата на изход, а обилието от "изходи" обърква.”
― Георги Господинов, Физика на тъгата

“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
― Sylvia Plath, The Bell Jar

“If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days.”
― Sylvia Plath, The Bell Jar

“The trouble was, I had been inadequate all along, I simply hadn't thought about it.”
― Sylvia Plath, The Bell Jar

“When they asked me what I wanted to be I said I didn’t know.
"Oh, sure you know," the photographer said.
"She wants," said Jay Cee wittily, "to be everything.”
― Sylvia Plath, The Bell Jar

“Cette histoire est vraie puisque je l'ai inventée.”
― Boris Vian, L'écume des jours

“Когато не се чувствате добре, накарайте друг да ви почувства."
"Прекалената непорочност е нечовешка.”
― Boris Vian, Manual of St. Germain des Pres

“I don't want to repeat my innocence. I want the pleasure of losing it again.”
― F. Scott Fitzgerald, This Side of Paradise

“I wasn't actually in love, but I felt a sort of tender curiosity.”
― F. Scott Fitzgerald, The Great Gatsby

“...I'm looking for the face I had, before the world was made...”
― William Butler Yeats

“like the fox
I run with the hunted
and if I’m not
the happiest man
on earth
I’m surely the
luckiest man
alive.”
― Charles Bukowski, The Night Torn Mad With Footsteps

“don't feel sorry for me.
I am a competent,
satisfied human being.

be sorry for the others
who
fidget
complain

who
constantly
rearrange their
lives
like
furniture.

juggling mates
and
attitudes

their
confusion is
constant

and it will
touch
whoever they
deal with.

beware of them:
one of their
key words is
"love."

and beware those who
only take
instructions from their
God

for they have
failed completely to
live their own
lives.

don't feel sorry for me
because I am alone

for even
at the most terrible
moments
humor
is my
companion.

I am a dog walking
backwards

I am a broken
banjo

I am a telephone wire
strung up in
Toledo, Ohio

I am a man
eating a meal
this night
in the month of
September.

put your sympathy
aside.
they say
water held up
Christ:
to come
through
you better be
nearly as
lucky.”
― Charles Bukowski, The Night Torn Mad With Footsteps

“XVII

Lady, i will touch you with my mind.
Touch you and touch and touch
until you give
me suddenly a smile,shyly obscene

(lady i will
touch you with my mind.)Touch
you,that is all,

lightly and you utterly will become
with infinite care

the poem which i do not write.”
― E. E. Cummings

“and then there are some who
believe that old
relationships can be
revived and made new
again.

but please
if you feel that way

don't phone
don't write
don't arrive”
― Bukowski C.

“I will take the sun in my mouth
and leap into the ripe air
Alive
with closed eyes
to dash against darkness”
― E.E. Cummings, Poems, 1923-1954

“Един ден си забраних да се извинявам за неща, които не само че никого не нараняват, но и на друг не влизат в работата. Побеляването на косата ми, гражданското ми състояние, празната кесия, античният модел телефон и изборът ми на какво да се радвам не подлежат на ничий пряк или косвен контрол. Няма кой да ми попречи да се обичам. Понякога работя по толкова часове, колкото се наложи - 21 например. Цяла нощ, периодично заспивам върху клавиатурата. Понякога обаче се вдигам и отивам на кино по обяд. Е, и? На мен ми е добре, сенките под очите са мои, когато се сецна, боли моят кръст. Животът ми е посветен на това да се занимавам с любов с неща, които ме радват, и да отстранявам пречките от пътя към тях за себе си и другите. Не злословя, не завиждам, не се налагам, не се меря с никого. Колкото мога, толкова правя, това ми е мярката. Обичам да се възхищавам, любознателна съм, научих, че светът е пълен с новости, а животът е много къс - пълня си времето с обич, да не съм луда да правя друго?”
― Neva Micheva, Куфарът на брат ми: истории за пътя

“Грешка е, безумно насилствен акт е да се концентрираме върху Тук и Сега в убеждението си, че така обхващаме същественото. Въпросът е в това да се движим уверено и невъзмутимо, с уместно чувство за хумор и уместна меланхоличност из разпрострения във времето и пространството вътрешен пейзаж, който сме ние.”
― Pascal Mercier, Night Train to Lisbon

“In the years afterward, I fled whenever somebody began to understand me. That has subsided. But one thing remained: I don't want anybody to understand me completely. I want to go through life unknown. The blindness of others is my safety and my freedom.”
― Pascal Mercier, Night Train to Lisbon

“Am I in love? --yes, since I am waiting. The other one never waits. Sometimes I want to play the part of the one who doesn't wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover's fatal identity is precisely this: I am the one who waits.”
― Roland Barthes, A Lover's Discourse: Fragments

“Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is "I desire you," and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure. ”
― Roland Barthes, A Lover's Discourse: Fragments

“there is a place in the heart that
will never be filled

a space

and even during the
best moments
and
the greatest times
times

we will know it

we will know it
more than
ever

there is a place in the heart that
will never be filled
and

we will wait
and
wait

in that space.”
― Charles Bukowski

“in that drunken place
you would
like to hand your heart to her
and say
touch it
but then
give it back.”
― Charles Bukowski, The People Look Like Flowers at Last