Libraty > Libraty's Quotes

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  • #1
    Neil Gaiman
    “Richard did not believe in angels, he never had. He was damned if he was going to start now. Still, it was much easier not to believe in something when it was not actually looking directly at you and saying your name.”
    Neil Gaiman, Neverwhere

  • #2
    Neil Gaiman
    “There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; second, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar's eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelery; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.”
    Neil Gaiman, Neverwhere

  • #3
    Neil Gaiman
    “Richard wrote a diary entry in his head.

    Dear Diary, he began. On Friday I had a job, a fiancée, a home, and a life that made sense. (Well, as much as any life makes sense). Then I found an injured girl bleeding on the pavement, and I tried to be a Good Samaritan. Now I've got no fiancée, no home, no job, and I'm walking around a couple of hundred feet under the streets of London with the projected life expectancy of a suicidal fruitfly.
    Neil Gaiman, Neverwhere

  • #4
    Neil Gaiman
    “She smiled again. "Do you like cat?" she said.
    "Yes," said Richard. "I quite like cats."
    Anaesthesia looked relieved. "Thigh?" she asked, "or breast?”
    Neil Gaiman, Neverwhere

  • #5
    Neil Gaiman
    “Can I help you?" said the footman. Richard had been told to fuck off and die with more warmth and good humor.”
    Neil Gaiman, Neverwhere

  • #6
    Neil Gaiman
    “Nice' in a bodyguard is about as useful as the ability to regurgitate whole lobsters.”
    neil gaiman, Neverwhere

  • #7
    Neil Gaiman
    “The boy had the towering arrogance only seen in the greatest of artists and all nine-year-old boys.”
    Neil Gaiman, Neverwhere

  • #8
    Neil Gaiman
    “Richard put his head on one side. ‘Excuse me,’ he said. ‘I know this is a personal question. But are you clinically insane?’ ‘Possible, but very unlikely. Why?’ ‘Well,’ said Richard. ‘One of us must be.”
    Neil Gaiman, Neverwhere

  • #9
    Neil Gaiman
    “The marquis de Carabas was not a good man, and he knew himself well enough to be perfectly certain that he was not a brave man. He had long since decided that the world, Above or Below, was a place that wished to be deceived, and, to this end, he had named himself from a lie in a fairy tale, and created himself--his clothes, his manner, his carriage--as a grand joke.
    There was a dull pain in his wrists and his feet, and he was finding it harder and harder to breathe. There was nothing more to be gained by feigning unconsciousness, and he raised his head, as best he could, and spat a gob of scarlet blood into Mr. Vandemar's face.
    It was a brave thing to do, he thought. And a stupid one. Perhaps they would have let him die quietly, if he had not done that. Now, he had no doubt, they would hurt him more.
    And perhaps his death would come the quicker for it.”
    Neil Gaiman, Neverwhere

  • #10
    Neil Gaiman
    “So, you figure they won't notice you're back?" sneered the marquis. "Just, 'oh look, there's another angel, here, grab a harp and on with the hosannas'?”
    Neil Gaiman, Neverwhere
    tags: humor

  • #11
    Neil Gaiman
    “Mr. Vandemar showed them his teeth, demonstrating his sunny and delightful disposition. It was unquestionably the most horrible thing Richard had ever seen.”
    Neil Gaiman, Neverwhere

  • #12
    Alice Oseman
    “Give your friendships the magic you would give a romance. Because they're just as important. Actually, for us, they're way more important.”
    Alice Oseman, Loveless

  • #13
    Alice Oseman
    “In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laugher, shoes lined up together dy the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found nothing was there.”
    Alice Oseman, Loveless

  • #14
    Alice Oseman
    “People are really out there just … thinking about having sex all the time and they can’t even help it?’ I spluttered. ‘People have dreams about it because they want it that much? How the – I’m losing it. I thought all the movies were exaggerating, but you’re all really out there just craving genitals and embarrassment. This has to be some kind of huge joke.”
    Alice Oseman, Loveless

  • #15
    Alice Oseman
    “I'm at uni for three months and suddenly I'm not straight any more.”
    Alice Oseman, Loveless

  • #16
    Alice Oseman
    “Friends are automatically classed as 'less important' than romantic partners. I'd never questioned that. It was just the way the world was. I guess I'd always felt that friendship just couldn't compete with what a partner offered, and that I'd never really experience real love until I found romance.
    But if that had been true, I probably wouldn't have felt like this.”
    Alice Oseman, Loveless

  • #17
    Alice Oseman
    “I've always hated being asked if I'm OK. The available answers are either to lie and say I'm fine, or to massively and embarrassingly overshare.”
    Alice Oseman, Loveless

  • #18
    Alice Oseman
    “Yeah, but is the spark there?'
    How was I supposed to know that? What the fuck was the spark? What did the spark even feel like?”
    Alice Oseman, Loveless

  • #19
    Alice Oseman
    “I didn’t even know what was wrong. Everything. Myself. I didn’t know. How come everyone else could function and I couldn’t? How could everyone live properly yet I had some sort of error in my programming?”
    Alice Oseman, Loveless

  • #20
    Alice Oseman
    “And the worst part of it was—even though I'd longed for these things, I knew that they'd never make me happy anyway. The idea was beautiful. But the reality made me sick.
    How could I feel so sad about giving up these things that I did not actually want?
    I felt pathetic for getting sad about it. I felt guilty, knowing that there were people out there like me who were happy being like this.
    I felt like I was grieving. I was grieving this fake life, a fantasy future that I was never going to live.”
    Alice Oseman, Loveless

  • #21
    Alice Oseman
    “How do you know you wont find someone one day?"
    This was the question that had been plaguing me for months but when Pip asked me it then, I knew the answer. finally.
    " Because I know myself. I know what I feel and what I have the capability to feel. I mean how do you know you wont fall for a guy one day?"
    Pip made a face.
    "yeah, exactly. You just know that about yourself. And now I know too”
    Alice Oseman, Loveless

  • #22
    Alice Oseman
    “It was something adults said all the time. "You'll change your mind when you're older. You never know what might happen. You'll feel differently one day." As if we teenagers knew so little about ourselves that we could wake up one day a completely different person. As if the person we are right now doesn't matter at all.”
    Alice Oseman, Loveless

  • #23
    Erin Morgenstern
    “People see what they wish to see. And in most cases, what they are told that they see.”
    Erin Morgenstern, The Night Circus

  • #24
    Erin Morgenstern
    “Someone needs to tell those tales. When the battles are fought and won and lost, when the pirates find their treasures and the dragons eat their foes for breakfast with a nice cup of Lapsang souchong, someone needs to tell their bits of overlapping narrative. There's magic in that. It's in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict. From the mundane to the profound. You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift. Your sister may be able to see the future, but you yourself can shape it, boy. Do not forget that... there are many kinds of magic, after all.”
    Erin Morgenstern, The Night Circus

  • #25
    Erin Morgenstern
    “The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not.”
    Erin Morgenstern, The Night Circus

  • #26
    Erin Morgenstern
    “Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case.”
    Erin Morgenstern, The Night Circus

  • #27
    Erin Morgenstern
    “Do you remember all of your audiences?" Marco asks.
    "Not all of them," Celia says. "But I remember the people who look at me the way you do."
    "What way might that be?"
    "As though they cannot decide if they are afraid of me or they want to kiss me."
    " I am not afraid of you," Marco says.”
    Erin Morgenstern, The Night Circus

  • #28
    Erin Morgenstern
    “Everything I have done, every change I have made to that circus, every impossible feat and astounding sight, I have done for her.”
    Erin Morgenstern, The Night Circus

  • #29
    E.K. Johnston
    “That was where he was wrong. She wasn't weaponless. No Jedi ever was.”
    E.K. Johnston, Ahsoka

  • #30
    E.K. Johnston
    “If you’re not a Jedi, then what are you, Ahsoka Tano?” Bail asked. “Because to be honest, you still sound and act like a Jedi to me.” “I’ll let you know when I figure it out,”
    E.K. Johnston, Ahsoka



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