Jess > Jess's Quotes

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  • #1
    Mary Wollstonecraft Shelley
    “Beware; for I am fearless, and therefore powerful.”
    Mary Shelley, Frankenstein

  • #2
    William Shakespeare
    “Look like the innocent flower,
    But be the serpent under it.”
    William Shakespeare, Macbeth

  • #3
    Virginia Woolf
    “I detest the masculine point of view. I am bored by his heroism, virtue, and honour. I think the best these men can do is not talk about themselves anymore.”
    Virginia Woolf, The Pargiters

  • #4
    Moira Young
    “I'm sorry, I says.
    Fer what? he says.
    Fer always bein ... you know ... so-
    Ungrateful? he says.
    Yeah, I says.
    Ornery?
    I guess so.
    Rude? Pig-headed? Violent?
    I ain't violent!
    Oh yes, you are. Very. But I like that in a woman.
    I laugh. Yer crazy, I says.
    I was fine till I met you, he says.”
    Moira Young, Blood Red Road

  • #5
    J.R.R. Tolkien
    “It's a dangerous business, Frodo, going out your door. You step onto the road, and if you don't keep your feet, there's no knowing where you might be swept off to.”
    J.R.R. Tolkien, The Lord of the Rings

  • #6
    Robert Louis Stevenson
    “There are no foreign lands. It is the traveler only who is foreign.”
    Robert Louis Stevenson, The Silverado Squatters

  • #7
    Marissa Meyer
    “Come on, Iko.”
    Iko was still hiding, hugging herself self-consciously. “Is he looking?”
    Kai raised an eyebrow.
    “He’s not looking,” said Cinder.
    A hesitation. “Are you sure?”
    Cinder gestured exasperatedly at Kai. “You’re not looking.”
    He cast his eyes to the ceiling. “Oh, for all the stars." Crossing his arms, he turned his back on them.”
    Marissa Meyer, Cress

  • #8
    Marissa Meyer
    “Prince Kai! Check my fan, I think I'm overheating.”
    Marissa Meyer, Cinder
    tags: iko

  • #9
    Marissa Meyer
    “I'm sure I'll feel much more grateful when I find a guy who thinks complex wiring in a girl is a turn-on.”
    Marissa Meyer, Cinder

  • #10
    Marissa Meyer
    “Kai cleared his throat. Stood straighter. "I assume you are going to the ball?"
    "I-I don't know. I mean, no. No, I'm sorry, I'm not going to the ball."
    Kai drew back, confused. "Oh well... but... maybe you would change your mind? Because I am, you know."
    "The prince."
    "Not bragging," he said quickly. "Just a fact.”
    Marissa Meyer, Cinder

  • #11
    Marissa Meyer
    “I don’t see that her being cyborg is relevant.”
    Marissa Meyer, Scarlet

  • #12
    Marissa Meyer
    “Finally, Cinder gulped. "I'm sorry I had to --" She gestured at the unconscious wedding coordinator, then waved her hand like shaking it off. "But she'll be fine, I swear. Maybe a little nauseous when she comes to, but otherwise...And your android...Nainsi, right? I had to disable her. And her backup processor. But any mechanic can return her to defaults in about six seconds, so..." She rubbed anxiously at her wrist. "Oh, and we ran into your captain of the guard in the hallway, and a few other guards, and I may have scared him and he's, um, unconscious. Also. But, really, they'll all be fine. I swear." Her lips twitched into a brief, nervous smile. "Um...hello, again. By the way.”
    Marissa Meyer, Cress

  • #13
    Marissa Meyer
    “Captain Carswell Thorne, is it?”

    "That’s right."

    "I’m afraid you won’t have claim to that title for long. I’m about to commandeer your Rampion for the queen."

    "I am sorry to hear about that."

    "Additionally, I assume you are aware that assisting a wanted fugitive, such as Linh Cinder, is a crime punishable by death on Luna. Your sentence is to be carried out immediately."

    "Efficiency. I respect that.”
    Marissa Meyer, Cress

  • #14
    Marissa Meyer
    “An animal?" Thorne said, and she realized he'd been waiting for her to further explain what she was seeing.
    "It has long legs and horns and...and it's beautiful."
    "Oh, good, we're back to this, then.”
    marissa meyer, Cress

  • #15
    Marissa Meyer
    “Cress?"
    "It's beautiful out there."
    A hesitation, before, "Could you be more specific?"
    "The sky is gorgeous, intense blue color." She pressed her fingers to the glass and traced the wavy hills on the horizon.
    "Oh, good. You've really narrowed it down for me."
    "I'm sorry, it's just..." She tried to stamp down the rush of emotion. "I think we're in a desert."
    "Cactuses and tumbleweeds?"
    "No just a lot of sand. It's kind of orangish-gold, with hints of pink, and I can see tiny clouds of it floating above the ground, like...like smoke."
    "Piles up in lots of hills?"
    "Yes, exactly! And it's beautiful."
    Thorne snorted. "If this is how you feel about a desert, I can't wait until you see your first real tree. Your mind will explode.”
    Marissa Meyer , Cress

  • #16
    Marissa Meyer
    “Knees suddenly weak, she reached for his forearms to stabilize herself. “You came for me.”

    He beamed, looking for all the world like a selfless, daring hero.

    “Don’t sound so surprised.” Dropping the cane, he pulled her into a crushing embrace that tore her away from Wolf and lifted her clean off the floor. “It turns out you are worth a lot of money on the black market.”
    Marissa Meyer, Cress

  • #17
    Harriet Beecher Stowe
    “Scenes of blood and cruelty are shocking to our ear and heart. What man has nerve to do, man has not nerve to hear.”
    Harriet Beecher Stowe, Uncle Tom’s Cabin

  • #18
    Mira Grant
    “Our story opens where countless stories have ended in the last twenty-six years: with an idiot -- in this case, my brother, Shaun -- deciding it would be a good idea to go out and poke a zombie with a stick to see what happens.”
    Mira Grant, Feed

  • #19
    Mira Grant
    “Every life has a watershed moment, an instant when you realize you're about to make a choice that will define everything else you ever do, and that if you choose wrong, there may not be that many things left to choose. Sometimes the wrong choice is the only one that lets you face the end with dignity, grace, and the awareness that you're doing the right thing.
    I'm not sure we can recognize those moments until they've passed us.”
    Mira Grant, Feed

  • #20
    Mira Grant
    “Me, I say those are all great things to live for, if they're what happens to float your boat, but at the end of the day, there's got to be somebody you're doing it for. Just one person you're thinking of everytime you make a decision, everytime you tell the truth, or tell a lie, or anything.
    I've got mine. Do you?”
    Mira Grant, Feed

  • #21
    Mira Grant
    “Alive or dead, the truth won't rest. Rise up while you can.”
    Mira Grant, Feed

  • #22
    Mira Grant
    “I am, in fact, immortal when annoyed.”
    Mira Grant, Feed

  • #23
    Mira Grant
    “I’m also fascinated by the difference between terror and fear. Fear says, “Do not actually put your hand in the alligator,” while terror says, “Avoid Florida entirely because alligators exist.”
    Mira Grant, Feed

  • #24
    Mira Grant
    “Rick stared at him. "Your brother is an alien."
    "Yeah, but he's a cute one.”
    Mira Grant, Feed

  • #25
    Mira Grant
    “Think about that for a moment. They died for you. Now take a good look at the life you're living and tell me: Did they do the right thing?”
    Mira Grant, Feed

  • #26
    Mira Grant
    “Shaun get your sister her glasses. She looks naked without them. It's creeping me out.”
    Mira Grant, Feed

  • #27
    Mira Grant
    “There comes a point when you need to get over the fear and get on with your life, and a lot of people don’t seem to be capable of that anymore. From blood tests to gated communities, we have embraced the cult of fear, and now we don’t seem to know how to put it back where it belongs.”
    Mira Grant, Feed

  • #28
    Mira Grant
    “Don't think she can breathe over there, chief." drawled Shaun. "Pretty sure she hasn't kicked the oxygen habit yet..”
    Mira Grant, Feed

  • #29
    Salman Rushdie
    “Nothing comes from nothing, Thieflet; no story comes from nowhere; new stories are born from old--it is the new combinations that make them new.”
    Salman Rushdie, Haroun and the Sea of Stories

  • #30
    G.K. Chesterton
    “There is the great lesson of 'Beauty and the Beast,' that a thing must be loved before it is lovable.”
    G.K. Chesterton



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