Syaamoi > Syaamoi's Quotes

“As if you were on fire from within.

The moon lives in the lining of your skin.”
― Pablo Neruda

“You have your way. I have my way. As for the right way, the correct way, and the only way, it does not exist.”
― Friedrich Wilhelm Nietzsche

“Should I kill myself, or have a cup of coffee?”
― Albert Camus

“Nationalism is our form of incest, is our idolatry, is our insanity. 'Patriotism' is its cult...Just as love for one individual which excludes the love for others is not love, love for one's country which is not part of one's love for humanity is not love, but idolatrous worship.”
― Erich Fromm

“If the Olive Trees knew the hands that planted them, Their Oil would become Tears.”
― Mahmoud Darwish

“أدمنت احزاني
فصرت اخاف ان لا احزنا
I got addicted to my sorrows,
Until I have gotten scared of not being sorrowed.

وطعنت آلافا من المرات
حتى صار يوجعني بان لا اطعنا
And I was stabbed thousands of times,
Until it felt painful not to be stabbed.

ولعنت في كل اللغات
حتى صار يقلقني بان لا العنا
And I was cursed in all the languages,
Until I started being nervous of not being cursed.

ولقد تشابهت كل البلاد
فلا ارى نفسي هناك، ولا ارى نفسي هنا
And all the countries seemed the same,
That I don't see myself there, And I don't see myself here.”
― Nizar Qabbani

“If an animal has to be sacrificed when a new bridge is built, what will it take to build a whole new world?”
― Ismail Kadare, Chronicle in Stone

“i have never understood.
will
probably never understand.
the white mans lust
to eat the world.
to eat the universe. (mars is next)
why he was born with such a rabid
starvation.
why he feigns for power
like
crack rock. doing everything. and anything.
to have it.
no matter how deranged.
why he is in so much pain
he needs to rip the roots of happiness
from the earth
and
burn them into
his smile.
what happened in his relationship with our mother.
that he needs to set a person on fire.
watch them burn.
to
feel powerful.
not every white man
is
born this way,
but,
it stands to remain
there are many
who
are.”
― nayyirah waheed

“I say let the world go to hell, but I should always have my tea.”
― Fyodor Dostoevsky, Notes from Underground

“Toska - noun /ˈtō-skə/ - Russian word roughly translated as sadness, melancholia, lugubriousness.

"No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom.”
― Vladimir Nabokov

“Those who plead their cause in the absence of an opponent can invent to their heart's content, can pontificate without taking into account the opposite point of view and keep the best arguments for themselves, for aggressors are always quick to attack those who have no means of defence.”
― Christine de Pizan, Der Sendbrief vom Liebesgott / The Letter of the God of Love

“The man who refuses to judge, who neither agrees nor disagrees, who declares that there are no absolutes and believes that he escapes responsibility, is the man responsible for all the blood that is now spilled in the world. Reality is an absolute, existence is an absolute, a speck of dust is an absolute and so is a human life. Whether you live or die is an absolute. Whether you have a piece of bread or not, is an absolute. Whether you eat your bread or see it vanish into a looter's stomach, is an absolute.

There are two sides to every issue: one side is right and the other is wrong, but the middle is always evil. The man who is wrong still retains some respect for truth, if only by accepting the responsibility of choice. But the man in the middle is the knave who blanks out the truth in order to pretend that no choice or values exist, who is willing to sit out the course of any battle, willing to cash in on the blood of the innocent or to crawl on his belly to the guilty, who dispenses justice by condemning both the robber and the robbed to jail, who solves conflicts by ordering the thinker and the fool to meet each other halfway. In any compromise between food and poison, it is only death that can win. In any compromise between good and evil, it is only evil that can profit. In that transfusion of blood which drains the good to feed the evil, the compromise is the transmitting rubber tube.”
― Ayn Rand, Atlas Shrugged

“The greatest crimes in the world are not committed by people breaking the rules but by people following the rules. It's people who follow orders that drop bombs and massacre villages.”
― Banksy, Wall and Piece

“I like to think I have the guts to stand up anonymously in a western democracy and call for things no-one else believes in - like peace and justice and freedom.”
― Banksy, Wall and Piece

“You don't write about the horrors of war. No. You write about a kid's burnt socks lying in the road.”
― Richard Price

“Patriotism cannot be our final spiritual shelter; my refuge is humanity. I will not buy glass for the price of diamonds, and I will never allow patriotism to triumph over humanity as long as I live. ”
― Rabindranath Tagore

“There are so many ways of being despicable it quite makes one’s head spin. But the way to be really despicable is to be contemptuous of other people’s pain.”
― James Baldwin, Giovanni’s Room

“The worst illiterate is the political illiterate, he doesn’t hear, doesn’t speak, nor participates in the political events. He doesn’t know the cost of life, the price of the bean, of the fish, of the flour, of the rent, of the shoes and of the medicine, all depends on political decisions. The political illiterate is so stupid that he is proud and swells his chest saying that he hates politics. The imbecile doesn’t know that, from his political ignorance is born the prostitute, the abandoned child, and the worst thieves of all, the bad politician, corrupted and flunky of the national and multinational companies.”
― Bertolt Brecht

“But you can always justify killing animals on the grounds that you want to eat them, or wear them, or that they smell bad, look funny, bother you, threaten you, and have the bad luck of being in your way. What about killing humans? Well aside from a few die-hard individualists on the fringe, the general consensus among people these days seems to be that eating and wearing other people is just not on. Wearing a suit which costs as much as a farmer will make in his lifetime is acceptable, but actually putting his eyeballs on a string and letting them dangle above tastefully exposed cleavage is bad form.”
― Mohsin Hamid, Moth Smoke

“No one today is purely one thing. Labels like Indian, or woman, or Muslim, or American are not more than starting-points, which if followed into actual experience for only a moment are quickly left behind. Imperialism consolidated the mixture of cultures and identities on a global scale. But its worst and most paradoxical gift was to allow people to believe that they were only, mainly, exclusively, white, or Black, or Western, or Oriental. Yet just as human beings make their own history, they also make their cultures and ethnic identities. No one can deny the persisting continuities of long traditions, sustained habitations, national languages, and cultural geographies, but there seems no reason except fear and prejudice to keep insisting on their separation and distinctiveness, as if that was all human life was about. Survival in fact is about the connections between things; in Eliot’s phrase, reality cannot be deprived of the “other echoes [that] inhabit the garden.” It is more rewarding - and more difficult - to think concretely and sympathetically, contrapuntally, about others than only about “us.” But this also means not trying to rule others, not trying to classify them or put them in hierarchies, above all, not constantly reiterating how “our” culture or country is number one (or not number one, for that matter).”
― Edward W. Said, Culture and Imperialism

“We are all refugees from our childhoods. And so we turn, among other things, to stories. To write a story, to read a story, is to be a refugee from the state of refugees. Writers and readers seek a solution to the problem that time passes, that those who have gone are gone and those who will go, which is to say every one of us, will go. For there was a moment when anything was possible. And there will be a moment when nothing is possible. But in between we can create.”
― Mohsin Hamid, How to Get Filthy Rich in Rising Asia

“Once upon a time, there was a king who ruled a great and glorious nation. Favourite amongst his subjects was the court painter of whom he was very proud. Everybody agreed this wizzened old man pianted the greatest pictures in the whole kingdom and the king would spend hours each day gazing at them in wonder. However, one day a dirty and dishevelled stranger presented himself at the court claiming that in fact he was the greatest painter in the land. The indignant king decreed a competition would be held between the two artists, confident it would teach the vagabond an embarrassing lesson. Within a month they were both to produce a masterpiece that would out do the other. After thirty days of working feverishly day and night, both artists were ready. They placed their paintings, each hidden by a cloth, on easels in the great hall of the castle. As a large crowd gathered, the king ordered the cloth be pulled first from the court artist’s easel. Everyone gasped as before them was revealed a wonderful oil painting of a table set with a feast. At its centre was an ornate bowl full of exotic fruits glistening moistly in the dawn light. As the crowd gazed admiringly, a sparrow perched high up on the rafters of the hall swooped down and hungrily tried to snatch one of the grapes from the painted bowl only to hit the canvas and fall down dead with shock at the feet of the king. ’Aha!’ exclaimed the king. ’My artist has produced a painting so wonderful it has fooled nature herself, surely you must agree that he is the greatest painter who ever lived!’ But the vagabond said nothing and stared solemnly at his feet. ’Now, pull the blanket from your painting and let us see what you have for us,’ cried the king. But the tramp remained motionless and said nothing. Growing impatient, the king stepped forward and reached out to grab the blanket only to freeze in horror at the last moment. ’You see,’ said the tramp quietly, ’there is no blanket covering the painting. This is actually just a painting of a cloth covering a painting. And whereas your famous artist is content to fool nature, I’ve made the king of the whole country look like a clueless little twat.”
― Banksy, Wall and Piece

“I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it calls itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use -- silence, exile, and cunning.”
― James Joyce, A Portrait of the Artist as a Young Man

“To speak a language is to take on a world, a culture.”
― Frantz Fanon

“Surviving war is an excellent training process. If it weren't so brutal, I 'd recommend it as an excellent start-up course in life. I feel that over years of endurance, hard work and perseverance of determination and conviction, of claiming our rights to stay alive, to be free and to be ourselves, of fighting the biggest wars as much as the smaller ones, our will can indeed move mountains for us.”
― Joumana Haddad, I Killed Scheherazade: Confessions of an Angry Arab Woman

“later that night
i held an atlas in my lap
ran my fingers across the whole world
and whispered
where does it hurt?

it answered
everywhere
everywhere
everywhere.”
― Warsan Shire

“Two centuries ago, a former European colony decided to catch up with Europe. It succeeded so well that the United States of America became a monster, in which the taints, the sickness and the inhumanity of Europe have grown to appalling dimensions”
― Frantz Fanon

“We have on this earth what makes life worth living: April’s hesitation, the aroma of bread at dawn, a woman’s point of view about men, the works of Aeschylus, the beginning of love, grass on a stone, mothers living on a flute’s sigh and the invaders’ fear of memories.”
― Mahmoud Darwish, Unfortunately, It Was Paradise: Selected Poems

“For men like him, to fuck or rape a whore is not an achievement. Putting his filth into a hole that has already served hundreds before him does not engender the slightest masculine pride. Isn’t that right, my sang-e saboor? You should know. Men like him are afraid of whores. And do you know why? I’ll tell you, my sang-e saboor: when you fuck a whore, you don’t dominate her body. It’s a matter of exchange. You give her money, and she gives you pleasure. And I can tell you that often she’s the dominant one. It’s she who is fucking you.” The woman calms down. Her voice serene, she continues, “So, raping a whore is not rape. But raping a young girl’s virginity, a woman’s honor! Now that’s your creed!”
― Atiq Rahimi, The Patience Stone

“Art is the conversation between lovers.
Art offers an opening for the heart.
True art makes the divine silence in the soul
Break into applause.


Art is, at last, the knowledge of
Where we are standing –
Where we are standing
In this Wonderland
When we rip off all our clothes
And this blind man's patch, veil,
That got tied across our brow.

Art is the conversation between lovers.

True art awakes the
Extraordinary
Ovation.”
― Hāfez