Lucy > Lucy's Quotes

“I want to change my punctuation. I long for exclamation marks, but I'm drowning in ellipses.”
― Isaac Marion, Warm Bodies

“This was not the time to say “I don’t know.” The brothers had begging, hungry looks, like dogs waiting to be fed. They wanted an answer. It would be nice if it was the right answer, but if it couldn’t be, then any answer would do, because then we would stop being worried...and then his mind caught alight.

That’s what the gods are! An answer that will do! Because there’s food to be caught and babies to be born and life to be lived and so there is no time for big, complicated, and worrying answers! Please give us a simple answer, so that we don’t have to think, because if we think, we might find answers that don’t fit the way we want the world to be.”
― Terry Pratchett, Nation

“In my mind I am eloquent; I can climb intricate scaffolds of words to reach the highest cathedral ceilings and paint my thoughts. But when I open my mouth, everything collapses.”
― Isaac Marion, Warm Bodies

“You are beyond mad," said Locke after several moments of silent, furious thought. "Full-on barking madness is a state of rational bliss to which you may not aspire. Men living in gutters and drinking their own piss would shun your company. You are a prancing lunatic.”
― Scott Lynch, Red Seas Under Red Skies

“And so the children of the revolution were faced with the age-old problem: it wasn't that you had the wrong kind of government, which was obvious, but that you had the wrong kind of people.
As soon as you saw people as things to be measured, they didn't measure up.”
― Terry Pratchett, Night Watch

“That's the duty of the old,' said the Librarian, 'to be anxious on the behalf of the young. And the duty of the young is to scorn the anxiety of the old.'

They sat for a while longer, and then parted, for it was late, and they were old and anxious.”
― Philip Pullman, The Golden Compass

“He hated games they made the world look too simple. Chess, in particular, had always annoyed him. It was the dumb way the pawns went off and slaughtered their fellow pawns while the king lounged about doing nothing. If only the pawns would've united ... the whole board could've been a republic in about a dozen moves.”
― Terry Pratchett, Thud!

“Never interrupt your enemy when he is making a mistake.”
― Napoleon Bonaparte

“The Imperial Service could win a war without coffee, but would prefer not to have to.”
― Lois McMaster Bujold, Captain Vorpatril's Alliance

“The way I’d put it,” said Makin, “is that Rike can’t make an omelet without wading thigh deep in the blood of chickens and wearing their entrails as a necklace.”
― Mark Lawrence, King of Thorns

“This is where the wise man turns away. This is where the holy kneel and call on God. These are the last miles, my brothers. Don't look to me to save you. Don't think I will not spend you. Run if you have the wit. Pray if you have the soul. Stand your ground if courage is yours. But don't follow me.

Follow me, and I will break your heart.”
― Mark Lawrence, Emperor of Thorns

“Returning his pen to its holder, he told us, 'I will have him gutted with that scythe. I will hang him by his own intestines.' At this piece of dramatic exposition, I could not hep but roll my eyes. A length of intestines would not carry the weight of a child, much less a full grown man.”
― Patrick deWitt, The Sisters Brothers

“But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt. So it goes. People aren't supposed to look back. I'm certainly not going to do it anymore.”
― Kurt Vonnegut, Slaughterhouse-Five

“Time is an illusion. Lunchtime doubly so.”
― Douglas Adams, The Hitchhiker’s Guide to the Galaxy

“The first I knew about it was when a workman arrived at my home yesterday. I asked him if he'd come to clean the windows and he said no, he'd come to demolish the house. He didn't tell me straight away of course. Oh no. First he wiped a couple of windows and charged me a fiver. Then he told me."

"But Mr. Dent, the plans have been available in the local planning office for the last nine months."

"Oh yes, well, as soon as I heard I went straight round to see them, yesterday afternoon. You hadn't exactly gone out of your way to call attention to them, had you? I mean, like actually telling anybody or anything."

"But the plans were on display..."

"On display? I eventually had to go down to the cellar to find them."

"That's the display department."

"With a flashlight."

"Ah, well, the lights had probably gone."

"So had the stairs."

"But look, you found the notice didn't you?"

"Yes," said Arthur, "yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying 'Beware of the Leopard.”
― Douglas Adams, The Hitchhiker’s Guide to the Galaxy

“When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.

Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.

That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.

Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?

Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.

The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.”
― China Miéville

“The thing under my bed waiting to grab my ankle isn't real. I know that, and I also know that if I'm careful to keep my foot under the covers, it will never be able to grab my ankle.”
― Stephen King, Night Shift

“There is no sound more annoying than the chatter of a child, and none more sad than the silence they leave when they are gone.”
― Mark Lawrence, King of Thorns

“It's a philosophical minefield!"

Cabal had a brief mental image of Aristotle walking halfway across an open field before unexpectedly disappearing in a fireball. Descartes and Nietzsche looked on appalled. He pulled himself together.”
― Jonathan L. Howard, Johannes Cabal the Necromancer

“Men are afraid that women will laugh at them. Women are afraid that men will kill them.”
― Margaret Atwood

“If you want to imagine the future, imagine a boy and his dog and his friends. And a summer that never ends.”
― Neil Gaiman & Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

“She walked quickly through the darkness with the frank stride of someone who was at least certain that the forest, on this damp and windy night, contained strange and terrible things and she was it.”
― Terry Pratchett, Wyrd Sisters

“A witch ought never to be frightened in the darkest forest, Granny Weatherwax had once told her, because she should be sure in her soul that the most terrifying thing in the forest was her.”
― Terry Pratchett, Wintersmith

“All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.

From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king.”
― J.R.R. Tolkien, The Fellowship of the Ring

“The story so far:
In the beginning the Universe was created.
This has made a lot of people very angry and been widely regarded as a bad move.”
― Douglas Adams, The Restaurant at the End of the Universe

“She wore a dress Ronan thought looked like a lampshade. Whatever sort of lamp it belonged on, Gansey clearly wished he had one.
Ronan wasn't a fan of lamps.”
― Maggie Stiefvater, The Dream Thieves

“You could love the sleek, efficient beauty of a brand-new bullet train, but only a fool could imagine it would love you back.”
― Maggie Stiefvater, The Dream Thieves

“When you're in a dark place, and your light is going to run out before too long, you get on with things. It's a wonder to me how few people apply that same logic to their lives.”
― Mark Lawrence, Emperor of Thorns

“Your parents are dead, you are not fine, and nothing is going to be okay. This is not news to you. But from now until May you are still Neil Josten and I am still the man who said he would keep you alive.”
― Nora Sakavic, The Raven King

“Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.”
― Leigh Bardugo, Crooked Kingdom