Night Shift Quotes

“The thing under my bed waiting to grab my ankle isn't real. I know that, and I also know that if I'm careful to keep my foot under the covers, it will never be able to grab my ankle.”
― Stephen King, Night Shift

“You want to remember that while you're judging the book, the book is also judging you.”
― Stephen King, Night Shift

“The ladder had always held us before, we thought it would always hold us again, which is a philosophy that gets men and nations in trouble time after time.”
― Stephen King, Night Shift

“Let's talk, you and I. Let's talk about fear.”
― Stephen King, Night Shift

“Having a breakdown was like breaking a vase and then gluing it back together. You could never trust yourself to handle that vase again with any surety. You couldn't put a flower in it because flowers need water and water might dissolve the glue. Am I crazy, then?”
― Stephen King, Night Shift

“Story is something happening to someone you have been led to care about.”
― Stephen King, Night Shift

“I felt comfortable as only one can on such a night, when all is miserable outside and all is warmth and comfort inside.”
― Stephen King, Night Shift

“If you want to write, you write. The only way to learn to write is by writing.”
― Stephen King, Night Shift

“Love is the most pernicious drug of all. Let the romantics debate its existence. Pragmatists accept it and use it.”
― Stephen King, Night Shift

“You're my big brother. I knew you'd take care of me.”
― Stephen King, Night Shift

“Why do you choose to write about such gruesome subjects?
I usually answer this with another question: Why do you assume that I have a choice?
Writing is a catch-as-catch-can sort of occupation. All of us seem to come equipped with filters on the floors of our minds, and all the filters have differing sizes and meshes. What catches in my filter may run right through yours. What catches in yours may pass through mine, no sweat. All of us seem to have a built-in obligation to sift through the sludge that gets caught in our respective mind-filters, and what we find there usually develops into some sort of sideline.

The accountant may also be a photographer. The astronomer may collect coins. The school-teacher may do gravestone rubbings in charcoal. The sludge caught in the mind's filter, the stuff that refuses to go through, frequently becomes each person's private obsession. In civilized society we have an unspoken agreement to call our obsessions “hobbies.”

Sometimes the hobby can become a full-time job. The accountant may discover that he can make enough money to support his family taking pictures; the schoolteacher may become enough of an expert on grave rubbings to go on the lecture circuit. And there are some professions which begin as hobbies and remain hobbies even after the practitioner is able to earn his living by pursuing his hobby; but because “hobby” is such a bumpy, common-sounding little word, we also have an unspoken agreement that we will call our professional hobbies “the arts.”

Painting. Sculpture. Composing. Singing. Acting. The playing of a musical instrument. Writing. Enough books have been written on these seven subjects alone to sink a fleet of luxury liners. And the only thing we seem to be able to agree upon about them is this: that those who practice these arts honestly would continue to practice them even if they were not paid for their efforts; even if their efforts were criticized or even reviled; even on pain of imprisonment or death.

To me, that seems to be a pretty fair definition of obsessional behavior. It applies to the plain hobbies as well as the fancy ones we call “the arts”; gun collectors sport bumper stickers reading YOU WILL TAKE MY GUN ONLY WHEN YOU PRY MY COLD DEAD FINGERS FROM IT, and in the suburbs of Boston, housewives who discovered political activism during the busing furor often sported similar stickers reading YOU'LL TAKE ME TO PRISON BEFORE YOU TAKE MY CHILDREN OUT OF THE NEIGHBORHOOD on the back bumpers of their station wagons. Similarly, if coin collecting were outlawed tomorrow, the astronomer very likely wouldn't turn in his steel pennies and buffalo nickels; he'd wrap them carefully in plastic, sink them to the bottom of his toilet tank, and gloat over them after midnight.”
― Stephen King, Night Shift

“My obsession is with the macabre. I didn't write any of the stories which follow for money, although some of them were sold to magazines before they appeared here and I never once returned a cheque uncashed. I may be obsessional but I'm not crazy. Yet I repeat: I didn't write them for money; I wrote them because it occurred to me to write them. I have a marketable obsession. There are madmen and madwomen in padded cells the world over who are not so lucky.”
― Stephen King, Night Shift

“She was thinking about how quietly you could grow to depend on a person, almost like a junkie with a habit.”
― Stephen King, Night Shift

“You may have an occasion to be traveling in southern Maine yourself one of these days. Pretty part of the countryside. You may even stop by Tookey's Bar for a drink. Nice place. They kept the name just the same. So have your drink, and then my advice to you is to keep right on moving north. Whatever you do, don't go up that road to Jerusalem's Lot. Especially not after dark. There's a little girl somewhere out there. And I think she's still waiting for her good-night kiss.”
― Stephen King, Night Shift

“Insofar as story is concerned, and pleasure is concerned, there are not enough Stephen Kings to go around.”
― Stephen King, Night Shift

“There are spiritually noxious places, buildings where the milk of the cosmos has become sour and rancid. This church is such a place; I would swear to it.”
― Stephen King, Night Shift

“[...]Pero era evidente que le había dolido. Le había dolido antes, de la peor manera, al advertir que el dejaría de existir mientras el universo seguiría girando igual que siempre, intacto e insensible.”
― Stephen King, Stories from Night Shift

“The stench in the air grew steadily stronger, and the dark about us seemed to press like wool, as if jealous of the light which had temporarily deposed it after so many years of undisputed dominion.”
― Stephen King, Night Shift

“As we become aware of our own unavoidable termination, we become aware of the fear-emotion. And I think that, as copulation tends towards self-preservation, all fear tends towards a comprehension of the final ending.”
― Stephen King, Night Shift

“So here we were, with the whole human race wiped out, not by atomic weapons or bio-warfare or pollution or anything grand like that. Just the flu.”
― Stephen King, Night Shift

“She wasn't like a jukebox; you never had to put in a dime and she never came unplugged.”
― Stephen King, Night Shift

“So here we were, with the whole human race wiped out, not by atomic weapons, or bio-warfare or pollution or anything grand like that. Just the flu. I'd like to put down a huge plaque somewhere, in the Bonneville Salt Flats, maybe. Bronze square. Three miles on a side. And in big raised letters it would say, for the benefit of any landing aliens: JUST THE FLU”
― Stephen King, Night Shift

“L'amore è la più perniciosa di tutte le droghe. Lasciate che i romantici discutano sulla sua esistenza. I pragmatici l'accettano e se ne servono.”
― Stephen King, Night Shift

“His own mortality suddenly whispered through his bones like a cold draft under a door.”
― Stephen King, Night Shift

“He does not write to please you. He writes to please himself. I write to please myself. When that happens, you will like the work too.”
― Stephen King, Night Shift

“If seven hundred monkeys typed for seven hundred years, one of them would turn out the works of Shakespeare,”
― Stephen King, Night Shift

“New Hampshire newsman with a passion for the arcane christened the killer Springheel Jack, after the infamous Dr. John Hawkins of Bristol, who did five of his wives to death with odd pharmaceutical knickknacks.”
― Stephen King, Night Shift

“The field has never been highly regarded; for a long time the only friends that Poe and Lovecraft had were the French, who have somehow come to an arrangement with both sex and death, an arrangement that Poe and Love-craft's fellow Americans certainly had no patience with. The Americans were busy building railroads, and Poe and Lovecraft died broke.”
― Stephen King, Night Shift

“The arts are obsessional, and obsession is dangerous. It's like a knife in the mind. In some cases—Dylan Thomas comes to mind, and Ross Lockridge and Hart Crane and Sylvia Plath—the knife can turn savagely upon the person wielding it. Art is a localized illness, usually benign—creative people tend to live a long time—sometimes terribly malignant. You use the knife carefully, because you know it doesn't care who it cuts. And if you are wise you sift the sludge carefully . . . because some of that stuff may not be dead.”
― Stephen King, Night Shift

“He'll keep changing tacks, Marcia had said. It's the way he puts people on the defensive. Pretty soon he'll have you hitting out at where you think he's going to be, and he'll get you someplace else.”
― Stephen King, Night Shift