Keith Stevenson

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Keith Stevenson

Goodreads Author


Born
Glasgow, The United Kingdom
Website

Genre

Influences

Member Since
November 2011

URL


I'm the author of The Lenticular Series, a space opera trilogy of species slaughter, invasion and rebellion where humanity are the bad guys, and the SF thriller Horizon.
I'm a past editor of Aurealis - Australian Science Fiction and Fantasy Magazine from 2001 to 2004. I hosted 30 episodes of the Terra Incognita Speculative Fiction Podcast, and edited and published Dimension6 the free Australian speculative fiction electronic magazine from 2014 to 2020.
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Keith Stevenson Hi Matthew. Thanks for your questions.

For Horizon, the initial mental image I had was of an astronaut waking up from some kind of hibernation, and it …more
Hi Matthew. Thanks for your questions.

For Horizon, the initial mental image I had was of an astronaut waking up from some kind of hibernation, and it made me wonder what was happening to them and where they were. It was likely they were travelling to another planet, so as I started to expand on the idea I began to research aspects of planetary development, which led to a deeper appreciation of how climates are formed and changed by natural and 'human-made' events. At the same time there was a lot happening in the real world about climate change: climate deniers, green movements, politicians of every colour getting into the fray, and a growing feeling that nothing concrete was being done, and that certainly fed into the work at a very early stage. I started writing Horizon over ten years ago. It's depressing to see that climate change as an issue has just gotten more and more serious in the intervening years and we have yet to see a concerted multinational response to the very real threat it represents. So, yes I was influenced by the debate in Australia, but it's a debate that has been going for a long time.

In terms of Australian sci-fi and fantasy, the genres go through cycles here just like anywhere else in the world and it feels like the next wave is upon us due, in no small part, to the rise of digital publishing. Certainly in the last couple of years small and independent presses have been moving firmly into the ebook arena with established publishers like Twelfth Planet Press, Ticonderoga and (my own) coeur de lion publishing utilising digital to cut costs and reach a global market far more cheaply than we ever could before. That’s encouraged newer players like Satalyte Publishing, Spineless Wonders and so on to enter the market, so we probably have more markets and outlets for Australian speculative fiction than ever before.

And now the big publishers are moving more strongly into digital. Pan MacMillan started its Momentum imprint a couple years back and that has a strong focus on genre fiction with writers such as Greig Beck, Amanda Bridgeman, Donna Hanson and Graeme Storrs, and now HarperCollins have started up Voyager Impulse, publishing Horizon, JJ Gadd’s Lunation Series, and Alice Through the Blood-Stained Glass by Dan Adams as just the first few of a much larger cohort of genre titles in the pipeline. Add to that indie publishing successes like Mitchell Hogan, whose Crucible of Souls, won the Aurealis Award last year and has sales in the tens of thousands, and I think you could say we’re in good shape. It’s a great time for Australian genre writers with so many options out there.

Thanks again! (less)
Average rating: 3.86 · 242 ratings · 84 reviews · 28 distinct worksSimilar authors
Horizon

3.48 avg rating — 77 ratings — published 2014 — 3 editions
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Traitor's Run (The Lenticul...

4.02 avg rating — 42 ratings — published 2023 — 2 editions
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Anywhere but Earth

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really liked it 4.00 avg rating — 37 ratings — published 2011 — 4 editions
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X6: A Novellanthology

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4.27 avg rating — 15 ratings — published 2009 — 2 editions
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Traitor's Bargain (The Lent...

4.08 avg rating — 12 ratings — published 2024 — 3 editions
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Cock: Adventures In Masculi...

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3.88 avg rating — 8 ratings
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Traitor's War (The Lenticul...

3.75 avg rating — 4 ratings — published 2024 — 3 editions
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Dimension6: annual collecti...

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it was amazing 5.00 avg rating — 2 ratings
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Shroud – Adrian Tchaikovsky

Shroud by Adrian Tchaikovsky
My rating: 5 of 5 stars

Adrian Tchaikovsky has a knack for creating terribly dystopic human societies. You can’t really blame him given what he has to work with. But the human society in Shroud is one of the worst.

It seems humanity nearly perished in the ‘Bottleneck’: a disastrous combination of resource scarcity and climate catastrophe (that is absolutely heading t Read more of this blog post »
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Published on February 01, 2026 17:03
Traitor's Run Traitor's Bargain Traitor's War
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4.02 avg rating — 58 ratings

Translation State
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Shogun
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Shroud by Adrian Tchaikovsky
Shroud
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Adrian Tchaikovsky has a knack for creating terribly dystopic human societies. You can’t really blame him given what he has to work with. But the human society in Shroud is one of the worst.

It seems humanity nearly perished in the ‘Bottleneck’: a di
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The Very Slow Time Machine by Ian  Watson
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Keith Stevenson and 3 other people liked Emma Newman's blog post: Recovery is tiring.
"Just a little update from me as I realised it’s been months since I sent out a newsletter. I’ve never been the best at keeping up with this sort of thing, but there’s a reason why I’ve not been around much, and I’m afraid it’s not a nice one. I am..." Read more of this blog post »
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Topics Mentioning This Author

topics posts views last activity  
Aussie Readers: Quarterly Read-a-thon Friday 2nd June - Sunday 4th June 2017 393 174 Jun 10, 2017 06:54PM  
Aussie Readers: **Winter Challenge - 1st June - 31st August 2017** 601 299 Sep 04, 2017 04:37AM  
Iain M. Banks
“the Culture had placed its bets—long before the Idiran war had been envisaged—on the machine rather than the human brain. This was because the Culture saw itself as being a self-consciously rational society; and machines, even sentient ones, were more capable of achieving this desired state as well as more efficient at using it once they had. That was good enough for the Culture.”
Iain M. Banks, Consider Phlebas

Iain M. Banks
“It was the Culture’s fault. It considered itself too civilized and sophisticated to hate its enemies; instead it tried to understand them and their motives, so that it could out-think them and so that, when it won, it would treat them in a way which ensured they would not become enemies again. The”
Iain M. Banks, Consider Phlebas

Iain M. Banks
“The only desire the Culture could not satisfy from within itself was one common to both the descendants of its original human stock and the machines they had (at however great a remove) brought into being: the urge not to feel useless. The Culture’s sole justification for the relatively unworried, hedonistic life its population enjoyed was its good works; the”
Iain M. Banks, Consider Phlebas

Iain M. Banks
“They also,” [the drone] said, “refuse to acknowledge machine sentience fully; they exploit proto-conscious computers and claim only human subjective experience has any intrinsic value — carbon fascists.”
Iain M. Banks, Use of Weapons

Iain M. Banks
“Zakalwe, in all the human societies we have ever reviewed, in every age and every state, there has seldom if ever been a shortage of eager young males prepared to kill and die to preserve the security, comfort and prejudices of their elders, and what you call heroism is just an expression of this simple fact; there is never a scarcity of idiots.”’ He”
Iain M. Banks, Use of Weapons

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