Jonathan’s
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(group member since Oct 24, 2013)
Jonathan’s
comments
from the Reading Proust's In Search of Lost Time in 2014 group.
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If I had not long since ceased to shave my upper lip and had had only a faint shadow of a moustache, this resemblance would have been almost complete.

I think after trying both I prefer the MKE translation overall BUT occasionally the Penguin does just read better and the notes, synopsis etc. are a lot better; this is why I finally decided on reading the MKE but using a library Penguin copy for the notes etc. Also sometimes, if I re-read bits I just read the Penguin version for a bit of variety.

What Proustian plans do others have for next year? Mine, at the moment, are to read some small books that I've got hanging around (Night at the Majestic, Proust's Library) and to start on the Carter bio maybe in January/February. If everyone's up for reading Combray early in the year I'm willing to go along with it, though I'd prefer to leave it until after the bio. Nothing's set in stone though so I'm open for changes/compromise.

Yes, I was pleased that we'd covered some of the issues they were discussing. I was glad they mentioned the temporary confusion that the reader feels when reading ISOLT - at least they'd experienced it as well and it's not just us!
I think someone on the programme mentioned that ISOLT was just as much about forgetting as remembering, which was something I hadn't really considered.

http://www.bbc.co.uk/programmes/b04lpxj2"
Thanks Marcelita, I've just listened to it. It's interesting to hear of of others' experiences of their voyage through ISOLT.

Re: Balzac, you may like the site.
Why not also read Zola? One of my faves. :-)

He! He! e.g. 'I'm sorry I fucked it up, it was just the concatenation of circumstances.'

Ah! if some accident had happened to her, my life, instead of being poisoned for ever by this incessant jealousy, would at once regain, if not happiness, at least a state of calm through the suppression of suffering.Once again, he's wishing pain on others so that his own suffering can be assuaged....though we know it isn't in this case, because he's still racked with jealousy even when she is dead.

...was it not better for me to go down in person, now that I had discovered Saint-Loup's hitherto unsuspected duplicity? Might he not, for all I knew, have organised a plot to separate me from Albertine?I think the narrator's paranoia is infiltrating my mind.


We start to doubt everything don't we? I did think to myself: Given that St-Loup acted strangely when he saw the picture of Albertine and given that he went to see Mme Bontemps on his own, is it possible that St-Loup & Mme Bontemps, possibly with Albertine's connivance, have colluded to stop the narrator's infatuation with Albertine? The solution: tell him she's dead. There's a problem when she reappears though :-)

I've only read the 1970s Penguin version of '1001 Nights'. Penguin recently issued a three volume set that looks like it runs to about 2,600 pages. I'd love to read it.

There are a few available, mostly US versions I think - I'll have to read something by him soon.
I haven't read 'Dance to the Music of Time'; in fact I only heard of it after I'd started Proust this year. I'm not sure whether to tackle something like that after Proust but I'm sure it won't be long before I start another big reading project after I finish ISOLT as I seem to like having a 'biggie' on the go - for years I've been meaning to read Casanova's memoirs so I'm thinking about it...
Have you any big reading projects on the horizon?

Great! Céline is definitely one of my favourite authors. You can't go wrong starting with 'Journey' but his distinctive style doesn't really appear until his subsequent novels.

I'm sorry Dave, I didn't have time to reply yesterday as it was getting late here in the UK. I found the letters between the narrator and Albertine the weirdest as they were just playing games with each other. The letters from Aimé seemed to suggest that he used the opportunity to have a bit of a spree at the narrator's expense. But I didn't have any other suspicions.
I'm just going to re-read some of the letters and see what I think now that I've progressed a bit further in the novel.

He's not a 'difficult' writer as such, certainly not like Joyce for example, but his style is quite off-putting to some readers. The usual route is probably to read his first book, Journey to the End of the Night first, then Death on the Installment Plan, which covers his childhood in Paris at the end of the 19th century and beginning of the 20th century, and then if you still like his writing to tackle the post-war trilogy, Castle to Castle, North and Rigadoon - the trilogy is superb but as with most of his post-war stuff he takes a while to release all the bile in him before he calms down - you'll see what I mean if you try it.
I don't think you'd have too much trouble launching straight into the trilogy - just remember that the first 70 pages of 'Castle to Castle' is not representative of the rest of the trilogy.
Alternatively you may try Normance which I only read quite recently and thought might make a good starter for a Céline novice - see my review if you're interested. I'd be interested to know how you get on with him.