In Praise of Totally Awesome '80s YA

Gabrielle Moss has charted the history of ‘80s and ‘90s YA novels, from The Baby-Sitters Club to Wildfire, in Paperback Crush: The Totally Radical History of '80s and '90s Teen Fiction. Here she takes us through hidden gems from the era.
If you were a tween girl in the ‘80s or ‘90s, you almost certainly have it: that box of pastel paperbacks, tucked away in your mom’s basement.
Inside each volume was a story about well-adjusted, well-groomed suburban teens, engaging in various all-American activities (Baby-sitting! Riding horses! Fighting over some guy named Steve!). Series like The Baby-Sitters Club, Wildfire, Sleepover Friends, Sweet Valley High, and The Fabulous Five turned young adult literature into big business in the ‘80s and ‘90s. In 1985, Sweet Valley High Super Edition #1: Perfect Summer became the first YA novel to fight its way onto the New York Times bestseller list, and other series that never made it that far still had hundreds of thousands of copies in print, as well as official tie-in videos, dolls, notepads, board games, and lip balm to their name.
Inside each volume was a story about well-adjusted, well-groomed suburban teens, engaging in various all-American activities (Baby-sitting! Riding horses! Fighting over some guy named Steve!). Series like The Baby-Sitters Club, Wildfire, Sleepover Friends, Sweet Valley High, and The Fabulous Five turned young adult literature into big business in the ‘80s and ‘90s. In 1985, Sweet Valley High Super Edition #1: Perfect Summer became the first YA novel to fight its way onto the New York Times bestseller list, and other series that never made it that far still had hundreds of thousands of copies in print, as well as official tie-in videos, dolls, notepads, board games, and lip balm to their name.
But while these books were popular, they weren’t acclaimed—parents and educators alike were often disappointed that tweens had dropped the “serious” novels of Judy Blume, S.E. Hinton, or Richard Peck, in favor of books about how, you know, sleepovers were fun. We absorbed these messages, too, and by the time we reached adulthood, most of us viewed these books as guilty pleasures, at best. Those books seemed silly and superficial, not to mention exclusionary—searching for stories about girls who weren’t white, straight, and middle-class in these books felt next to impossible. It seemed like they were best left up in the attic.
But I’d like to encourage you to dig them out (or, if your mom threw them out when you left for college, buy them on eBay). Because, as I learned while researching Paperback Crush: The Totally Radical History of '80s and '90s Teen Fiction, though these books were very imperfect, there was also more to them than meets the eye. They didn’t just help create the YA market that gave us Harry Potter and Katniss—they made us the women we are today.
Take, for instance, teen romances. The first YA series to appear in the ‘80s was Wildfire, a romance series which had two million books in print by 1982. Parents protested that Wildfire and its imitators taught girls to be shallow and boy-crazy—they even got a tie-in teen magazine pulled from production in 1981! But while some of the early YA romance featured teen characters chastely swooning and giving up what little agency they had, others suggested that love was something shared between two equals. Contemporary teen romances like Wildfire’s Nice Girls Don’t, historical romances like the Sunfire series, and even supernatural romances like the Windswept series said that the real Mr. Right would never ask you to make yourself small. In an era of great social change for women, these books could be lifelines for girls growing up in families that didn't yet believe a woman was entitled to her own identity.
And while the ‘70s are remembered as the era of the teen social issues novel, plenty of YA books in the ‘80s and ‘90s brought up social issues in a naturalistic way. Marie G. Lee’s middle grade novel, If It Hadn’t Been For Yoon Jun, examines transracial adoption and small-town racism alongside bullying and the cruel politics of middle school popularity. Cynthia D. Grant’s Uncle Vampire is both a spooky gothic horror novel and a sensitive exploration of how incest victims cope with the horror of their abuse. A. M. Stephenson’s Unbirthday walks confused, curious teens through every step of getting an abortion, while also spinning a sweet romance about a high school relationship.
Some series were obviously crafted to teach young girls that independence and creativity were cool—Ann M. Martin told The New Yorker in 2016 that “I certainly had a feminist perspective” when creating The Baby-Sitters Club. But while other, lesser-known series about groups might not have had such political motivation, looking back at The Gymnasts or The Pink Parrots makes their messages clear: It’s fulfilling to have your own passions, to work for the things that matter to you, and to find your tribe while you do it.
Of course, this isn’t to say that every book from this era was covertly progressive or empowering—many series had no higher agenda than selling books, and even series with ideals often fell short when it came to showcasing any kind of real diversity. But while this era wasn’t perfect, it’s still worth remembering. ‘80s YA was marketed directly to tweens, rather than teachers or librarians—which means that the books were about what they actually wanted to read, rather than what adults thought they should want to read. Without that, who knows if we’d have gotten Harry Potter, or The Hunger Games, or any other series fueled more by reader tastes than what your 7th grade teacher thought was proper.
Paperback Crush: The Totally Radical History of '80s and '90s Teen Fiction is on sale October 30. Don’t forget to add it to your Want to Read shelf!
But I’d like to encourage you to dig them out (or, if your mom threw them out when you left for college, buy them on eBay). Because, as I learned while researching Paperback Crush: The Totally Radical History of '80s and '90s Teen Fiction, though these books were very imperfect, there was also more to them than meets the eye. They didn’t just help create the YA market that gave us Harry Potter and Katniss—they made us the women we are today.
Take, for instance, teen romances. The first YA series to appear in the ‘80s was Wildfire, a romance series which had two million books in print by 1982. Parents protested that Wildfire and its imitators taught girls to be shallow and boy-crazy—they even got a tie-in teen magazine pulled from production in 1981! But while some of the early YA romance featured teen characters chastely swooning and giving up what little agency they had, others suggested that love was something shared between two equals. Contemporary teen romances like Wildfire’s Nice Girls Don’t, historical romances like the Sunfire series, and even supernatural romances like the Windswept series said that the real Mr. Right would never ask you to make yourself small. In an era of great social change for women, these books could be lifelines for girls growing up in families that didn't yet believe a woman was entitled to her own identity.
And while the ‘70s are remembered as the era of the teen social issues novel, plenty of YA books in the ‘80s and ‘90s brought up social issues in a naturalistic way. Marie G. Lee’s middle grade novel, If It Hadn’t Been For Yoon Jun, examines transracial adoption and small-town racism alongside bullying and the cruel politics of middle school popularity. Cynthia D. Grant’s Uncle Vampire is both a spooky gothic horror novel and a sensitive exploration of how incest victims cope with the horror of their abuse. A. M. Stephenson’s Unbirthday walks confused, curious teens through every step of getting an abortion, while also spinning a sweet romance about a high school relationship.
Some series were obviously crafted to teach young girls that independence and creativity were cool—Ann M. Martin told The New Yorker in 2016 that “I certainly had a feminist perspective” when creating The Baby-Sitters Club. But while other, lesser-known series about groups might not have had such political motivation, looking back at The Gymnasts or The Pink Parrots makes their messages clear: It’s fulfilling to have your own passions, to work for the things that matter to you, and to find your tribe while you do it.
Of course, this isn’t to say that every book from this era was covertly progressive or empowering—many series had no higher agenda than selling books, and even series with ideals often fell short when it came to showcasing any kind of real diversity. But while this era wasn’t perfect, it’s still worth remembering. ‘80s YA was marketed directly to tweens, rather than teachers or librarians—which means that the books were about what they actually wanted to read, rather than what adults thought they should want to read. Without that, who knows if we’d have gotten Harry Potter, or The Hunger Games, or any other series fueled more by reader tastes than what your 7th grade teacher thought was proper.
Paperback Crush: The Totally Radical History of '80s and '90s Teen Fiction is on sale October 30. Don’t forget to add it to your Want to Read shelf!
Comments Showing 1-50 of 90 (90 new)
message 1:
by
Meghan
(new)
Oct 09, 2018 06:35AM

flag



I thought of BSC as really written for 8-10-year-olds who were looking forward to being 11-13-year-old baby-sitters, like the protagonists. For that audience I recommended it, and still do. It's just a bit of a shock to see it classified as YA. I think of YA as either about teenagers with adult-size problems, or about older teens and college students actually moving into the adult world--part-time employment, not just baby-sitting. I can't picture teen readers accepting BSC on the YA shelf.
Nancy Drew, they might have accepted as YA, if that series hadn't been so far out of style and/or if most baby-boomers hadn't read it in grade five.









I completely agree!

Although those were later. I was reading from the carousels of Sweet Valley books in a UK library before Jacqueline Wilson had been published. The most widely-available British equivalents back then seemed to be horse riding stories like the Jinny series and the Pullein-Thompson sisters. (As well as the more literary Puffin Plus books.)
I'm only 17 years old, but these books were my childhood! (thanks to some family friends who grew up in the 80s and 90s, and passed them down to me...)
They might seem kind of shallow and dated, looking back; but if I hadn't read series like Sweet Valley Twins, BSC, and Goosebumps as a preteen, I probably wouldn't enjoy fiction at all now.
So thank you for writing this post!! <3
They might seem kind of shallow and dated, looking back; but if I hadn't read series like Sweet Valley Twins, BSC, and Goosebumps as a preteen, I probably wouldn't enjoy fiction at all now.
So thank you for writing this post!! <3

I have always LOVED the cover pictures! *melts* I would like to figure out how to make my drawings/paintings look like that style. <3
I was born during the very end of the 90's so I wasn't around when many of these came out, BUT my local library was built in the 70's and had MANY of these books in the juvinale section in spin around plastic cubbies. However, many of the series never really grooved with me so I usually stopped after the first volume or two.
The series that did stick around were The Saddle Club, The Babysitter's Club, and a series that I can't remember the name of. It was about a girl that was fosterd by a family that had a farm (possibly also had horses) and had other foster children (?) as well as their own children. The girl's b-day was on Valentine's Day. I don't know if I would have stuck with the Fabulous Five but there was enough enjoyment for me to try and see if my library could get an interlibrary loan of the next books for me. But they were never able to so I'll probably never know. I never read the Sleepover Club books but I enjoyed the TV series.
But some of the older (not the newer editions) of the Saddle Club books led me to some stand alone stories I greatly enjoyed. Sadly, I can't remember their names, and at the time I hadn't started my habit of writing down stories I enjoyed.😩 And most of them were, and probably still are, out of print.
The only Judy Blume books I've read was the Fudge series, the only Richard Peck one's were A Long Way From Chicago and A Year Down Yonder(?), and I don't think I've ever read any of Hinton's books.
That said, I've never read many books published as YA (Do comics kept in the teen section count if they weren't published under the YA lable?), and some of the ones I did read could also be placed in a library's juvnile section. I've also read books in the juvinile section that would probably be enjoyed by many teens. Most of the ones I did read I didn't find by serching through a bookstore's or library's YA section, so there are possibly more that I would enjoy if I wanted to take the time to search through the many I wouldn't.(=_=)
I was born during the very end of the 90's so I wasn't around when many of these came out, BUT my local library was built in the 70's and had MANY of these books in the juvinale section in spin around plastic cubbies. However, many of the series never really grooved with me so I usually stopped after the first volume or two.
The series that did stick around were The Saddle Club, The Babysitter's Club, and a series that I can't remember the name of. It was about a girl that was fosterd by a family that had a farm (possibly also had horses) and had other foster children (?) as well as their own children. The girl's b-day was on Valentine's Day. I don't know if I would have stuck with the Fabulous Five but there was enough enjoyment for me to try and see if my library could get an interlibrary loan of the next books for me. But they were never able to so I'll probably never know. I never read the Sleepover Club books but I enjoyed the TV series.
But some of the older (not the newer editions) of the Saddle Club books led me to some stand alone stories I greatly enjoyed. Sadly, I can't remember their names, and at the time I hadn't started my habit of writing down stories I enjoyed.😩 And most of them were, and probably still are, out of print.
The only Judy Blume books I've read was the Fudge series, the only Richard Peck one's were A Long Way From Chicago and A Year Down Yonder(?), and I don't think I've ever read any of Hinton's books.
That said, I've never read many books published as YA (Do comics kept in the teen section count if they weren't published under the YA lable?), and some of the ones I did read could also be placed in a library's juvnile section. I've also read books in the juvinile section that would probably be enjoyed by many teens. Most of the ones I did read I didn't find by serching through a bookstore's or library's YA section, so there are possibly more that I would enjoy if I wanted to take the time to search through the many I wouldn't.(=_=)



Oh yes Christopher Pike too!! Like you I began reading his books, SVH and Sweet Dreams towards the mid and late 90s.

Still, they were some of the best books I read in middle school, and I always looked forward to visiting the warehouse store with my dad in order to expand my collection. I can't even remember how many I had of the 101 (plus additional titles) book series, but I do remember loving every minute of reading.

I never enjoyed the SVH books, but Christopher Pike was always a spooky enjoyable guilty pleasure!


I also read Christopher Pike, VC Andrews and RL Stine.
And yes, my favorites of those are safely stored at my parents' house! LOL



Geez, I must've read the majority of them, picking them up at book fairs/sales, garage sales, and the like.
Never read the Sweet Valley High books but I imagine they were just as good for kid readers. :) I did make my way through all Judy Blume's "Fudge" books, and "Sheila the Great" around the same time...plus RL Stine's "Goosebumps" series. Even though I'm not a fan of true horror today, I can proudly say I read every Goosebumps book published!



That could be because "Angus, Thongs..." wasn't published until 1999.

I agree, Stephanie! I related most with Mary Ann and Dawn because I saw myself as this great, budding environmentalist; but I was also painfully shy throughout my school years, and rather sheltered compared to others. I liked Kristy too, because she was kind of a tomboy. Even now, I live in jeans and sneakers!



Thank you for your comment. I hate that the post made it seem like ALL these books were white upper middle class girls but BSC was very diverse with their characters as well as their topics. Even quite a few of the kids they babysat for were handicap or had issues. It was presented in a realistic was for middle grade kids to understand and accept without shoving it down our throats.

OMG! Camp Sunnyside! I could NOT remember the name of this series! Thank you!
DJL wrote: "While I read some of the Sweet Valley High and Babysitter's Club books, my chosen go-to series was The Saddle Club. It combined my love of horses, mysteries, and good friendships, though much like ..."
Yeeeeessssss, Saddle Club! I still rent those from the library! I like how even though they have series wide recurring jokes each volume has its own set of jokes so that it doesn't start to feel stagnant. They also weren't trying to rush in the romance, and when it does come calling the girls don't change.
By the way, have you ever read the sequel series? I'm trying to figure out if I'm going to give it a go or not.
Yeeeeessssss, Saddle Club! I still rent those from the library! I like how even though they have series wide recurring jokes each volume has its own set of jokes so that it doesn't start to feel stagnant. They also weren't trying to rush in the romance, and when it does come calling the girls don't change.
By the way, have you ever read the sequel series? I'm trying to figure out if I'm going to give it a go or not.

You want to talk about how "wonderful" YA books are today? Stephanie, Kate, Patti, and Lauren from the Sleepover Friends never killed a bunch of other kids in a fight-to-the-death match watched by the entire country! They never lost themselves in hopeless romances. They never turned on each like many girls do in today's YA books because a girl can't trust "other girls", only the males in her life! Those books were about being with your friends, having a good time, and being who you were inside! I loved them all!

Loved the Sweet Dreams series. Not long ago I re-read "Two's a Crowd".


I used to get the Scholastic book order forms every month from the Quaker school I attended! I remember being so excited to have my mother look over the list and clip a check to the form so that I could take it in to my teachers the next day! I ordered tons of books that way.

LOL OH YAAAAY!!!
Took me a second doo, Leane! :)

Me too Rachel! I still get excited when my son gets these now! Love to sit and browse them! :)



Sunfire rocked! Not just romance, but history lessons, too.


Bless you. She's my all-time favorite writer for young readers.
Anyway, a question to all the Sweet Valley High readers--do the books hold up? One article I read said that they just don't work for someone who's actually experienced the time in life where they take place; is that correct or was the writer really wrong?