The Paris Review's Blog, page 788

Nowhere to Go But Everywhere

Paul Rogers has made “an illustrated scroll” in which he illustrates a line from every page of On the Road.

 

Lessons from an Eleven-City Book Tour

I learned that ravens are multicolored, like cockatoos, only their plumage radiates out far beyond what our spectrum can see.

I learned that the waxing moon sliver comes in the shape of a comma, hinting at more to come.

I learned Lou Reed has an incredibly firm handshake. Read More »

Radio Days

Photo courtesy of Flickr.

Friends! We are thrilled to announce that this fall, when you pledge to support WNYC, you can get a subscription to The Paris Review! That’s right: keep public radio going strong, and while you’re at it receive four issues a year of poetry, fiction, interviews, and more.

Just choose The Paris Review as your thank-you gift at the $100 pledge level. As always, you can pledge at a monthly level, or all at once. And yes, you can re-up an existing subscription, too!

 

The Immortality Chronicles, Part 2

What have we not done to live forever? My research into the endless ways we’ve tried to avoid the unavoidable is out now as The Book of Immortality: The Science, Belief, and Magic Behind Living Forever. Every Monday for the next five weeks, this chronological crash course will examine how humankind has striven for, grappled with, and dreamed about immortality in different eras throughout history.

We all do and make to deal with oblivion. The conceit that art can ward off death is something we’ve been wrestling with since Greco-Roman times. The Theban lyric poet Pindar didn’t crave actual immortality, but still he wanted to reach out to the limits of the possible. Horace put it more bluntly in an ode: “I have finished a monument more lasting than bronze and loftier than the Pyramids’ royal pile, one that no wasting rain, no furious north wind can destroy … I shall not altogether die.” Ovid shared that aim, boasting of how his couplets would outlive his lifetime, “so that in every time and in every place I may be celebrated throughout the world.”

All creative efforts, what the ancient Greeks called poiesis, were done with immortality in mind, whether unconsciously or not. Socrates distinguished between three main forms of poiesis. The first is sexual reproduction, which provides immortality in the sense that a genetic lineage will survive the parent’s own bodily existence. The second category of poiesis is the attainment of fame through art or heroic accomplishment, which leaves a posthumous legacy. The third, and highest, expression of poiesis, according to Socrates, is philosophical, and it occurs when our pursuit of wisdom results in an experience of the soul’s indestructibility. Read More »

New Salinger, and Other News

We like this slideshow of images from the Hargeisa International Book Fair, but are somewhat confused by the headline “Somaliland goes crazy for books.”
According to the upcoming Salinger documentary, the famous recluse instructed his estate to publish at least five posthumous books, starting in 2015.
When he was a carpenter, Harrison Ford worked on Joan Didion’s beach house. Says she, “I was happy with his work—and even happier with his presence in the house because he was a great moral force.” He’ll present her with a lifetime achievement award at the PEN Center USA dinner in October.
Here are all of Elmore Leonard’s opening lines.

 

The Faint, Gray Areas

“‘It’s not black and white,’ a young doctor from Cedars-Sinai Medical Center in Los Angeles had told me, in 1982, about the divide between life and death.”
—Joan Didion, The Year of Magical Thinking

I had been avoiding the research, the further reading, about my father’s death. After discovering that the Detroit Police kept appealing the lawsuit, trying to pin the “accident” on the fourteen-year-old they were chasing before he crashed into my father’s car, I became depressed, and stopped digging. This was two days before Detroit declared bankruptcy. Before I heard about a man, Dwayne Provience, who was suing the city of Detroit for “accidentally” convicting him of a crime he did not commit. Now the city was bankrupt and his lawsuit was frozen, like the nine years of his life spent in prison. Provience’s lawsuit is for police misconduct, similar to the one that my mother filed after my father’s “accident,” but that was the late nineties. Provience said he wanted to use the potential money to pay off the child-support debt that had accumulated during his time away and to help pay for his children’s education. The insurance cities rely on in incidents like this, “accidents” like this, is exactly what allowed me to afford college. Read More »

Nabokov on Joyce

Of teaching Ulysses, Vladimir Nabokov wrote, “Instead of perpetuating the pretentious nonsense of Homeric, chromatic, and visceral chapter headings, instructors should prepare maps of Dublin with Bloom’s and Stephen’s intertwining itineraries clearly traced.” Below is his.

 

What We’re Loving: ABCs, Akrasia, Antiquity

“Loving you isn’t the right thing to do / How can I ever change the things that I feel?“ This sentiment—so memorably expressed by Fleetwood Mac in 1977—is as old as philosophy itself. The ancients struggled to explain akrasia, or why we love and do certain things against our better judgment. Who’s in charge of our desires? As the NYU philosopher Jessica Moss points out in this Q&A, the latest psychological research can sound a lot like Aristotle’s Ethics. —Lorin Stein

I found the cover of Mary Beard’s Confronting the Classics—the torso of a marble Adonis that, at a cursory glance, looks sort of like an Abercrombie and Fitch bag—so off-putting that I took it off. (The British iteration, which features a bust of Athena in a pair of red sunglasses, is hardly more dignified.) But I understand that the publisher was grappling with the very same issue Beard, an eminent classicist, addresses in this book: how to engage with the classical tradition in a modern world. The book is both a survey of classical antiquity and a compelling argument for the classics’ contemporary relevance; Beard bridles at those who champion the canon from a romanticized or ideological standpoint. Anyone who has read Beard’s work in The New York Review of Books knows how funny and passionate a writer she is, and how convincing. (You can only imagine how much fun her Cambridge classes must be.) In her hands, the classics really do argue for themselves. So does this book. Sexy cover not required. —Sadie O. SteinRead More »

Ancient Vintage, and Other News

At various points, the FBI suspected William Vollmann of being the Unabomber, the anthrax mailer, and a terrorist training with the Afghan mujahideen.
“Reviewers have the right to rate a book however they feel like, with absolutely no justification what so ever. Get over it princess.” A young writer accuses Goodreads of a culture of bullying.
Ayatollah Ali Khamenei is a big fan of Victor Hugo.
Italian archaeologists are growing grapes with an eye to crafting an ancient-style wine according to techniques described by Virgil.

 

Mr. Paradise

Leonard in his home office.

Elmore Leonard died this week. This is terribly sad news. It’s terribly sad when the world loses someone fantastically gifted who also, through some cosmic fluke, is not a dick. Elmore Leonard was not a dick. He was nice. He wrote something like a book a year, and even the crap ones were better than most of what passes for decent fiction these days. And he was one cool motherfucker.

We hung out one afternoon in October 2010 at his house in the suburbs north of Detroit. I was interviewing him for a story just before his ninety-millionth novel, Djibouti, was about to hit. He wore this black sweater with a scraggly beard and smoked cigarette after cigarette in his office, just talking. His daughter was in the other room futzing with this chair that was in the process of getting reupholstered. Gregg Sutter, Elmore’s longtime research man, floated into and out of the room a couple times, and Elmore sat there at his desk doing his third or fourth interview of the day—late in the day now—an 85-year-old guy talking about how he’s got the best job in the world and why would he ever want to stop doing that? Apparently he didn’t. Sutter said recently that Elmore was banging away at his next book up until he had a stroke a couple weeks ago.

Back then, we talked about a bunch of stuff. The usual chaff about his writing process (long hand, then typewriter), his aversion to all that social media junk, what he was writing now. (Stacked uneasily on a chair nearby was a stack of material about mountaintop removal that Gregg had dug up; it would become fodder for his last novel, Raylan.) He’d just unboxed his first cell phone. He smoked and talked dismissively about his atrial fibrillation and how “you can get a stroke easily with it” and so he took a couple pills for it every day and had bloodwork done every week or so. This was a serene, cool man much more like the smiley bemused grandpa pictured in his current official author photo. Previous versions featured a scowly guy rocking lavender-shaded sunglasses and a the-fuck-you-looking-at puss. I can’t imagine meeting that guy, after having met this guy.

Read More »