G. Wayne Miller's Blog, page 25
September 8, 2013
Bob Booth, 1947 - 2013: NECON FOUNDER
Bob Booth, one of the great people of fantasy and horror, a friend of writers and a patron of the arts, died early Saturday, Sept. 7, after an eight-month battle with cancer. He died peacefully, his family said, at a hospice in Rhode Island, where he had been born and lived much of his life.
I happened to be working the Saturday shift at The Providence Journal and happened to be checking Facebook between more pressing responsibilities when Elizabeth Massie's post alerted me to Bob's passing. Two coincidences? Or something more, as Bob's wife Mary, co-founder with him of NECON, the Northeastern Writers' Conference, told me on the phone later in the day. In any event, I decided to write his obituary. Having known Bob from years ago, when I was a young writer and regular NECON attendee, I knew my words would receive greater prominence in the Sunday paper than the usual obit. And had I not been pulling the shift, it is possible there would have been no writer-written obit at all.
Here's a link to Bob's obituary, which indeed ran prominently in the print edition: bannered across the top of page B7, the cover of the obit section this morning.
I reached out to several writers who knew Bob well for commentary, and I was able to use some of their words in the obituary. Early deadlines, alas, prevented me from including everything. And some writers got back to me too late to be included at all. So what follows is the full text of how some writers who did not make it to the obituary paid tribute. And there is, of course, the tribute on Bob's beloved Camp NECON page.
I have not been to NECON in years, but I was honored to have a story included in The Big Book of NECON, which Bob edited for Cemetery Dance Publications. NECON helped launched my horror and fantasy fiction -- and relaunch it during the last year and a half, thanks to old friends and connections made there, notably Tom Monteleone and David Niall Wilson, author and CEO of Crossroad Press, which now publishes my fiction.
“Bob
Booth was one of those rare people who translate passionate interest into
action. As founder of NECON and all its related ventures, Bob created a warm,
lively focus for writers of fantasy and horror. His affection and his playful
version of respect meant an enormous amount to a great many people.”
-- Peter Straub
“Bob
Booth was a bit of a renaissance man who loved sports and art and literature,
He co-founded a convention where we writers became part of his family. He loved
us and we loved him. And we're going to miss his big smiles and sharp wit.”
-- Tom Monteleone
“Bob
Booth had a brilliant mind, better informed and more interested in the world
than almost anyone else. He was a writer
and editor, a mentor and friend. As a
father and husband, he was an example to everyone who knew him. Other than his children, however, his most
lasting legacy must be the founding of NECON, a small writer's conference held
in Rhode Island every July. For more
than thirty years, and despite its intentionally small size, Necon has been one
of the most influential conferences in the horror and dark fiction fields. Its convivial, family reunion atmosphere,
shepherded by Bob and his entire family, has created a camaraderie and intimacy
amongst its regular attendees and wins over newcomers instantly. Bob established the tone for Necon, so that
the entire community became his family, and he became Papa Necon, beloved by
all.
“He was one of the kindest, gentlest, most
genuine and most personally generous human beings it has ever been my good
fortune to know. I do not expect I shall ever meet another like him.
-- Christopher Golden
“Bob
Booth was many things. He organized
conventions, he wrote short stories, he raised a great family, he was a good
friend. But he was also one of the people
who changed the face of fantasy literature.
Back more than thirty years ago, he was one of a select few that brought
about the World Fantasy Convention.
Before this, science fiction and fantasy conventions were mostly for
hard core fans, and, if they were covered at all in the media, that coverage
would show pictures of people in funny costumes. But Bob, along with a small group of
like-minded writers and editors, started a convention that was about the writers
and the writing itself.
“A few
years later, he decided to start a second, smaller convention with the same
goals.. The convention became NECON, a
summer retreat for writers and serious readers that has now lasted for almost
35 years. NECON was about horror
fiction, and over the years featured guests who were a who's who of the field
-- people from Stephen King to Joe Hill, and dozens of other writers in
between, from best-sellers to folks who published in the small press. More
importantly, a lot of these writers, big names and small, became regulars at
the summer convention. Writing can be a
very lonely business. Bob had the unique gift of bringing writers together, not
just to be friends, but over time to join an extended family. Those of us who came year after year started
to call this event Camp NECON, because it really felt like a wonderful summer
camp. And Bob was Papa NECON, the
founder of it all, who was always there for all of us with a smile and a story
or two.
“NECON
will go on. Bob did too good a job
making it indispensable over the years.
But it will never be the same.”
-- Craig Shaw Gardner
I happened to be working the Saturday shift at The Providence Journal and happened to be checking Facebook between more pressing responsibilities when Elizabeth Massie's post alerted me to Bob's passing. Two coincidences? Or something more, as Bob's wife Mary, co-founder with him of NECON, the Northeastern Writers' Conference, told me on the phone later in the day. In any event, I decided to write his obituary. Having known Bob from years ago, when I was a young writer and regular NECON attendee, I knew my words would receive greater prominence in the Sunday paper than the usual obit. And had I not been pulling the shift, it is possible there would have been no writer-written obit at all.
Here's a link to Bob's obituary, which indeed ran prominently in the print edition: bannered across the top of page B7, the cover of the obit section this morning.
I reached out to several writers who knew Bob well for commentary, and I was able to use some of their words in the obituary. Early deadlines, alas, prevented me from including everything. And some writers got back to me too late to be included at all. So what follows is the full text of how some writers who did not make it to the obituary paid tribute. And there is, of course, the tribute on Bob's beloved Camp NECON page.
I have not been to NECON in years, but I was honored to have a story included in The Big Book of NECON, which Bob edited for Cemetery Dance Publications. NECON helped launched my horror and fantasy fiction -- and relaunch it during the last year and a half, thanks to old friends and connections made there, notably Tom Monteleone and David Niall Wilson, author and CEO of Crossroad Press, which now publishes my fiction.
“Bob
Booth was one of those rare people who translate passionate interest into
action. As founder of NECON and all its related ventures, Bob created a warm,
lively focus for writers of fantasy and horror. His affection and his playful
version of respect meant an enormous amount to a great many people.”
-- Peter Straub
“Bob
Booth was a bit of a renaissance man who loved sports and art and literature,
He co-founded a convention where we writers became part of his family. He loved
us and we loved him. And we're going to miss his big smiles and sharp wit.”
-- Tom Monteleone
“Bob
Booth had a brilliant mind, better informed and more interested in the world
than almost anyone else. He was a writer
and editor, a mentor and friend. As a
father and husband, he was an example to everyone who knew him. Other than his children, however, his most
lasting legacy must be the founding of NECON, a small writer's conference held
in Rhode Island every July. For more
than thirty years, and despite its intentionally small size, Necon has been one
of the most influential conferences in the horror and dark fiction fields. Its convivial, family reunion atmosphere,
shepherded by Bob and his entire family, has created a camaraderie and intimacy
amongst its regular attendees and wins over newcomers instantly. Bob established the tone for Necon, so that
the entire community became his family, and he became Papa Necon, beloved by
all.
“He was one of the kindest, gentlest, most
genuine and most personally generous human beings it has ever been my good
fortune to know. I do not expect I shall ever meet another like him.
-- Christopher Golden
“Bob
Booth was many things. He organized
conventions, he wrote short stories, he raised a great family, he was a good
friend. But he was also one of the people
who changed the face of fantasy literature.
Back more than thirty years ago, he was one of a select few that brought
about the World Fantasy Convention.
Before this, science fiction and fantasy conventions were mostly for
hard core fans, and, if they were covered at all in the media, that coverage
would show pictures of people in funny costumes. But Bob, along with a small group of
like-minded writers and editors, started a convention that was about the writers
and the writing itself.
“A few
years later, he decided to start a second, smaller convention with the same
goals.. The convention became NECON, a
summer retreat for writers and serious readers that has now lasted for almost
35 years. NECON was about horror
fiction, and over the years featured guests who were a who's who of the field
-- people from Stephen King to Joe Hill, and dozens of other writers in
between, from best-sellers to folks who published in the small press. More
importantly, a lot of these writers, big names and small, became regulars at
the summer convention. Writing can be a
very lonely business. Bob had the unique gift of bringing writers together, not
just to be friends, but over time to join an extended family. Those of us who came year after year started
to call this event Camp NECON, because it really felt like a wonderful summer
camp. And Bob was Papa NECON, the
founder of it all, who was always there for all of us with a smile and a story
or two.
“NECON
will go on. Bob did too good a job
making it indispensable over the years.
But it will never be the same.”
-- Craig Shaw Gardner
August 10, 2013
The Beach That Summer
A different take on the old summertime shark-attack story, from my forthcoming third volume of collected short stories, to be published by Crossroad Press:
The Beach That Summer.
Copyright 2013 G. Wayne Miller.
THE BEACH THAT SUMMER
That
summer, Sand Hill was overrun by crazies. Try as you might, you couldn't get
away from them -- not at the beach, not in the bars, not even in your own
backyard.
I don't mean the summer people, the Applebaums and Lodges,
the Bloomfields and Morgans. They came that summer, as always, but they stayed
even more to themselves inside their Victorians and Capes. I don't know how
many installed burglar alarms or hired guards or took up arms, but I guarantee
you there were a lot.
No, they were a new breed, strangers to oldtime islanders
like me. Out-of-towners, drawn by the big-city papers and the checkout-counter
tabloids and that big story on network news the day before the Fourth of July.
Just for fun, I stood on the bridge one morning and checked license plates.
It's a two-lane job, and both those lanes were busy the hour I was there.
Maine, Massachusetts, New Hampshire, Connecticut, a few New Yorks, a couple of
Ohios, even a California -- that's what I saw. I don't claim every one of them
was drawn by what was going on, but I'd bet you a shore dinner most were.
We had gorgeous weather that summer, absolutely picture-
postcard perfect the whole way through, and that didn't help, either. Come
Labor Day, an islander -- a sailor whose business it is to know such things --
counted the rainy days and came up with a total of five. Even the thunderstorms
stayed away that summer.
Of course, the crazies would've come anyway, fair weather or
foul. I knew that. Most every islander knew that. The authorities knew it, too,
and the frustration of it nearly drove them mad.
See, there was a crackle in the air that summer on Sand
Hill. A tension you couldn't hide from. A tension that was strongest out on
West Shore, where all of them were found.
Paula
Hempson was first. I knew Paula -- about as well as anyone else, I guess, and
that was none too well at all.
She was a loner -- a seamstress by trade but a drinker by
profession, an overweight woman about my age, 47, who lived with a couple of
strays in a trailer out by the landfill. Once in a blue moon you'd see her at
Jake's Cafe, swilling beers alone at the end of the bar, clothes unkempt and
hair dirty, looking for all the world like somebody who'd just poisoned her overbearing
mother.
June 8, they found her body -- what was left of it -- on a
tidal flat off West Shore.
West Shore is the island's scenic gem, three miles of
beautiful white sand that belongs in Florida or South Carolina or Hawaii, not
southern New England. Three miles of clean, virgin beach, not a hot dog stand
or a windsurfing shop in sight. State land, the only reason it's stayed
undeveloped for so long.
West Shore -- since I was old enough to walk, I must've been
there a million times, swimming, fishing, clamming, falling in love with it
again and again and again. I lost my virginity on West Shore. She was 36 and I
was 17 and she took me there in the back seat of her car, a ’79 Mustang, after
we shared wine and a blanket as we watched Fourth-of-July fireworks. She disappeared
years ago -- there's still talk it was murder -- but I never forgot her, or
that night.
I say they found
Hempson's body, but it actually was a 10-year-old girl. She was the daughter of
Jake Cabot, the selectman, and she was out there clamming when she stumbled
onto it. As Jake later told it, first she screamed, then got sick, then finally
ran like the devil himself was after her -- ran straight to the police station,
a full mile away.
Sgt. Ross Miller was on duty that afternoon, and he knew
Jake's little girl well enough to know she wasn't bull-crapping about what
she'd seen off West Shore. After calling her dad, he got in his cruiser and
headed down. On the way, he called Rescue One.
I was at home, camped out in front of the TV, when I heard
the chatter over my Bearcat. In half a minute, the fire horn downtown was
blaring. I heard a second siren -- somebody had decided to send an engine, too.
I got in my Jeep and headed after it.
When I got to West Shore, half the department was already
there (but not a single other soul), sloshing knee-deep through the incoming
tide on their way out to the flat. I headed out with them, curious, but also
strangely edgy and...
...excited isn't
quite the word.
Nobody spoke, but everybody felt it, what I was feeling.
There wasn't going to be any rescue today, we saw that right off, only a
cleanup we'd be seeing in our dreams for months to come. I don't blame that
girl for getting sick. I damn near did myself, and I've spent my adult life in
fishing boats -- not the pleasantest of places to be, especially a week after a
full catch.
Paula was face down, three-quarters submerged, bobbing
gently as the waves licked over her. With his billy stick as a prod, Sarge
Miller turned her over.
That's when we saw -- total evisceration. I think we all
gasped. I think we all said a silent prayer. We stood, not wanting to look,
unable to turn away, wishing that the sea would swallow the body up again so we
could go home and forget we'd ever seen it. Ten seconds, half a minute, a
minute -- who was counting? The time went by and we were still there, lost in
our thoughts, the sea lapping against our boots, a few gulls skimming low over
the water, the sun pinkening as it started down toward evening.
Finally, Sarge Miller said in an unsteady voice, ``OK, boys,
we got work to do. Tide's gonna beat us, we don't get a move on.''
Sarge's order was like a rock through glass. In no time, we
had the body on the sand, safe from high tide.
Buzz Aldrich went across the sand to his four-wheel-drive to
have the station call the ME's office. The rest of us moved off some and lit up
cigarettes.
Sarge
Miller was the first to use the word ``shark.''
It was, as events would later prove, a most unfortunate
choice of word. It was a word that would come back to sorely haunt him, and the
island, and the state -- a word that would be misinterpreted and misquoted and
misused so badly that for part of that summer, at least, it would seem like our
lives were being scripted in Hollywood, and we were actors in a real-life Jaws.
It was wrong, as we would find out -- about as wrong as you can get -- but
then, the beginning of that summer, that's what we believed.
Now, it would be one thing if Sarge made his assessment over
beers at Jake's, but he didn't. He made it in to a reporter.
His name was Storin, and he worked for one of the Boston
papers. Storin was on the island that day getting notes on Sand Hill's summer
set when the siren blew and we tore-assed down to West Shore, him not far
behind. I remember thinking that Sarge was going to tell him to take a flying
leap when he strolled up, dressed in tan slacks and a button-down shirt, Mr.
City Slicker himself. Only he didn't. He didn't say boo when Storin pushed
straight past us, barely a word of hello, to get a better look.
``Mauled,'' Storin said simply when he strolled back. Mauled
-- it was the word we'd been wracking our brains for.
``You got it, my friend,'' Sarge said.
``Homicide?'' Storin asked casually as he pulled his
notebook out of his back pocket.
I saw that notebook and cringed, and I figured by that point
alarm bells should have been going off inside Sarge's head. They weren't. Maybe
he was shocked. Maybe he didn't understand the press. Maybe he'd been cozying
up to Jack Daniel again.
Whatever the maybe, he was just as cordial as can be.
``No person could have done that,'' he said, as Storin
scribbled crazily. ``Had to be something from out there,'' he finished,
sweeping the expanse of the sea with his right arm.
``You mean shark,'' Storin said, and that's when he pulled
the tape recorder out of his pocket.
You knew, listening, that the guy had Jaws dancing in his
head. You knew he couldn't wait to get back to Boston to write it. You knew, if
you knew anything at all, that his story would draw the media to Sand Hill like
gulls to a homebound trawler.
Even then, Sarge didn't come to his senses. ``That's
right,'' he said, spitting into the sand. ``I mean shark.''
The
Herald splashed Storin's story across the front page. It mentioned Jaws, quoted
Sarge Miller extensively, and included a list of documented shark attacks
around the world the last 50 years.
Beyond that -- well, what more could it have said?
The ME wasn't talking and there were no grieving relatives
to be quoted. I understand the police phone rang off the hook the next day, and
I understand that Sarge Miller got reamed but good by Chief, but until Marjorie
Peters, that Herald story was it.
Mark
Peters was second.
It was after him that the lid blew off Sand Hill. It was
after him that the crazies took over the beach.
I wasn't on the island the day he washed up, June 30, but
Chief gave me a description over Rolling Rocks at Jake's Cafe. Thank God, no
kid found him. That kind of thing could have scarred another kid for life --
just ask Jake. No, this time, a guy from state Environmental Affairs had the
honors. Spotted him through binoculars on a law-enforcement patrol of West
Shore, about a half mile north of where we fished Hempson out of the surf.
Spotted him and then threw his lunch, just like Jake's girl.
Like Hempson, Peters was a shadow figure, a ghost. He wasn't
poor like Hempson -- he had a nice waterfront cottage, what was rumored to be a
nice fat nest egg in a First State trust. The other particulars were identical:
Mark Peters was lonely and alone.
``Looked like Hemspon,'' Chief said, ``exactly like
Hempson,'' and he knew he didn't need to say any more. I killed my Rolling Rock
and ordered a double Cutty. Chief followed suit. We sat together on our stools,
silent as the mahogany under our elbows.
Silent, that is, until another double Cutty was history.
That's when Chief whispered: ``It ain't no shark.''
I didn't catch his drift, not immediately.
``Somebody wanted it to look that way,'' he continued,
``faked it like a shark. Mark Peters was murdered.''
``You're kidding.''
``I wish I was. Lord, how I wish I was.''
``How can you be sure?''
``We got a note. Hand-written. Arrived at the station an
hour after we fished him out. Certain details in that note are consistent with
certain preliminary findings from the ME. And there was a drawing. Very
precise. Very gory. Made me sick.''
``Holy smokes.''
``There's more,'' Chief said on our third Cutty. ``Hempson
wasn't any shark, either.''
``You can't be serious.''
``I am. ME's report came back.''
``And--''
``--and it seems we got a nut on the loose.''
The
papers and blogs and TMZ and all those other sites went ape over Mark Peters.
TV joined right in. By Friday night, the island was crawling with reporters and
photographers and bloggers -- I mean crawling, the way an army of ants'll crawl
over something sweet that's dripped down your kitchen counter.
Who cared if Chief was urging restraint, was insisting
nothing was definitive, that no sharks had ever been sighted within miles of
Sand Hill? Who cared if the ME took pains to explain that the natural action of
seawater and bacteria have a certain disgusting but distinctly deteriorative
effect on human flesh?
Who cared?
This was the rarest of opportunities, probably it would
never come again, a summertime Jaws in real life and all there within a couple
hours driving time of the big East Coast cities.
If
you wanted to put a date on when we first felt the crackle in the air that summer,
first really felt it, it's fair to
say it was at 6:39 p.m. on Sunday, July 3.
I knew it was coming, and I guess most other islanders did,
too. Hadn't we seen the big-shot film crew sticking cameras in shoppers' faces
on their way out of Franny's Market? Hadn't we seen three shiny new Lincolns
parked outside Clipper Inn? Hadn't they rented Bill Weather's 44-foot Chris
Craft, mooring it for an entire afternoon off West Shore? Hadn't there been a
helicopter?
We knew the report was coming, but still the force of it was
overwhelming -- introduced, as it was, by NBC’s Brian Williams.
I remember that report like it just ended. It opened with an
aerial shot of the island, the water shimmering like diamonds in a
jewelry-store display case, and then it cut directly to West Shore, where a
pretty-boy type was standing alone with a microphone, the wind tousling his
hair, this terribly somber look on his face.
``Fear has struck this quintessential New England resort,''
he said, or something very close to that, ``fear that man's greatest natural
enemy is prowling these beautiful waters. Fear that a great white shark which
has apparently claimed two victims will go for more before the long hot summer
is through...''
The day after that broadcast. That's when it got crazy to
walk the beach.
Crazy, because for a spell, it didn't seem the off-islanders
were ever going to leave. Crazy, because everyone knew why everyone else was
there -- to wait, to watch, to hope in the sickest fashion that they would be
the ones there when... when it happened again.
And nobody doubted it would.
All day, they were there, and well into the evening. They
parked their Broncos and Winnebagoes and played Frisbee and set up Volleyball
nets and lit charcoal fires on Hibachi grilles and the younger and more foolish
ones, the gold-chained men with their painted-toenail women, dared each other
to wade in. From the dunes, you could see them -- shadowy characters in a bad
dream.
Few islanders walked deep down the beach from then on that
summer, but I did.
I did because I'd always done it, always been in love with
the smells and sounds and sunsets you get there, only there, on West Shore. I
did because I'd been going there since I was a kid. I did because stress and
tension magically dissipated there, carried away on the warm summer breeze. If
I'd been a poet, I think I would have camped out forever on West Shore. The
poems I would have written would have been soft and billowy, like clouds, not
angry and irrational and unforgiving, like the world around us.
Once a day, I walked West Shore, end to end, three miles in
all. Once a day, invariably in early evening, when the sun was dropping down to
kiss the sea and the breeze was stiff enough to keep the black flies grounded.
I carried a .38 that summer, and sometimes, the razor-sharp stiletto
I picked up in New York years ago. I carried them -- and carrying them gave me
security. Few islanders walked West Shore that summer, but when they did, they
carried weapons, too.
After Billie Robards, it would have been crazy not to.
Billie
put an end to all the shark talk. There were two good reasons for that. One was
where they found her: in the West Shore dunes, 100 yards, easy, from mean high
tide.
The other was the letter that was mailed to the editorial
offices of The Providence Journal.
It arrived July 14, hours before they found her, decapitated
and limbless, so there was no question it was authentic. They never published
the full text of that letter, which had a Providence postmark, but word got
around the island pretty quickly about what was in it: Billie's name, a
drawing, a plea to ``stop me, I can't control myself,'' all of it in black felt
pen.
``He's sick, really sick,'' Chief said to me, and I could
see the desperation and frustration and the something I hesitated to call fear
in his tired blue eyes.
I knew Billie.
Knew her personally, and well. She was married to Will
Robards, the skipper and owner of the Liza D., a Sand Hill trawler I'd crewed
on for years. Will's boat had kept me in dough times when times were rotten,
and for that, I was eternally grateful. His wife was a peach, a 40-year-old
brown-eyed peach with a wonderful laugh. I used to run into her in the market,
at the gas station, wherever, and we always exchanged pleasantries. For years,
she'd made it a point to stop by the house Christmas Eve to drop off her
home-baked goodies. ``Bachelor's Special,'' she'd say, and we always laughed
heartily as we toasted our mutual good health.
After Billie's autopsy, they quietly exhumed Paula Hempson
and Mark Peters, allowing the pathologists to conclude that one person almost
certainly was responsible for all three deaths. It answered the question the
papers and blogs and TV had forgotten to ask: Just what had Hempson and Peters
been doing swimming off West Shore, anyway?
If they loved Shark, they went berserk for Maniac on the
Loose.
They'd smelled blood, real honest-to-God fresh-flowing
blood, blood that seemed certain to flow again if everybody only waited a
spell, and now there was no stopping them. Somebody joked that every fourth
person on Narragansett Avenue was a reporter from there on out, but I didn't
laugh. One knocked on my door, and I live half a mile from the main drag.
Forget downtown, Jake's Cafe, the docks. Things were at a fever pitch, nobody
seemed sane anymore, everybody had a theory and a suspect and...
...and that crackle was in the air.
I don't know how else to describe it. I think back to that
summer and I can hear it inside my head, a loud, painful crackle, this terrible
thing that prickles the hairs on my neck.
``All that publicity can only be encouraging him. Sons of
Satan, every one of these reporters.''
If Chief said it once that summer, he said it a hundred
times, and he was right, he was right. That was the bitch of it; everyone knew
what the publicity was doing, but we were powerless to stop it. A great
country, America, isn't it? You could see this sick puppy, living alone,
catching the evening news and getting all worked up about his latest victim --
a steam-filled pressure cooker set to blow again, and no one there to turn the
burners off.
Off-islanders still walked West Shore -- for the most part,
only in the bold light of day now. And they did it in tighter and larger
clusters than before -- the foolish illusion of strength in numbers, I imagine.
But mostly, after Billie Robards, they stuck to the docks and the restaurants
and Jake's, endlessly, morbidly fascinated with the Shore Stalker, as they came
to call him.
I kept walking West Shore, my hand a little tighter on my
.38, my eyes straining a little harder, every passerby a suspect. I kept
walking because I was determined the Stalker couldn't keep me from the place I
loved so. I kept walking because I always had.
Victims
four and five were found Aug. 14, three days after a letter arrived on Chief's
desk. The State Police sent it off to the lab for analysis, but it didn't take
a criminologist to see that the same hand had penned both letters.
I got a photocopy of that letter from Sarge Miller.
Photocopies were worth their weight in gold that summer. ``Stop me,'' the
letter said. ``Please, I beg you, stop me.''
Nothing else.
I forget their names -- they were off-islanders, a
honeymooning couple in their 20s from Pennsylvania. Their car was found in the
West Shore lot, and there was some dispute over whether they had known what was
happening on the beach that summer or had wandered there unsuspectingly through
impossibly bad luck.
Even after them, the curious came, but they came in much
smaller numbers. By late afternoon, West Shore would be deserted, whatever off-islanders
there had been having retreated to the safety of the motels and bars. After
Aug. 14, the only people I met on my evening walks were cops and a couple of
old salts who'll be out there surf casting the day they drop the Big One.
We islanders drew tightly together then -- for solace, more
than protection. I bet there have never been more floodlights sold than that
summer, more German Shepherds bought, more shotguns oiled, locked and loaded,
mine included.
For all that, it was an uneasy camaraderie.
Media or no media, one fact could not be exaggerated: there
was a cold-blooded killer out there, and who's to say he wasn't your Uncle Joe
or your Cousin Henry? Who's to say he wasn't sitting right there with you in
Jake's, or standing with you at the checkout counter, or behind the wheel of
the car in front of you coming over the bridge? Who's to say it wasn't Jake, or
Will Robards, or Chief, or Sgt. Ross? Stranger things have happened.
Truth was, we were an island scared to death.
Up in the capitol, there was a sense of urgency you usually
see only after hurricanes or blizzards. The governor went on TV to announce
creation of the Sand Hill Task Force, what he described as the state's largest,
most ambitious crime hunt ever. State Police, Sand Hill Police, the National
Guard -- they were all in on it. The FBI sent agents down from Boston. The
president, vacationing out on Martha’s Vineyard, even lent his support in an impromptu
press conference.
The Shore Stalker was going to be caught, yes he was.
Except he wasn't.
One week, two weeks, three weeks went by, Labor Day was just
around the corner, and there hadn't been an arrest. Thank the Lord, the Stalker
was quiet, but the authorities were no closer to finding him than they'd been
all summer.
They tried everything -- roadblocks, unmarked cars, armed
men in the dunes. They searched cars, boats, crunched names through national
data bases, run up the biggest overtime bill in the history of Rhode Island law
enforcement. Eventually, the American Civil Liberties Union began to squawk. It
was that big.
That unsuccessful.
``It's the goddamndest thing I ever saw,'' Chief told me on
Sept. 3, two days before the Board Of Selectmen fired him. ``It's almost like
this guy doesn't really exist.''
He wasn't the first to think that. I'd thought it myself.
Labor
Day came and went, and the Stalker didn't strike, and then it was Columbus Day,
and Christmas, and we were into the New Year. The media moved on to other
places, other tragedies.
Still, he wasn't caught. There wasn't even an arrest.
So here it is, Friday of Fourth of July weekend, and the
traffic into Sand Hill is noticeably heavier, and every islander is remembering
last summer and feeling strangely skittish and...
...and that crackle in the air is back, louder than before.
I close my eyes and I can hear it, feel it, excruciatingly
painful, like the first stab of a migraine at the back of your skull.
They won't admit it, of course, but the authorities are
convinced that there's a better-than-even chance the Stalker will be tempted
this weekend. Something about the pattern of last year's killings, they say,
something about the renewed publicity, something the handwriting experts say
they can see in his letters.
Another one, you see, was received by the new Chief today.
So they've closed off West Shore for the weekend, and
they're turning back cars headed into the parking lot, and they're warning
people not to go out alone, and there are rumors that National Guardsmen will
be patrolling the beach around the clock.
But I fully expect that some fool will still walk the beach
this weekend. Some poor drunk slob slipping past the guardsmen and wandering
the dunes, those sprawling, magnificent dunes.
I expect that I might see that slob. I plan to be there, as
usual, walking the beach as the sun is setting and the soft summer breeze is
blowing gently in off the water.
Just
like last summer.
THE BEACH THAT SUMMER
That
summer, Sand Hill was overrun by crazies. Try as you might, you couldn't get
away from them -- not at the beach, not in the bars, not even in your own
backyard.
I don't mean the summer people, the Applebaums and Lodges,
the Bloomfields and Morgans. They came that summer, as always, but they stayed
even more to themselves inside their Victorians and Capes. I don't know how
many installed burglar alarms or hired guards or took up arms, but I guarantee
you there were a lot.
No, they were a new breed, strangers to oldtime islanders
like me. Out-of-towners, drawn by the big-city papers and the checkout-counter
tabloids and that big story on network news the day before the Fourth of July.
Just for fun, I stood on the bridge one morning and checked license plates.
It's a two-lane job, and both those lanes were busy the hour I was there.
Maine, Massachusetts, New Hampshire, Connecticut, a few New Yorks, a couple of
Ohios, even a California -- that's what I saw. I don't claim every one of them
was drawn by what was going on, but I'd bet you a shore dinner most were.
We had gorgeous weather that summer, absolutely picture-
postcard perfect the whole way through, and that didn't help, either. Come
Labor Day, an islander -- a sailor whose business it is to know such things --
counted the rainy days and came up with a total of five. Even the thunderstorms
stayed away that summer.
Of course, the crazies would've come anyway, fair weather or
foul. I knew that. Most every islander knew that. The authorities knew it, too,
and the frustration of it nearly drove them mad.
See, there was a crackle in the air that summer on Sand
Hill. A tension you couldn't hide from. A tension that was strongest out on
West Shore, where all of them were found.
Paula
Hempson was first. I knew Paula -- about as well as anyone else, I guess, and
that was none too well at all.
She was a loner -- a seamstress by trade but a drinker by
profession, an overweight woman about my age, 47, who lived with a couple of
strays in a trailer out by the landfill. Once in a blue moon you'd see her at
Jake's Cafe, swilling beers alone at the end of the bar, clothes unkempt and
hair dirty, looking for all the world like somebody who'd just poisoned her overbearing
mother.
June 8, they found her body -- what was left of it -- on a
tidal flat off West Shore.
West Shore is the island's scenic gem, three miles of
beautiful white sand that belongs in Florida or South Carolina or Hawaii, not
southern New England. Three miles of clean, virgin beach, not a hot dog stand
or a windsurfing shop in sight. State land, the only reason it's stayed
undeveloped for so long.
West Shore -- since I was old enough to walk, I must've been
there a million times, swimming, fishing, clamming, falling in love with it
again and again and again. I lost my virginity on West Shore. She was 36 and I
was 17 and she took me there in the back seat of her car, a ’79 Mustang, after
we shared wine and a blanket as we watched Fourth-of-July fireworks. She disappeared
years ago -- there's still talk it was murder -- but I never forgot her, or
that night.
I say they found
Hempson's body, but it actually was a 10-year-old girl. She was the daughter of
Jake Cabot, the selectman, and she was out there clamming when she stumbled
onto it. As Jake later told it, first she screamed, then got sick, then finally
ran like the devil himself was after her -- ran straight to the police station,
a full mile away.
Sgt. Ross Miller was on duty that afternoon, and he knew
Jake's little girl well enough to know she wasn't bull-crapping about what
she'd seen off West Shore. After calling her dad, he got in his cruiser and
headed down. On the way, he called Rescue One.
I was at home, camped out in front of the TV, when I heard
the chatter over my Bearcat. In half a minute, the fire horn downtown was
blaring. I heard a second siren -- somebody had decided to send an engine, too.
I got in my Jeep and headed after it.
When I got to West Shore, half the department was already
there (but not a single other soul), sloshing knee-deep through the incoming
tide on their way out to the flat. I headed out with them, curious, but also
strangely edgy and...
...excited isn't
quite the word.
Nobody spoke, but everybody felt it, what I was feeling.
There wasn't going to be any rescue today, we saw that right off, only a
cleanup we'd be seeing in our dreams for months to come. I don't blame that
girl for getting sick. I damn near did myself, and I've spent my adult life in
fishing boats -- not the pleasantest of places to be, especially a week after a
full catch.
Paula was face down, three-quarters submerged, bobbing
gently as the waves licked over her. With his billy stick as a prod, Sarge
Miller turned her over.
That's when we saw -- total evisceration. I think we all
gasped. I think we all said a silent prayer. We stood, not wanting to look,
unable to turn away, wishing that the sea would swallow the body up again so we
could go home and forget we'd ever seen it. Ten seconds, half a minute, a
minute -- who was counting? The time went by and we were still there, lost in
our thoughts, the sea lapping against our boots, a few gulls skimming low over
the water, the sun pinkening as it started down toward evening.
Finally, Sarge Miller said in an unsteady voice, ``OK, boys,
we got work to do. Tide's gonna beat us, we don't get a move on.''
Sarge's order was like a rock through glass. In no time, we
had the body on the sand, safe from high tide.
Buzz Aldrich went across the sand to his four-wheel-drive to
have the station call the ME's office. The rest of us moved off some and lit up
cigarettes.
Sarge
Miller was the first to use the word ``shark.''
It was, as events would later prove, a most unfortunate
choice of word. It was a word that would come back to sorely haunt him, and the
island, and the state -- a word that would be misinterpreted and misquoted and
misused so badly that for part of that summer, at least, it would seem like our
lives were being scripted in Hollywood, and we were actors in a real-life Jaws.
It was wrong, as we would find out -- about as wrong as you can get -- but
then, the beginning of that summer, that's what we believed.
Now, it would be one thing if Sarge made his assessment over
beers at Jake's, but he didn't. He made it in to a reporter.
His name was Storin, and he worked for one of the Boston
papers. Storin was on the island that day getting notes on Sand Hill's summer
set when the siren blew and we tore-assed down to West Shore, him not far
behind. I remember thinking that Sarge was going to tell him to take a flying
leap when he strolled up, dressed in tan slacks and a button-down shirt, Mr.
City Slicker himself. Only he didn't. He didn't say boo when Storin pushed
straight past us, barely a word of hello, to get a better look.
``Mauled,'' Storin said simply when he strolled back. Mauled
-- it was the word we'd been wracking our brains for.
``You got it, my friend,'' Sarge said.
``Homicide?'' Storin asked casually as he pulled his
notebook out of his back pocket.
I saw that notebook and cringed, and I figured by that point
alarm bells should have been going off inside Sarge's head. They weren't. Maybe
he was shocked. Maybe he didn't understand the press. Maybe he'd been cozying
up to Jack Daniel again.
Whatever the maybe, he was just as cordial as can be.
``No person could have done that,'' he said, as Storin
scribbled crazily. ``Had to be something from out there,'' he finished,
sweeping the expanse of the sea with his right arm.
``You mean shark,'' Storin said, and that's when he pulled
the tape recorder out of his pocket.
You knew, listening, that the guy had Jaws dancing in his
head. You knew he couldn't wait to get back to Boston to write it. You knew, if
you knew anything at all, that his story would draw the media to Sand Hill like
gulls to a homebound trawler.
Even then, Sarge didn't come to his senses. ``That's
right,'' he said, spitting into the sand. ``I mean shark.''
The
Herald splashed Storin's story across the front page. It mentioned Jaws, quoted
Sarge Miller extensively, and included a list of documented shark attacks
around the world the last 50 years.
Beyond that -- well, what more could it have said?
The ME wasn't talking and there were no grieving relatives
to be quoted. I understand the police phone rang off the hook the next day, and
I understand that Sarge Miller got reamed but good by Chief, but until Marjorie
Peters, that Herald story was it.
Mark
Peters was second.
It was after him that the lid blew off Sand Hill. It was
after him that the crazies took over the beach.
I wasn't on the island the day he washed up, June 30, but
Chief gave me a description over Rolling Rocks at Jake's Cafe. Thank God, no
kid found him. That kind of thing could have scarred another kid for life --
just ask Jake. No, this time, a guy from state Environmental Affairs had the
honors. Spotted him through binoculars on a law-enforcement patrol of West
Shore, about a half mile north of where we fished Hempson out of the surf.
Spotted him and then threw his lunch, just like Jake's girl.
Like Hempson, Peters was a shadow figure, a ghost. He wasn't
poor like Hempson -- he had a nice waterfront cottage, what was rumored to be a
nice fat nest egg in a First State trust. The other particulars were identical:
Mark Peters was lonely and alone.
``Looked like Hemspon,'' Chief said, ``exactly like
Hempson,'' and he knew he didn't need to say any more. I killed my Rolling Rock
and ordered a double Cutty. Chief followed suit. We sat together on our stools,
silent as the mahogany under our elbows.
Silent, that is, until another double Cutty was history.
That's when Chief whispered: ``It ain't no shark.''
I didn't catch his drift, not immediately.
``Somebody wanted it to look that way,'' he continued,
``faked it like a shark. Mark Peters was murdered.''
``You're kidding.''
``I wish I was. Lord, how I wish I was.''
``How can you be sure?''
``We got a note. Hand-written. Arrived at the station an
hour after we fished him out. Certain details in that note are consistent with
certain preliminary findings from the ME. And there was a drawing. Very
precise. Very gory. Made me sick.''
``Holy smokes.''
``There's more,'' Chief said on our third Cutty. ``Hempson
wasn't any shark, either.''
``You can't be serious.''
``I am. ME's report came back.''
``And--''
``--and it seems we got a nut on the loose.''
The
papers and blogs and TMZ and all those other sites went ape over Mark Peters.
TV joined right in. By Friday night, the island was crawling with reporters and
photographers and bloggers -- I mean crawling, the way an army of ants'll crawl
over something sweet that's dripped down your kitchen counter.
Who cared if Chief was urging restraint, was insisting
nothing was definitive, that no sharks had ever been sighted within miles of
Sand Hill? Who cared if the ME took pains to explain that the natural action of
seawater and bacteria have a certain disgusting but distinctly deteriorative
effect on human flesh?
Who cared?
This was the rarest of opportunities, probably it would
never come again, a summertime Jaws in real life and all there within a couple
hours driving time of the big East Coast cities.
If
you wanted to put a date on when we first felt the crackle in the air that summer,
first really felt it, it's fair to
say it was at 6:39 p.m. on Sunday, July 3.
I knew it was coming, and I guess most other islanders did,
too. Hadn't we seen the big-shot film crew sticking cameras in shoppers' faces
on their way out of Franny's Market? Hadn't we seen three shiny new Lincolns
parked outside Clipper Inn? Hadn't they rented Bill Weather's 44-foot Chris
Craft, mooring it for an entire afternoon off West Shore? Hadn't there been a
helicopter?
We knew the report was coming, but still the force of it was
overwhelming -- introduced, as it was, by NBC’s Brian Williams.
I remember that report like it just ended. It opened with an
aerial shot of the island, the water shimmering like diamonds in a
jewelry-store display case, and then it cut directly to West Shore, where a
pretty-boy type was standing alone with a microphone, the wind tousling his
hair, this terribly somber look on his face.
``Fear has struck this quintessential New England resort,''
he said, or something very close to that, ``fear that man's greatest natural
enemy is prowling these beautiful waters. Fear that a great white shark which
has apparently claimed two victims will go for more before the long hot summer
is through...''
The day after that broadcast. That's when it got crazy to
walk the beach.
Crazy, because for a spell, it didn't seem the off-islanders
were ever going to leave. Crazy, because everyone knew why everyone else was
there -- to wait, to watch, to hope in the sickest fashion that they would be
the ones there when... when it happened again.
And nobody doubted it would.
All day, they were there, and well into the evening. They
parked their Broncos and Winnebagoes and played Frisbee and set up Volleyball
nets and lit charcoal fires on Hibachi grilles and the younger and more foolish
ones, the gold-chained men with their painted-toenail women, dared each other
to wade in. From the dunes, you could see them -- shadowy characters in a bad
dream.
Few islanders walked deep down the beach from then on that
summer, but I did.
I did because I'd always done it, always been in love with
the smells and sounds and sunsets you get there, only there, on West Shore. I
did because I'd been going there since I was a kid. I did because stress and
tension magically dissipated there, carried away on the warm summer breeze. If
I'd been a poet, I think I would have camped out forever on West Shore. The
poems I would have written would have been soft and billowy, like clouds, not
angry and irrational and unforgiving, like the world around us.
Once a day, I walked West Shore, end to end, three miles in
all. Once a day, invariably in early evening, when the sun was dropping down to
kiss the sea and the breeze was stiff enough to keep the black flies grounded.
I carried a .38 that summer, and sometimes, the razor-sharp stiletto
I picked up in New York years ago. I carried them -- and carrying them gave me
security. Few islanders walked West Shore that summer, but when they did, they
carried weapons, too.
After Billie Robards, it would have been crazy not to.
Billie
put an end to all the shark talk. There were two good reasons for that. One was
where they found her: in the West Shore dunes, 100 yards, easy, from mean high
tide.
The other was the letter that was mailed to the editorial
offices of The Providence Journal.
It arrived July 14, hours before they found her, decapitated
and limbless, so there was no question it was authentic. They never published
the full text of that letter, which had a Providence postmark, but word got
around the island pretty quickly about what was in it: Billie's name, a
drawing, a plea to ``stop me, I can't control myself,'' all of it in black felt
pen.
``He's sick, really sick,'' Chief said to me, and I could
see the desperation and frustration and the something I hesitated to call fear
in his tired blue eyes.
I knew Billie.
Knew her personally, and well. She was married to Will
Robards, the skipper and owner of the Liza D., a Sand Hill trawler I'd crewed
on for years. Will's boat had kept me in dough times when times were rotten,
and for that, I was eternally grateful. His wife was a peach, a 40-year-old
brown-eyed peach with a wonderful laugh. I used to run into her in the market,
at the gas station, wherever, and we always exchanged pleasantries. For years,
she'd made it a point to stop by the house Christmas Eve to drop off her
home-baked goodies. ``Bachelor's Special,'' she'd say, and we always laughed
heartily as we toasted our mutual good health.
After Billie's autopsy, they quietly exhumed Paula Hempson
and Mark Peters, allowing the pathologists to conclude that one person almost
certainly was responsible for all three deaths. It answered the question the
papers and blogs and TV had forgotten to ask: Just what had Hempson and Peters
been doing swimming off West Shore, anyway?
If they loved Shark, they went berserk for Maniac on the
Loose.
They'd smelled blood, real honest-to-God fresh-flowing
blood, blood that seemed certain to flow again if everybody only waited a
spell, and now there was no stopping them. Somebody joked that every fourth
person on Narragansett Avenue was a reporter from there on out, but I didn't
laugh. One knocked on my door, and I live half a mile from the main drag.
Forget downtown, Jake's Cafe, the docks. Things were at a fever pitch, nobody
seemed sane anymore, everybody had a theory and a suspect and...
...and that crackle was in the air.
I don't know how else to describe it. I think back to that
summer and I can hear it inside my head, a loud, painful crackle, this terrible
thing that prickles the hairs on my neck.
``All that publicity can only be encouraging him. Sons of
Satan, every one of these reporters.''
If Chief said it once that summer, he said it a hundred
times, and he was right, he was right. That was the bitch of it; everyone knew
what the publicity was doing, but we were powerless to stop it. A great
country, America, isn't it? You could see this sick puppy, living alone,
catching the evening news and getting all worked up about his latest victim --
a steam-filled pressure cooker set to blow again, and no one there to turn the
burners off.
Off-islanders still walked West Shore -- for the most part,
only in the bold light of day now. And they did it in tighter and larger
clusters than before -- the foolish illusion of strength in numbers, I imagine.
But mostly, after Billie Robards, they stuck to the docks and the restaurants
and Jake's, endlessly, morbidly fascinated with the Shore Stalker, as they came
to call him.
I kept walking West Shore, my hand a little tighter on my
.38, my eyes straining a little harder, every passerby a suspect. I kept
walking because I was determined the Stalker couldn't keep me from the place I
loved so. I kept walking because I always had.
Victims
four and five were found Aug. 14, three days after a letter arrived on Chief's
desk. The State Police sent it off to the lab for analysis, but it didn't take
a criminologist to see that the same hand had penned both letters.
I got a photocopy of that letter from Sarge Miller.
Photocopies were worth their weight in gold that summer. ``Stop me,'' the
letter said. ``Please, I beg you, stop me.''
Nothing else.
I forget their names -- they were off-islanders, a
honeymooning couple in their 20s from Pennsylvania. Their car was found in the
West Shore lot, and there was some dispute over whether they had known what was
happening on the beach that summer or had wandered there unsuspectingly through
impossibly bad luck.
Even after them, the curious came, but they came in much
smaller numbers. By late afternoon, West Shore would be deserted, whatever off-islanders
there had been having retreated to the safety of the motels and bars. After
Aug. 14, the only people I met on my evening walks were cops and a couple of
old salts who'll be out there surf casting the day they drop the Big One.
We islanders drew tightly together then -- for solace, more
than protection. I bet there have never been more floodlights sold than that
summer, more German Shepherds bought, more shotguns oiled, locked and loaded,
mine included.
For all that, it was an uneasy camaraderie.
Media or no media, one fact could not be exaggerated: there
was a cold-blooded killer out there, and who's to say he wasn't your Uncle Joe
or your Cousin Henry? Who's to say he wasn't sitting right there with you in
Jake's, or standing with you at the checkout counter, or behind the wheel of
the car in front of you coming over the bridge? Who's to say it wasn't Jake, or
Will Robards, or Chief, or Sgt. Ross? Stranger things have happened.
Truth was, we were an island scared to death.
Up in the capitol, there was a sense of urgency you usually
see only after hurricanes or blizzards. The governor went on TV to announce
creation of the Sand Hill Task Force, what he described as the state's largest,
most ambitious crime hunt ever. State Police, Sand Hill Police, the National
Guard -- they were all in on it. The FBI sent agents down from Boston. The
president, vacationing out on Martha’s Vineyard, even lent his support in an impromptu
press conference.
The Shore Stalker was going to be caught, yes he was.
Except he wasn't.
One week, two weeks, three weeks went by, Labor Day was just
around the corner, and there hadn't been an arrest. Thank the Lord, the Stalker
was quiet, but the authorities were no closer to finding him than they'd been
all summer.
They tried everything -- roadblocks, unmarked cars, armed
men in the dunes. They searched cars, boats, crunched names through national
data bases, run up the biggest overtime bill in the history of Rhode Island law
enforcement. Eventually, the American Civil Liberties Union began to squawk. It
was that big.
That unsuccessful.
``It's the goddamndest thing I ever saw,'' Chief told me on
Sept. 3, two days before the Board Of Selectmen fired him. ``It's almost like
this guy doesn't really exist.''
He wasn't the first to think that. I'd thought it myself.
Labor
Day came and went, and the Stalker didn't strike, and then it was Columbus Day,
and Christmas, and we were into the New Year. The media moved on to other
places, other tragedies.
Still, he wasn't caught. There wasn't even an arrest.
So here it is, Friday of Fourth of July weekend, and the
traffic into Sand Hill is noticeably heavier, and every islander is remembering
last summer and feeling strangely skittish and...
...and that crackle in the air is back, louder than before.
I close my eyes and I can hear it, feel it, excruciatingly
painful, like the first stab of a migraine at the back of your skull.
They won't admit it, of course, but the authorities are
convinced that there's a better-than-even chance the Stalker will be tempted
this weekend. Something about the pattern of last year's killings, they say,
something about the renewed publicity, something the handwriting experts say
they can see in his letters.
Another one, you see, was received by the new Chief today.
So they've closed off West Shore for the weekend, and
they're turning back cars headed into the parking lot, and they're warning
people not to go out alone, and there are rumors that National Guardsmen will
be patrolling the beach around the clock.
But I fully expect that some fool will still walk the beach
this weekend. Some poor drunk slob slipping past the guardsmen and wandering
the dunes, those sprawling, magnificent dunes.
I expect that I might see that slob. I plan to be there, as
usual, walking the beach as the sun is setting and the soft summer breeze is
blowing gently in off the water.
Just
like last summer.
August 7, 2013
Roger Williams Independent Voice Award
Remarks on Tuesday, August 6, 2013, at the opening night of the 2013 Rhode Island International Film Festival:
Thank you Don Farish, thank you George Marshall, and thanks to the Film Festival Board. Thanks to my family -- Yolanda and my children Rachel, Katy and Cal -- for your many years of tolerating the obsessive behaviors that come with being a writer. And hello out there to my Bella and Livvie!
I am humbled and honored to receive this year’s Roger Williams Independent Voice award. Humbled because I join the ranks of Barbara Meek, Paul Sorvino and other distinguished winners. Honored because the values the award recognizes -- compassion, tolerance and understanding -- are values I have tried to bring to my writing and my films.
Over the years, I have told the stories of inmates, the mentally ill and challenged, victims of rape and tragedy, abused children and women, people sick and dying, traumatized war veterans, and more. I have tried to give a public voice to people who often have none. I have tried to make a difference.
Let me tell you about one of these people, Frank Beazley.
Frank was abandoned as a newborn and he suffered cruel treatment in an orphanage and a foster home. Somehow, he made it. He came to America in 1953. Life was good. And then, in 1967, after working the overnight shift at a Dunkin’ Donuts, he fell down a flight of stairs. The accident left him a quadriplegic, barely able to feed himself, and confined to a wheelchair. He spent the rest of his life, almost half a century, at Zambarano Hospital.
And yet, despite these extraordinary challenges, Frank became a celebrated artist, poet and champion of the disabled. He was a gentle man of good humor and cheer. He was kind, generous and uncomplaining. And in everything, he was unfailingly compassionate, tolerant and understanding.
Over the years, I wrote dozens of Providence Journal stories about Frank. When he died last summer, I cried. And then I wrote his obituary, and made sure it ran on the front page with a wonderful photo of him smiling.
Frank and I became dear friends. I loved his beard, his sparkling blue eyes, his jokes, his passion for the New England Patriots, his inspirational attitude, which he summarized in his favorite saying: “It’s a beautiful day.”
If Frank were here tonight, he would surely agree that for me, this is a beautiful day. And it really is. Thank you all.
Roger Williams University president Donald Farish presents the award. Photo Kris Craig/The Providence Journal
The 2013 Roger Williams Independent Voice award.
Thank you Don Farish, thank you George Marshall, and thanks to the Film Festival Board. Thanks to my family -- Yolanda and my children Rachel, Katy and Cal -- for your many years of tolerating the obsessive behaviors that come with being a writer. And hello out there to my Bella and Livvie!
I am humbled and honored to receive this year’s Roger Williams Independent Voice award. Humbled because I join the ranks of Barbara Meek, Paul Sorvino and other distinguished winners. Honored because the values the award recognizes -- compassion, tolerance and understanding -- are values I have tried to bring to my writing and my films.
Over the years, I have told the stories of inmates, the mentally ill and challenged, victims of rape and tragedy, abused children and women, people sick and dying, traumatized war veterans, and more. I have tried to give a public voice to people who often have none. I have tried to make a difference.
Let me tell you about one of these people, Frank Beazley.
Frank was abandoned as a newborn and he suffered cruel treatment in an orphanage and a foster home. Somehow, he made it. He came to America in 1953. Life was good. And then, in 1967, after working the overnight shift at a Dunkin’ Donuts, he fell down a flight of stairs. The accident left him a quadriplegic, barely able to feed himself, and confined to a wheelchair. He spent the rest of his life, almost half a century, at Zambarano Hospital.
And yet, despite these extraordinary challenges, Frank became a celebrated artist, poet and champion of the disabled. He was a gentle man of good humor and cheer. He was kind, generous and uncomplaining. And in everything, he was unfailingly compassionate, tolerant and understanding.
Over the years, I wrote dozens of Providence Journal stories about Frank. When he died last summer, I cried. And then I wrote his obituary, and made sure it ran on the front page with a wonderful photo of him smiling.
Frank and I became dear friends. I loved his beard, his sparkling blue eyes, his jokes, his passion for the New England Patriots, his inspirational attitude, which he summarized in his favorite saying: “It’s a beautiful day.”
If Frank were here tonight, he would surely agree that for me, this is a beautiful day. And it really is. Thank you all.
Roger Williams University president Donald Farish presents the award. Photo Kris Craig/The Providence Journal
The 2013 Roger Williams Independent Voice award.
August 4, 2013
Goodreads page up for Top/Bottom
Top Brain, Bottom Brain: Surprising Insights into How You Think by Stephen KosslynMy rating: 5 of 5 stars
“Kosslyn is one of the world’s great cognitive neuroscientists of the late 20th and early 21st century.”
– Steven Pinker, bestselling author of The Language Instinct.
"An exciting new way to think about our brains, and ourselves. Original, insightful, and a sweet read to boot."
-- Daniel Gilbert, author of the International bestseller Stumbling on Happiness.
"Kosslyn and Miller have written a lively, informative, and easily assimilated summary of several important principles of brain function for the general reader who does not have the time or background to follow the complexities of neuroscience research but would like a scaffolding on which to place the new facts that dominate each day's headlines."
-- Jerome Kagan, emeritus professor of psychology, Harvard University, and author of the critically acclaimed The Human Spark: The Science of Human Development.
“A bold new theory, with intriguing practical implications, formulated by one of America’s most original psychologists.”
-- Howard Gardner, co-author of The App Generation.
"Right brainers are intuitive, left brainers are analytical, and Kosslyn says it’s all hogwash; there’s no scientific proof. Director of the Center for Advanced Study in the Behavioral Sciences at Stanford University, he challenges the old orthodoxy by arguing that the brain operates according to patterns best described as Mover, Adaptor, Stimulator, and Perceiver. So which pattern fits your brain? Take Kosslyn’s test."
-- Library Journal, Prepub Alert, May 20, 2013.
View all my reviews
July 28, 2013
What privacy?
Front page of the July 28, 2013, Providence Sunday Journal. Art by The Journal's Tom Murphy.
With an extensive print and online presentation, The Providence Journal today explores one of the pressing issues of our time: Privacy. We had scheduled this as part of our eWave series before Edward Snowden's revelations -- but those leaks, beginning June 5, give the issue more immediacy. At stake is an essential right Americans have held since the Founding Fathers, who wrote the Fourth Amendment:
The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.
The threat is not only from our own government today, specifically the National Security Agency, which collects data on innocent Americans suspected of no wrongdoing. It is also from the private sector -- Google, Facebook and other entities that collect, share and store our most personal information. With our complicity.
Today's package features an essay that I wrote, plus tips on protecting privacy in the digital age, and a graphic describing the fine print of Google's privacy police (if you haven't read it, you may be surprised to learn what the internet giant takes from you). Also, a poll and great art. And a story about Timothy H. Edgar, a visiting fellow Brown University's Watson Institute who has the unique perspective of having been a lawyer with the ACLU, and a privacy expert inside the administrations of President Obama and former president George W. Bush.
As usual, the Journal's eWave team has done an incredible job from the cover art to page design to editorial support and online presence and poll. My thanks to them. This has been a collaborative effort all year in the eWave: The Digital Revolution series. And there's plenty more to come!
July 25, 2013
A new way to look at our brains and ourselves
Arriving on November 5, 2013:
Top Brain, Bottom Brain: Surprising Insights Into How You Think, a Simon & Schuster book co-authored with celebrated psychologist and neuroscientist Stephen M. Kosslyn, PhD. More details soon, but you can like the Facebook page now and follow us on Twitter.
.
Top Brain, Bottom Brain: Surprising Insights Into How You Think, a Simon & Schuster book co-authored with celebrated psychologist and neuroscientist Stephen M. Kosslyn, PhD. More details soon, but you can like the Facebook page now and follow us on Twitter.
.July 15, 2013
Roger Williams Independent Voice Award
I am honored and humbled to be named the 2013 winner of the Roger Williams Independent Voice Award from the Flickers: Rhode Island International Film Festival, to be presented 7 p.m., Tuesday, August 6, at Veterans Memorial Auditorium in Providence during the festival's opening night.
"Wayne has a remarkable body of work that truly represents the spirit of the award," festival executive director George Marshall told The Providence Journal. "Indeed, he has illuminated the lives of the diverse folks who have allowed him to tell their stories."
The story noted: "Over more than three decades at The Journal, Miller's work has ranged from coverage of Newport society and the life of former Gov. Bruce Sundlun to the experiences of Frank Beazley, an advocate for people with disabilities, and returning Iraq and Afghanistan veterans chronicled in the 2011 series 'The War on Terror: Coming Home.' "
The award is presented to "to an outstanding artist whose vision promotes tolerance, compassion and understanding. Named after the founder of Rhode Island, Roger Williams, who established an American tradition of religious freedom and individual liberty that was encoded in The Bill of Rights," according to the festival. Past winners include Trinity Rep actress Barbara Meek and stage and screen actor Paul Sorvino.
Credit for this award, of course, goes to the many people over many years who have shared their stories with me for my films, books and Providence Journal work. And so I thank all of them! Please join me on August 6 at opening night of the festival at The Vets.
Barbara Meek, winner of the 2012 Roger Williams Independent Voice Award, with friend. Courtesy RIIFF.
"Wayne has a remarkable body of work that truly represents the spirit of the award," festival executive director George Marshall told The Providence Journal. "Indeed, he has illuminated the lives of the diverse folks who have allowed him to tell their stories."
The story noted: "Over more than three decades at The Journal, Miller's work has ranged from coverage of Newport society and the life of former Gov. Bruce Sundlun to the experiences of Frank Beazley, an advocate for people with disabilities, and returning Iraq and Afghanistan veterans chronicled in the 2011 series 'The War on Terror: Coming Home.' "
The award is presented to "to an outstanding artist whose vision promotes tolerance, compassion and understanding. Named after the founder of Rhode Island, Roger Williams, who established an American tradition of religious freedom and individual liberty that was encoded in The Bill of Rights," according to the festival. Past winners include Trinity Rep actress Barbara Meek and stage and screen actor Paul Sorvino.
Credit for this award, of course, goes to the many people over many years who have shared their stories with me for my films, books and Providence Journal work. And so I thank all of them! Please join me on August 6 at opening night of the festival at The Vets.
Barbara Meek, winner of the 2012 Roger Williams Independent Voice Award, with friend. Courtesy RIIFF.
July 10, 2013
Critical Praise for short story collection, Vol. 2!
With Barnes and Noble promoting Vapors: The Essential G. Wayne Miller Fiction, Vol. 2, and Amazon Kindle getting in on the action, critical praise for the collection is starting to come in.
-- “Wayne Miller is a writer's writer. A long-time pro whose fiction is so
seamless, you don't notice the barbs and sharp edges until it's far too
late,” says Thomas F. Monteleone, Bram Stoker winner, author of The Complete Idiot's Guide to Writing
a Novel and publisher of the Borderlands horror anthologies.
-- "G. Wayne Miller is one of those authors who invites you in with smooth, literary prose, offers you tea, or whiskey, and then - slowly – as stories progress, and the fire on the hearth gets hotter, sears images into your memory. These are fine, well-wrought tales that leave their mark," says David Niall Wilson, author of Deep Blue, This Is My Blood, and Nevermore.
-- “G. Wayne Miller is a legend in the horror field –– writing poetic, vibrant stories that could easily fit in The Twilight Zone or Alfred Hitchcock Presents. Vapors includes 13 stories that are unforgettable,” says Mark Slade, author and producer of the Dark Dreams podcast.
Thanks to all!
Buy at Barnes and Noble or on Amazon Kindle.
-- “Wayne Miller is a writer's writer. A long-time pro whose fiction is so
seamless, you don't notice the barbs and sharp edges until it's far too
late,” says Thomas F. Monteleone, Bram Stoker winner, author of The Complete Idiot's Guide to Writing
a Novel and publisher of the Borderlands horror anthologies.
-- "G. Wayne Miller is one of those authors who invites you in with smooth, literary prose, offers you tea, or whiskey, and then - slowly – as stories progress, and the fire on the hearth gets hotter, sears images into your memory. These are fine, well-wrought tales that leave their mark," says David Niall Wilson, author of Deep Blue, This Is My Blood, and Nevermore.
-- “G. Wayne Miller is a legend in the horror field –– writing poetic, vibrant stories that could easily fit in The Twilight Zone or Alfred Hitchcock Presents. Vapors includes 13 stories that are unforgettable,” says Mark Slade, author and producer of the Dark Dreams podcast.
Thanks to all!
Buy at Barnes and Noble or on Amazon Kindle.
June 28, 2013
Second shorty-story collection 'VAPORS' now published!
VAPORS, volume 2 of my collected horror, sci-fi and mystery stories, is now available in Barnes and Noble Nook and Amazon Kindle editions. It includes 13 stories: Nothing There, The Senator, Sweetie, Honey Love, God of Self, Gnawing, Death Train, Simon, Drive, Chiganook, Monster, The Devil at Bay and, of course, Vapors. There is also a bonus: the screenplay SUMMER LOVE.
VAPORS follows the first volume in the collection, SINCE THE SKY BLEW OFF.
And it is yet another part of my great association with my good friends at Crossroad Press, who in the last few months have also published the THUNDER RISE trilogy of horror novels.
That story is told in the Introduction to VAPORS, below:
Introduction
F. Scott Fitzgerald may have
been right when he famously observed that there are no second acts in American
life. In writing, however, there sometimes is
a second act –– and even a third. The book you are about to read is proof.
From the earliest age,
fiction was my first love. I wrote stories and then outlines and drafts of
novels, a satisfying Act One. Then the real world called. When I graduated
college, journalism still offered jobs a-plenty for writers. Monetarily, at
least, the genre was easier than fiction -- one has to eat, after all. So Act
Two began, and it continues to this day, with three decades as a Providence Journal staff writer and
eight books of non-fiction (and three documentary movies) to my name.
The first act seemed to
have ended (or at least sputtered to an intermission) in the 1990s, after
publication of a novel, Thunder Rise, and dozens of horror,
mystery, crime and sci-fi short stories. I kept writing fiction, albeit at a
slower pace, as that decade closed and the new millennium began. There’s only
so much time in a day.
Enter the good folks at
Crossroad Press, David Niall Wilson and David Dodd. They had an idea for a
third act, though I myself initially did not see it that way.
They wanted to publish an
e-book version of Thunder Rise , which had been released in hardcover and
paperback editions. They did, in 2012, along with an audio book, released in
2013. They wanted to publish the other never-before-released books in the Thunder
Rise trilogy –– Asylum and Summer Place –– which they did, this year. They wanted a short
story collection, Since the Sky Blew Off , which they published in 2012. Now comes
volume two of the short stories, with at least one more on tap.
So Vapors is another scene from
my writer’s Act Three, which is an echo, or a continuation, or whatever, or Act
One.
Vapors contains some new
stories and some older ones previously published in the late Dave Silva’s
now-legendary The Horror Show and
other magazines. The roots of all lie in that intermissive period of my writing
life when the still-legendary NECON, the New England Writers’ Conference, was
the highlight of the summer for me and so many other writers of horror, fantasy
and science-fiction, all the way back to the earliest days with Stephen King,
Peter Straub, Robert McCammon, Yvonne Navarro, Tom Monteleone, Elizabeth
Massie, John Skipp, John Farris, the 2013 NECON Legend Chet Williamson, and the
late Charles L. Grant, a fellow Rhode Islander, and Les Daniels. Like me, some
of these writers have been brought to a larger audience by Crossroad Press.
Here’s to second and
third acts -- and however many more may follow! I have the fiction bug again,
big-time.
But my fondest wish, as
always, is that you, the reader, enjoy the fruits of something I love so dearly:
writing. Visit me at www.gwaynemiller.com and drop me a line, will you? Safe
journey...
June 10, 2013
The era of instititutionalization
My interest in how society treats its mentally ill and challenged has endured for decades. Publication of Abandoned Asylums of New England: A
Photographic Journey, by John Gray, gave me a chance to reflect again. A highly recommended book, published by the Museum of disABILITY History. Here is my review, which ran in the June 9, 2013, Sunday Providence Journal.
One of the remarkable things about "Abandoned Asylums of New England: A
Photographic Journey" by John Gray is that it makes such a powerful
statement about how society treated some of its most vulnerable members
without using a single image of a person.
Actually, there are
representations of a few people in this extraordinary contribution to
the literature of disability: in a cartoon, an old postcard, a few
vintage photos, and magazine illustrations taped to walls. But that's
it. By focusing on the abandoned buildings where untold thousands of the
mentally ill and mentally challenged (and other vulnerable people)
spent their lives, often neglected and abused, Gray has paid dramatic
testament to forgotten humanity in a way face shots and candids could
not. He has made us see something more haunting: the ghosts of people
who deserved better.
A 1970 Providence Journal investigation, 'The Outlines of a Public
Disgrace,' chronicled warehousing of patients at the now-closed
Institute of Mental Health in Cranston.
Years in the making, Gray's book is
literally an inside look at 12 institutions around the region that now
crumble to dust, or have been razed into oblivion. Their names bespeak
their era, which belongs to the 19th and 20th centuries: Danvers State
Lunatic Hospital; Belchertown State School for the Feeble-Minded; the
Massachusetts Hospital for Dipsomaniacs and Inebriates; the Lakeville
State Sanatorium, for victims of tuberculosis; and eight more.
We
see broken windows, collapsing stairs, peeling paint, a piano with
broken ivories, an open drawer in an old morgue, a dusty laboratory
table with empty vials and jars, mattress-less beds, doors off their
hinges, catacomb-like utility tunnels, a tattered Cabbage Patch doll in a
funhouse-esque corridor, iron lungs, a wooden wheelchair, the skeletons
of birds, and rooms: day rooms, bathrooms, auditoria, solaria, these
places once alive with people. And we see many exteriors: the brick and
stone walls, the Gothic spires, these massive and towering edifices that
contained what were then called lunatics, feeble-mindeds and
consumptives.
Remarkably, too, Gray has found beauty amid the
ghosts that surely roam these grounds. A consummate artist of the lens,
he has given us page after page of black-and-white and color photos that
are rendered masterfully, with exquisite lighting and textures - the
exteriors especially. His twilight shot of the old Danvers hospital
skyline (which, coincidentally, I used to pass every day on my way to
high school), is breathtaking, as are many others. That such beauty
could have countenanced such ugliness is an inescapable irony.
Gray
did not include photos of the two Rhode Island institutions that closed
years ago as treatment shifted to community programs: Exeter's Ladd
Center, and the handful of buildings that are the last vestiges of
Cranston's Institute of Mental Health. But having covered those
institutions years ago for The Providence Journal (indeed, I lived
inside each of them for several days for front-line reporting), I can
assure you that Gray's work speaks for Rhode Island's story, too. And I
would note that it was the power of The Journal's many photos, along
with articles, that helped build public support for more humane options.
Books
like Gray's impress on us the importance of never forgetting.
"Abandoned Asylums" is also a reminder that while community care is an
improvement over institutions such as Ladd and the IMH, society still
has a distance to go in overcoming tired old "retarded" and "lunatic"
stereotypes. It still falls short of the mark in providing better care
for some of our most fragile people, not a few of whom today wrongly
inhabit another institutional system: prison.
G. Wayne Miller
wrote and co-produced "ON THE LAKE: Life and Love in a Distant Place," a
PBS-broadcast documentary film about tuberculosis sanitariums. Visit
him at gwaynemiller.com.
Photographic Journey, by John Gray, gave me a chance to reflect again. A highly recommended book, published by the Museum of disABILITY History. Here is my review, which ran in the June 9, 2013, Sunday Providence Journal.
One of the remarkable things about "Abandoned Asylums of New England: A
Photographic Journey" by John Gray is that it makes such a powerful
statement about how society treated some of its most vulnerable members
without using a single image of a person.
Actually, there are
representations of a few people in this extraordinary contribution to
the literature of disability: in a cartoon, an old postcard, a few
vintage photos, and magazine illustrations taped to walls. But that's
it. By focusing on the abandoned buildings where untold thousands of the
mentally ill and mentally challenged (and other vulnerable people)
spent their lives, often neglected and abused, Gray has paid dramatic
testament to forgotten humanity in a way face shots and candids could
not. He has made us see something more haunting: the ghosts of people
who deserved better.
A 1970 Providence Journal investigation, 'The Outlines of a Public
Disgrace,' chronicled warehousing of patients at the now-closed
Institute of Mental Health in Cranston.
Years in the making, Gray's book is
literally an inside look at 12 institutions around the region that now
crumble to dust, or have been razed into oblivion. Their names bespeak
their era, which belongs to the 19th and 20th centuries: Danvers State
Lunatic Hospital; Belchertown State School for the Feeble-Minded; the
Massachusetts Hospital for Dipsomaniacs and Inebriates; the Lakeville
State Sanatorium, for victims of tuberculosis; and eight more.
We
see broken windows, collapsing stairs, peeling paint, a piano with
broken ivories, an open drawer in an old morgue, a dusty laboratory
table with empty vials and jars, mattress-less beds, doors off their
hinges, catacomb-like utility tunnels, a tattered Cabbage Patch doll in a
funhouse-esque corridor, iron lungs, a wooden wheelchair, the skeletons
of birds, and rooms: day rooms, bathrooms, auditoria, solaria, these
places once alive with people. And we see many exteriors: the brick and
stone walls, the Gothic spires, these massive and towering edifices that
contained what were then called lunatics, feeble-mindeds and
consumptives.
Remarkably, too, Gray has found beauty amid the
ghosts that surely roam these grounds. A consummate artist of the lens,
he has given us page after page of black-and-white and color photos that
are rendered masterfully, with exquisite lighting and textures - the
exteriors especially. His twilight shot of the old Danvers hospital
skyline (which, coincidentally, I used to pass every day on my way to
high school), is breathtaking, as are many others. That such beauty
could have countenanced such ugliness is an inescapable irony.
Gray
did not include photos of the two Rhode Island institutions that closed
years ago as treatment shifted to community programs: Exeter's Ladd
Center, and the handful of buildings that are the last vestiges of
Cranston's Institute of Mental Health. But having covered those
institutions years ago for The Providence Journal (indeed, I lived
inside each of them for several days for front-line reporting), I can
assure you that Gray's work speaks for Rhode Island's story, too. And I
would note that it was the power of The Journal's many photos, along
with articles, that helped build public support for more humane options.
Books
like Gray's impress on us the importance of never forgetting.
"Abandoned Asylums" is also a reminder that while community care is an
improvement over institutions such as Ladd and the IMH, society still
has a distance to go in overcoming tired old "retarded" and "lunatic"
stereotypes. It still falls short of the mark in providing better care
for some of our most fragile people, not a few of whom today wrongly
inhabit another institutional system: prison.
G. Wayne Miller
wrote and co-produced "ON THE LAKE: Life and Love in a Distant Place," a
PBS-broadcast documentary film about tuberculosis sanitariums. Visit
him at gwaynemiller.com.
