Rod Collins's Blog, page 11

September 1, 2015

Rights Expression Languages and Vocabularies: Which Does What?

by Julia Goodwin


 


For many years, segments of the media world have developed and continue to develop Rights Expression Languages (RELs) so that media rights information can be readable by computers and displayed as text readable by humans.  This allows licensors and licensees to share contract information about content more easily.  Some of these languages are used for specific types of media such as images or news while others cover the media gamut.  These “languages” define a common structure or containers that can store specific rights metadata.  That rights metadata or vocabulary may be whatever a licensor is using internally or it may be a shared vocabulary standard that works with a particular REL.


This blog provides an overview of the major REL and rights vocabulary initiatives and any media specialization.  Each REL’s website is cited for reference.  If your company is considering implementing an REL, I hope the information provided here helps you identify which RELs to research more deeply.


The Candidates:


ccREL:  (The Creative Commons Rights Expression Language) is an open source language submitted by the W3C to the Creative Commons for the management of rights licenses which are expressed as HTML documents informing the Internet community of rights holders for an IP, including media.  It does not have a standard rights vocabulary developed yet.  


Dublin Core Rights Element:  The Dublin Core is not an REL, but rather an open source metadata standard used for describing visual materials on the Internet, although it does allow for simple rights statements.  Rights is one of 15 “element sets” within its metadata schema.  Its simplicity makes it flexible and translatable to other languages and even allows it to provide a translation layer between other rights metadata standards.  It does not have a standard vocabulary.  Like ccRL, rights are expressed as readable HTML. 


Idealliance’s PRISM:  PRISM 3.0 is an REL specification developed by Idealliance, a membership organization.  It includes both standards for contract metadata and rights vocabulary metadata.   It is a strong, emerging resource for the multimedia publishingindustry.  A 2014 draft is under public review.  It is preceded by 2012 standards.  


IFTA:  (International Film and Trade Association).  This is not an REL but standards for contract and rights terms.  This association is member-based with 150 members from 23 countries.  


METSRights:  This is an open source REL designed for describing simple rights for digital objects.  Based upon the METS (Metadata Encoding and Transmission Language), it can hold information related to a rights holder, a rights declaration, and a rights context (the context in which the rights declaration is used and by whom).  METS itself is popular with National, Government and University Libraries including Harvard, Stanford and The National Library of Portugal, for example.    


MPEG-21This standard was started by the Moving Pictures Experts Group in 1988.  It created a brief rights data dictionary before adopting XrML as a REL standard.  Latest documents posted to its site date July 2005.  See XrML below.  and 


ODRL:  This open source resource for all media types was created by WC3.  It does have a vocabulary (ODRL version 2.1 vocabulary) but I personally caution that it may not adequately capture all details of emerging video rights and distribution channels. 


PLUS (Picture Licensing Universal System): This is not an REL but an international vocabulary standard for image use.  This is a non-profit, membership-based organization.  It has a wide range of image licensing terms and actions defined in its online, searchable glossary.  It also includes a matrix for content types and contract templates.  Used by major image libraries and organizations worldwide. 


RightsML: This is an open source REL based on ODRL above for news syndication.  It uses ODRL version 2.1 vocabulary.  


XrMLThis open source REL was originally developed by Xerox.  It was adopted as the basis for the rights expression language for MPEG-21.  Now owned and released by ContentGuard), it was proposed as a standard by Microsoft, Hewlett-Packard and VeriSign.  


 



 


Julia Goodwin (@julia.littlewing) is a Senior Manager in the Information Management practice of Optimity Advisors.  She has 18 years’ experience in the Media Industry in Application Development, Management, Innovation and a special interest in Rights Management.

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Published on September 01, 2015 08:00

August 31, 2015

August 18, 2015

Why A Great Work Culture May Be The Only Sustainable Business Advantage

by Rod Collins


 


In a rapidly changing world, is it possible for a company to create a sustainable competitive advantage? For well over a century, the pursuit of this managerial “brass ring” has been the commonly accepted foundational strategy for most business enterprises. According to this strategy, the secret to corporate growth and longevity is finding a way to differentiate your products from those of your competitors and exploiting that difference to sustain the advantage. This exploitation is accomplished by rigorously safeguarding proprietary knowledge stocks, maximizing cost efficiencies, and constructing barriers to entry to hold off current and potential competitors.  This strategy has become the unquestioned conventional wisdom for achieving market success because corporate leaders assume the world of business is governed by the dynamics of scarcity and the axioms of competition.


Chris Anderson, however, doesn’t agree with the conventional wisdom.  Anderson, the former editor of Wired magazine, is a highly successful entrepreneur who in addition to his well-known publishing interests, has also dabbled in open source ventures. One such venture is ArduPilot, an open source platform, able to control autonomous multicopters, fixed-wing aircraft, traditional helicopters, and ground rovers. In his book, Makers: The New Industrial Revolution, Anderson relates the story of what happened when, in late 2010, several members of the ArduPilot design community noticed that Chinese clones of their products were for sale in various online marketplaces, and how, when asked by the community members what he was going to do about this blatant “piracy,” Anderson stunned them when he responded that he was inclined to do nothing.


Knowledge Is an Abundant Resource


Anderson’s unconventional response reflects his understanding that the digital revolution has radically shifted the core dynamics and axioms of business. The most dramatic consequence of this shift is that technological advances over the past two decades have made knowledge an increasingly important—if not the most important—economic asset. This is significant because knowledge is uniquely different from other types of economic assets.


Unlike other natural resources, knowledge is not a scarce resource. Knowledge is an abundant resource and is most valuable when it is comingled with other knowledge. The only way it grows is by giving it away.  Thus, holding knowledge as proprietary is counterproductive because it diminishes its value over time. Although it may seem counterintuitive, when knowledge is shared, everyone’s intelligence is increased and all the contributors get far more back than they give away.


From Competitor to Collaborator


With this understanding in mind, when Anderson discovered the clones were the work of a single individual who went by the name of  “Hazy,” he gave the supposed “pirate” edit permission to the community’s wiki. He was impressed with the quality of Hazy’s Chinese translation of the instruction manual and given that the operating license of open source communities meant that any work performed by any member was available to all the members, Anderson saw no harm in adding the “pirate’s” voice to the ArduPilot community.


With his new credentials, Hazy proceeded to enhance the product by integrating a seamless Chinese translation of the manual onto the official site. Once that was complete, he surprised Anderson by making quality corrections to the English manual and working through the Issues list, fixing bugs that others were too busy to handle themselves. Hazy quickly became one of ArduPilot’s best development team members. By fully including an apparent competitor into the open source community as a collaborator, both the Chinese and the English versions of the product were substantially enhanced.


Knowledge Flows Over Knowledge Stocks


Anderson’s unusual approach to an apparent piracy provides two important lessons on how the emergence of abundant economic assets is transforming many of the traditional tenets of business. The first lesson is a new understanding about the deeply held conviction that knowledge is power. In the past, this power was maintained by safeguarding proprietary information and being in a position of having knowledge that no else has. However, a natural consequence of proprietary power is, while one company gains an advantage over others by hording and exploiting its knowledge, the development of that knowledge is stunted because it remains in the hands of a few people.


Prior to the digital revolution, hording knowledge was a workable business strategy for cornering markets and preserving steady profits because business leaders had the wherewithal to do so. However, that’s all changed thanks to the digital revolution, which has dramatically increased the velocity of the exchange of information. Today knowledge flows are far more valuable than knowledge stocks for the simple reason that, in a post-digital world, the return on assets is far greater on knowledge flows.


This new understanding of knowledge assets is the foundation behind Apple’s remarkable success. The iPhone is a platform designed for knowledge flows, which are popularly known as apps. Anyone is free to build an app, and when an app succeeds, both Apple and the app developer win. Innovative companies like Apple are making it very difficult for traditionally minded companies to build sustainable competitive advantage because the innovators’ products have radically reduced the barriers to entry. Today, all an entrepreneur needs to disrupt a market is a good idea, an iPhone, and a credit card, as we’ve seen recently with the rapid rise of Uber.


The Power of a Great Work Culture


The second and perhaps most important lesson we learn from Anderson is the power of a great work culture. A defining characteristic of great work cultures is that they are places where all voices matter. Anderson’s story is a powerful demonstration of this premise. By focusing on knowledge flows rather than knowledge stocks and welcoming the voice of a competitor, Anderson highlights the value of collaboration in building a better business. He also shows that market advantage today has more to do with building a sustainable collaborative advantage than a sustainable competitive advantage, which explains why, in a rapidly changing world, a great work culture just may be the only sustainable business advantage.


 


This article was originally published in the Huffington Post.



 


Rod Collins (@collinsrod) is the Director of Innovation at Optimity Advisors and the author of Wiki Management: A Revolutionary New Model for a Rapidly Changing and Collaborative World (AMACOM Books).

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Published on August 18, 2015 08:00

August 17, 2015

August 11, 2015

There’s An App For That. Does Anybody Use It?

by Robert Moss


 


,

By Mad Tatu (cropped) [CC BY-SA 4.0 (http://creativecommons.org/licenses/b...) via Wikipedia Commons

In a really smart Vox piece, Ezra Klein peers into the future and predicts that many media companies will look more like wire services in the years to come. Along the way, he comments on how rapidly digital media is moving and how what seems like the hot new trend one year looks silly just a year later. “Remember, for instance,”  he asks “When the iPad launched, and apps were going to save journalism? Lol.”

That observation is just an aside in his piece, but it struck a chord for me, for I’ve seen far too many media companies (and companies in other industries, for that matter) stumble down the primrose path when it comes to creating apps.


Gimlet Media, a start-up podcast production company, offered an interesting example a little while back, which they chronicled as an installment in their podcast series “Start Up” (episode #13, in this case.) Gimlet already has a small lineup of really good podcasts and was trying to figure whether they should make an important business shift and, instead of just producing content, create an app to deliver that content to listeners. (And potentially, to try to doing something even bigger and become “a platform.” All the investors in Silicon Valley seem convinced that you can’t just make whatever application it is you are trying to make but you must build a platform and even better an ecosystem—all the better for getting that hockey-stick hyper-growth.) 


So the Gimlet team set about trying to figure out what their app should be, and they teamed up with Google Ventures to create a quick prototype, which they demonstrate in a cool video. In their design sessions, they narrowed in on the following ideas for what the app might do—its features, if you will: 



Let the podcast creators share content (like documents and visual artifacts) that they can’t “show” in an audio-only podcast
Provide a “talk to us” function to let listeners record their own stories
Provide access to members-only content and allow people to purchase a   membership
Let listeners more easily support their favorite podcast by clicking a button to purchase the host’s book or a sponsor’s product without having to go to a web site and punch in a promo code (as you have to do with most podcast sponsors these days.)

The results are what we see all too often when it comes to apps. We start by deciding first that we want to build an app (or, our marketing people run into our offices and shout, “We have to have an app! Now!”). Then we try to figure out what the app should do, and when we start grasping for features, the natural tendency is to try to make it solve our own problems, not those of potential users. 


What pressing needs of podcast listeners, after all, does the prototype app describe above solve? There are already plenty of apps (like the Podcasts app that comes free and pre-installed on iPhones) that satisfies the pressing immediate need of most podcast listeners. Are listeners really itching to look at “bonus content,” especially of a visual sort? Are they really saying, “boy I wish I could record a story for these guys” or “I really, really want to buy one of those Harry’s razors but typing in a URL and promo code is too hard?”


I doubt it. Most of these features seem aimed more at solving the problems not of the podcast listener but of the podcast creator (“I want to make money by having my listeners buy things through affiliate links and if it’s easier maybe more people will do it.”) Despite my best efforts, I can’t come up with a podcast listener problem out there that’s so pressing that someone would shell out even 99 cents for an app that solves it or even, in a world where so many dozens of apps already clog our smart phone screens, bother to download it for free.


Yet I see that again and again when media companies try to come up with a “game changer” app that’s going to save their bacon. Like (speaking of bacon) the New York Times’s Cooking app. The rationale for its existence? It provides “inspiration on what to cook” and “helps you find, save and organize recipes.” But is that a problem that cooks really have these days on the Internet? I’ve certainly never heard anyone complaining about it, and Google (not to mention Pinterest) does a wonderful job of helping cooks find inspirations and recipes.


It all comes back to one of the fundamental principles of application design, and it applies whether that application is a big one for desktops and web browsers or a small “app” for tiny screens. You have to start first with a problem that needs to be solved and choose the proper approach (web, mobile-enabled web, device specific app) that bests suits the problem.   


And if the main problem we are trying to solve is that “we need to make more money somehow” or “we just need to have an app,” well, in the words of Mr. Klein, “Lol.” 


 



 


Robert Moss @RobertFMoss is a Partner and the leader of the Technology Platform practice at Optimity Advisors.

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Published on August 11, 2015 08:00

August 10, 2015

August 4, 2015

Manage Your Global Content With DAM

by John Horodyski


 


It has been said that arguing against globalization is like arguing against the laws of gravity” — Kofi Annan


One of digital asset management’s (DAM) distinguishing qualities it that it can serve as the single source of truth for rich media content across publications, broadcast, social media channels and geographies. In today’s global economy, the ability to leverage content wherever it may be generated is critical to growth, efficiency and even risk management. When applied as an integrated strategy, DAM technologies and processes can form the foundation for communication and content sharing between internal departments, external suppliers and customers across borders.


The global marketplace is driving DAM growth trends due to:



Proliferation of media types and channels
Demand for product releases everywhere globally, and in every way
Shrinking product lifecycles and time to market
Compliance — content is connected and DAM maintains those connections

Global DAM Issues


Globalization is not a monolithic force but an evolving set of consequences – some good, some bad and some intended. It is the new reality” — John B. Larson


Most organizations doing business in multiple markets face challenges in managing information. A single policy for content storage, security, retention and rights management no longer suffices. Each market may have its own set of requirements while also needing to collaborate with others.


In addition, the lifecycle of digital content may be altered from traditional use cases as new regions are addressed. This requires an understanding — from inception — of content use possibilities so that metadata is designed to support a broad range of use cases. While the ability to leverage content across markets improves its ROI, it also increases its risk profile. To mitigate these risks, organizations must put in place quality controls as well as rights management processes.


Along with technical considerations, organizations must take into account language and culture differences between markets. What is a “boot” in one country is certainly not a “boot” (aka “car trunk”) in another. Similarly, a “jumper” is not always a “jumper” … that is, a comfortable sweater. Related issues like the need to translate and localize content for particular markets only adds to the complexity of a global operation. Vocabularies will evolve over time to stay relevant, which requires processes to manage this change. In a global context, new terminology may add to assets as well as synonyms and/or slang terms. Think “globally” and act “globally” is the best offensive strategy.


Governance is Good


Globalization means standardization” — Arundhati Roy


Applying an effective layer of governance and change management effectively future-proofs the DAM ecosystem. Governance helps define the rules of the DAM program and acts as the framework that ensures goals are reached at each stage of the initiative, from implementation to cruising-level two, five, 10 plus years in. The governance structure establishes the strategic, operational and technical decision-making processes that ensure the DAM program excels in its mission.


Establishing formalized operating metrics at the outset of the project will ensure success of implementation and provide a mechanism for tracking use. Governance begins with developing a project charter, working committee, and timelines, and continues as an ongoing practice to deliver ROI, innovation and collaboration. Governance oversees the DAM program elements like the core metadata standard, user workflows and general practices that will be carried out on an ongoing basis. DAM governance provides strategic leadership, establishes priorities and policies, and is accountable and transparent to the organization.


Connections, Context, Content


Information Technology has been one of the leading drivers of globalization, and it may also become one of its major victims” — Evgeny Morozov


Now more than ever, we live in a connected world. And within marketing operations, DAM can serve as the core of marketing automation and production for a global content lifecycle. Consistent messaging drives brand loyalty and it is important to define their purpose and function.



What are your assets?
Where are your assets?
What are you trying to do with them?
When will you need to access (identify, retrieve, distribute) them?

Building a metadata schema that serves these answers and includes the user, the content creators, the editors, the distributors adds value to digital assets and increases their use into the future to support ongoing global strategies.


Creative Workflows


“If you can’t describe what you are doing as a process, you don’t know what you’re doing” — W. Edwards Deming


Globalization brings with it the complexity of managing content across a distributed workforce. The ability to identify, capture and ingest assets within a DAM system to facilitate access to multiple locations requires coordination and a formalized workflow process. Strategically defining workflow offers the opportunity to build better relationships among internal teams and partners across regions. 


To determine how a global DAM will achieve stated goals, think about how and when digital assets are created and modified, how they move through the process of distribution and finally how they will be stored and retrieved later. These factors will drive the processes that support the DAM.


The DAM Axis


As organizations grow in size, evolve and take on additional global market opportunities, change will be the constant for the people, processes and technology supporting business and marketing operations. DAM plays a critical role in this change serving as the single source of truth for digital assets, and as the center of global marketing operations management. Metadata, workflow, technology and cultural context all effect global operations and must be addressed in the DAM. For many large organizations, managing global content does not have to be a burden, but rather an opportunity to optimize the asset lifecycle. DAM can be the axis upon which your content is managed, for one and for all.


 


This article was originally published in CMSWire.com.



 


John Horodyski @jhorodyski is a Partner within the Media & Entertainment practice at Optimity Advisors, focusing on Digital Asset Management, Metadata and Taxonomy.

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Published on August 04, 2015 08:00

July 28, 2015

What’s Happening At Zappos May Be All About the School Bus Test

by Rod Collins


 


Over the past few weeks, there’s been much written about Zappos’ recent adoption of Holacracy—with most observers questioning the wisdom of CEO Tony Hsieh’s bold move to transform the innovative retailer into a bossless company. The business pundits wonder why Hsieh is tinkering with the wildly successful start-up, which despite having less than 2,000 employees, has become the darling of both mainstream and social media headlines. What’s the motive for embracing a radically different management structure when Zappos has already become a new fixture on Fortune’s list of the “Best Companies To Work For”? Perhaps, some speculate, operational issues or weaknesses in their distribution channels might be getting in the way of Zappos’ quest to “deliver wow.” Others wonder if the unconventional CEO has fallen victim to the trap of impulsively embracing “change for the sake of change.” One fact all the doubters highlight is the recent departure of 210 employees, each of whom elected to take a severance package rather than work in workplace with no bosses. The general sentiment of the pundits is that the loss of 14 percent of an organization in one day is clear proof that something is obviously awry.


Why Mess With a Great Thing?


There’s little doubt that Hsieh is conducting one of the biggest experiments in management history. Whether Zappos will sustain its meteoric success without a traditional hierarchy or destroy its celebrated culture by self-destructing into anarchy remains to be seen. However, most of the commentators seem to question whether this risk has any real reward. After all, implicit in most of their concerns is the age-old conventional wisdom, “If it’s not broke, don’t fix it.” But what bothers them most is why Hsieh is messing with what is obviously not just a good thing, but a great thing. Perhaps the motive behind this bold experiment is to make sure that Zappos will always pass the “School Bus Test.”


The School Bus Test


The School Bus Test, as described by Simon Sinek in his best-selling book Start With Why, is the answer to the question: Would the organization continue to thrive at the same pace if the founder or leader were to be hit by a school bus? In other words, will the culture of an extraordinary organization extend beyond the lifetime of its founder?


While Zappos is widely recognized for leveraging its great culture to create a great company, the emphasis the organization places on culture has been strongly nurtured by its CEO. But what will happen when Hsieh moves on? After all, there have been other companies renowned for their great cultures that have waned over the years after their founders were no longer a part of the picture. Perhaps, in going bossless, Hsieh hopes to emulate the example of another company noted for its great culture that has clearly passed the School Bus Test, W. L. Gore and Associates.


Driving Performance Through Peer Accountability


Gore, one of a handful of companies that has made Fortune’s annual list of the “100 Best Companies To Work For” in every year the list has been produced, was founded in 1958 by Bill Gore. Right from the start, Gore wanted his new company to be very different from the traditional enterprises of the time. He wanted his company to be an incubator of innovation and a model of collaboration. He quickly realized that the key to creating a culture that naturally enabled both innovation and collaboration was to make sure that no one in his organization, including himself, would have the authority to kill a good idea or keep a bad idea alive. That meant there would be no bosses in his new company. And so, Gore designed his organization as a self-organized peer-to-peer network rather than a bureaucratic top-down hierarchy.


For those who wondered how anything would get done if there were no bosses, Gore handled that problem by establishing an innovative performance system that holds people accountable to their peers, and in the process, demonstrated that peer accountability usually drives a higher level of performance than holding people accountable to single supervisors. After almost 60 years, Gore is today a $3 billion enterprise with 10,000 associates in 30 countries, and quite impressively, has made a profit in every year since it began marketing its products.


Why The Reward Is Worth The Risk


Most importantly, Bill Gore and his company passed the School Bus Test in a way that seems to have eluded companies that have permanently faded from “The Best Companies To Work For” list. Although these businesses had built innovative cultures, most of these organizations maintained a basic—albeit loose—hierarchical structure. But it was enough structure to allow future leaders to significantly alter the cultures that defined their early years. However, because Gore had eliminated all traces of hierarchy from his organization, no one has ever had the authority to kill the culture he cultivated and, today almost 30 years after his death in 1986, the company continues to thrive as a self-organized network.


What’s happening at Zappos—despite losing 14 percent of their employees in one day—is probably a good thing in the long run. If the people who left are those who could never adapt to a self-organized company, then it is probably best for both them and Zappos that they have moved on. What’s encouraging is that 86 percent of the workers declared themselves “all in” to this bold experiment. As those that remain continue to learn how to self-organize their work, they can take comfort in knowing that self-organization has been done before and has worked out very well. The reward is worth the risk because the greatest risk is not passing the School Bus Test. By embracing Holacracy and self-organization, the workers at Zappos have the chance to pass with flying colors.


 


This article was originally published in the Huffington Post.



 


Rod Collins (@collinsrod) is the Director of Innovation at Optimity Advisors and the author of Wiki Management: A Revolutionary New Model for a Rapidly Changing and Collaborative World (AMACOM Books).

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Published on July 28, 2015 08:00

July 21, 2015

Connecting the Dots Between Customer Engagement and DAM

by John Horodyski


 


“People don’t care how much you know until they know how much they care” John C. Maxwell


Data-driven marketing solutions enable customer engagement, and a Digital Asset Management (DAM) system can be a step toward gaining innovative, operational and intellectual control of your data. DAM provides clarity on how the organization’s asset data can be efficiently and effectively managed, and it is essential to growth.


Creating the whole DAM solution — and connecting it throughout your organizational ecosystem — means that your digital assets can be put to innovative use in generating revenue, increasing efficiencies and enhancing your ability to meet new and emerging market opportunities. The data-points to monitor and manage in this scenario are actually your metadata and the workflows that they support.


Innovation: Understand What’s Most Important to Customers


You’ve got to start with the customer experience and work back toward the technology, not the other way around”— Steve Jobs


The most effective organizations today are collaborative networks focused on involving their customers through data collection, monitoring and ultimately, use. The beginning of your DAM process must ask the question: “What is most important to our customers?” Customer/user value is a moving target influenced by many factors both inside and outside the organization.


A focus on innovative data and metadata use can generate many positive impacts from the DAM. Consider the following examples of what powerful effects a DAM with good metadata and workflow management may have on users and the organization as a whole:



Support strategic organizational initiatives
Serve as a resource to gauge changes in customer values
Reduce costs
Generate new revenue opportunities
Provide better brand management
Improve collaboration and streamline creative workflow or competitiveness
Enable marketing agility and operational excellence

Challenges in Marketing


“I never met a data I didn’t like” Anonymous


Where is innovation in marketing today? Because the way we conduct business is changing so rapidly, data must be found in how we create and distribute content and how our customers interact with that content. Innovation must occur inside and out — it must be included in how we create content, as well as how we look at how our consumers interact with that content. The industry shows us that the following is taking place:



Proliferation of media types and media channels
Globalization and the need to release the product everywhere and in every way
Product lifecycles becoming shorter and shorter — the time to market is a shrinking window
Compliance — content is connected, and a DAM must maintain those connections

We live in an increasingly connected world, and DAM can act as the core of marketing automation and production within marketing operations. An isolated event or activity is not what enables consumer engagement.


Those who embrace challenge start by asking the right questions. For example:



What are the most effective things marketers do?
What is not effective and why? What must we start doing better?
Who does this particular thing really well? What does it do that others do not?
How do we capture the really effective and efficient ways of getting things done via workflow to equip others in the firm or supply chain?

We no longer deal with just two or three different kinds of content. The lifecycle of the marketing asset is best understood via metadata and workflow. It is foundational to the marketing strategy. There is no splendid isolation in marketing, rather an integrated strategy of creation that includes the user, the content creators, the editors, the distributors, the pipeline and everyone else who is involved in the lifecycle of marketing assets. The overall strategy also includes planning, budgeting, creation, review, approval, distribution and finally use and reuse. The amount of data to be captured here is staggering but ultimately can be used to garner insight into future strategy.


Metadata as Innovation


“It is a capital mistake to theorize before one has data” Sherlock Homes


Metadata is critical to customer engagement. We create content to serve and engage our customers. We need to know the metadata that describes our assets and how they are used, so as to understand how marketing engages with the customer and how metadata drives this strategy and planning. It is the critical path. If data is the commodity of the future, then metadata is its currency, its exchange value.


Technological innovation results in a constantly evolving business environment as data sharing transforms the organization. DAM is central to this change. Information and all its data and digital assets have become more available, accessible and in some ways more accountable in business. We live in a big data world with so much data at our discretion and under considerable scrutiny from content creators, users and stakeholders alike. Our organizations need to change with the times and respond well to new solutions.


Think of the possibilities with DAM. It is a fast way to streamline the acquisition, storage and retrieval of digital media, and it will help your organization save time and money. It will reduce the cost of content production and employ previous creations to bring new products to market faster. Digital asset management solutions can handle vast amounts of information and be configured for your enterprise’s unique setup. Digital asset management systems can be built to handle numerous users working simultaneously and manage several workflows or cases at one time.


Driving Innovation Forward


Digital asset innovation drives your brand. And a connected brand using data and metadata to leverage marketing operations for the benefit of consumers is a recipe for success. To get your digital house in order, know what your internal business units and external partners need, and understand how you must deliver assets across multiple channels and devices. Creative professionals, as well as those in marketing, communications and operations, require content as a cost of remaining competitive and delivering what the consumer wants. Customer engagement must be an evolutionary practice that encompass marketing systems. Our data and metadata will continue to drive this process forward.


 


This article was originally published in CMSWire.com.



 


John Horodyski @jhorodyski is a Partner within the Media & Entertainment practice at Optimity Advisors, focusing on Digital Asset Management, Metadata and Taxonomy.

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Published on July 21, 2015 08:00

July 14, 2015

Innovation in a Rapidly Changing Healthcare Marketplace

by Vincent Volpe


 


Whether the healthcare industry is ready or not, it’s headed for an identity makeover.  The introduction of the ACA has been the catalyst for a dramatic acceleration in the pace of change for healthcare businesses.  Product development cycles are more compressed than ever before, and many industry players are challenged to keep up, innovate and stand out in an increasingly competitive environment.


Preparation for the 2016 enrollment season started well before the “official end” of 2015 and 2016 rate requests have already been submitted to regulators.  While we are months away from final rates being published, it is safe to assume the ultimate outcome will be a highly competitive marketplace.  For insurers, the real challenge, and opportunity, will be finding a way to differentiate and offer the consumer a product with a truly compelling value proposition.


The Challenge of Commoditization


In the post-ACA landscape, insurers are being pressured more than ever to deliver both quality and affordability.  Public exchanges disrupted the existing sales channels and opened up new opportunities for both industry upstarts, such as newly created CO-OPs, as well as established players, to market directly to consumers.  The increased transparency offered by these exchanges creates additional pressure, as consumers can compare health plans side-by-side the same way they might compare flights on Travelocity.  Not surprisingly, shoppers are opting for the lowest priced plans. 


Compounding the increased transparency is the push toward standardization.   Federal and state exchanges have mandated a standard set of benefits, limiting the ability of insurers to leverage their product and benefit designs as a primary differentiator.   While this certainly makes comparison-shopping much easier for consumers, it has the side effect of commoditizing the core product.  Just like a flight from New York to Los Angeles, a silver tier product on the exchange looks almost identical regardless of the carrier.  To be successful in this environment, insurers need a multi-faceted approach to product development focused on addressing the complex and evolving needs of healthcare consumers.


Developing a Consumer-Focused Strategy


The starting point in this journey is a clear vision of the insurer’s unique brand identity that distinguishes it from competitors.  For example, a Blues plan may emphasize its trusted brand reputation and broad network, whereas a newer player, like Oscar, might emphasize its technology, simplicity, and ease of use.  Second, the insurer needs to develop a deep understanding of its target markets and the diverse needs of its consumer segments.   Going beyond demographics, a more sophisticated approach would incorporate micro-segments and affinity groups whose values and interests are aligned to the brand value proposition.


Once market and target segments have been identified, the next step is to tailor the product to meet the needs of these groups.  Given the price sensitivity of consumers, it is an imperative to prioritize product features that either limit additional costs or have the potential to reduce costs over time.  Examples include telemedicine or access to concierge-like, direct primary care services.  Emphasizing and enhancing existing benefits that have particular appeal to certain segments, such as acupuncture or fitness reimbursement, is another opportunity to improve the product value.   However, it is not enough to simply improve the product’s value.  Equally important is your ability to influence the buying decision and demonstrate value to the consumer at the right moment. 


Research shows that most consumers struggle to understand the basics of health insurance, so the onus is truly on the insurer to educate them and promote the unique value of its products.  A good example of such a promotional campaign is provided by Oscar, a rapidly growing startup currently in New York and New Jersey.  Through the use of a non-traditional (at least in the health insurance world) marketing campaign that featured a blitz of subway ads, Oscar promoted its ease of use and 24/7 telehealth benefit.  As founder Mario Schlosser told the Wall Street Journal, “When you’re selling a novel product in an established market, you have to own the narrative of what your product does.”


As important as the promotional campaign is the sales channel itself.   Direct sales channels, both online and offline, thoughtfully designed to promote and clearly articulate product features, are crucial to supporting overall brand positioning.  Driving consumers to preferred sales channels allows the insurer to help the consumer navigate and select the most appropriate products to fit their needs, which ultimately results in greater value for both the consumer and the insurer.   This provides an additional opportunity for the insurer to broaden the relationship, serving as a gateway for consumers to access an array of ancillary health products and services.  Finally, establishing a direct relationship at the point of purchase is an excellent opportunity to begin engaging the member and supporting them with what truly matters – providing the right care at the right time. 


 



 


Vincent Volpe is a Senior Associate at Optimity Advisors.

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Published on July 14, 2015 08:00

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