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The Disappearers
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Book cover for Nomadland: Surviving America in the Twenty-First Century
As I write this, there are only a dozen counties and one metro area in America where a full-time minimum wage worker can afford a one-bedroom apartment at fair market rent.
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Walker Percy
“Before, I wandered as a diversion. Now I wander seriously and sit and read as a diversion.”
Walker Percy, The Moviegoer

Édouard Louis
“It took me a long time to understand that she wasn't being incoherent or contradictory, but rather that it was I myself, arrogant class renegade that I was, who tried to force her discourse into a foreign kind of coherence, one more compatible with my values—that incoherence appears to exist only when you fail to reconstruct the logic that lies behind any given discourse or practice. I came to understand that many different forms of discourse intersected in my mother and spoke through her, that she was constantly torn between her shame at not having finished school and her pride that even so, as she would say, she'd 'made it through and had a bunch of beautiful kids,' and that these two modes of discourse existed only in relation to each other.”
Édouard Louis, En finir avec Eddy Bellegueule

Tressie McMillan Cottom
“Beauty is not good capital. I compounds the oppression of gender. It constrains those who identify as women against their will. It costs money and demands money. It colonizes. It hurts. It is painful. It can never be fully satisfied. It is not useful for human flourishing. Beauty is, like all capital, merely valuable.”
Tressie McMillan Cottom, Thick: And Other Essays

“Life will break you. Nobody can protect you from that, and being alone won't either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You have to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes too near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself that you tasted as many as you could.”
Louise Erdrich, The Painted Drum

“The music was more than music- at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous. Those powerful moments of true knowledge that we have to paper over with daily life. The music tapped the back of our terrors, too. Things we'd lived through and didn't want to ever repeat. Shredded imaginings, unadmitted longings, fear and also surprisingly pleasures. No, we can't live at that pitch. But every so often something shatters like ice and we are in the river of our existence. We are aware. And this realization was in the music, somehow, or in the way Shamengwa played it.”
Louise Erdrich, The Plague of Doves

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My annual Reading Challenge to tackle those Big Books (400 pages or more) during the lazy days of summer! Join the fun and sign up here (in the Sign-U ...more
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The annual Reading Challenge to tackle those Big Books (400 pages or more) during the lazy days of summer kicks off this year on May 22 and ends on Se ...more
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