The Mark and the Void Quotes

“It's like when you find out your lover has been unfaithful: in one horrible instant everything she was to you, the whole beautiful enchantment, falls away, and you see her as she really is - mortal, machinating, tethered like everyone else to a little patch of space and time. And the worst of it is that you knew all along.”
― Paul Murray, The Mark and the Void

“Modern life is a centrifuge; it throws people in every direction.”
― Paul Murray, The Mark and the Void

“I believe his lies, so he believes mine.' She turns and looks at me straight on. 'That's how it goes at the end of love.”
― Paul Murray, The Mark and the Void

“If you do it in the bookies, it's a bet. . . . If you pay some 23-year-old in an Armani suit two hundred grand to go to the window for you, it's a derivative.”
― Paul Murray, The Mark and the Void

“Lack is the last great gold rush, Claude. The world is poor and getting poorer. But we can turn that to our advantage. When someone's got nothing, does he care how much debt he gets into? When he's walled in and someone offers him a way out, does he stop to read the small print?”
― Paul Murray, The Mark and the Void

“Ariadne made an impression on you, and that's great. But life is not literature. Sooner or later, the spell wears off, the romantic feelings disappear, and you're left watching somebody's body disintegrate. You start with a love story, you end up manacled to an hourglass, watching the sands run out.”
― Paul Murray, The Mark and the Void

“I’m just saying that once that have an excuse, people will do anything. They do what they are told, and they take their money and they think it’s all okay because it’s just their job, while their real self is what happens after work, when they’re bouncing a baby on the knee, or writing poems about snowflakes or whatever.”
― Paul Murray, The Mark and the Void

“People don't want the truth,' he says, waving a hand at the streets around us. 'They want better-quality lies. High definition lies on fifty-inch screens.”
― Paul Murray, The Mark and the Void

“I do not think my life would make a very interesting book,' I say. 'I feel I can speak with a certain amount of authority here.”
― Paul Murray, The Mark and the Void

“The stories we read in books, what's presented to us as being interesting - they have very little to do with real life as it's lived today. I'm not talking about straight-up escapism, your vampires, serial killers, codes hidden in paintings, and so on. I mean so-called serious literature. A boy goes hunting with his emotionally volatile father, a bereaved woman befriends an asylum seeker, a composer with a rare neurological disorder walks around New York, thinking about the nature of art. People looking back over their lives, people having revelations, people discovering meaning. Meaning, that's the big thing. The way these books have it, you trip over a rock you'll find some hidden meaning waiting there. Everyone's constantly on the verge of some soul-shaking transformation. And it's - if you'll forgive my language - it's bullshit. Modern people live in a state of distraction. They go from one distraction to the next, and that's how they like it. They don't transform, they don't stop to smell the roses, they don't sit around recollecting long passages of their childhood - Jesus, I can hardly remember what I was doing two days ago. My point is, people aren't waiting to be restored to some ineffable moment. They're not looking for meaning. That whole idea of the novel - that's finished.”
― Paul Murray, The Mark and the Void

“It used to be the smartest people didn't always want to be the richest people.”
― Paul Murray, The Mark and the Void

“Capitalism needs war.”
― Paul Murray, The Mark and the Void

“Remington, for God’s sake, stop burping.’ ‘It’s my burp-day.”
― Paul Murray, The Mark and the Void

“Back in Munich. Gerhardt and the Mergers. Mostly German-language covers, but we had original numbers too. We were regarded as being one of the best reggae and rocksteady crews on the Bavarian financial scene.”
― Paul Murray, The Mark and the Void

“It was like sending a dog to review Cats.”
― Paul Murray, The Mark and the Void

“By hoarding images, we seek to conquer time. Of course, we do not mistake a photograph in a frame or on a screen for the reality as it was. Nevertheless, as Barthes has written, the photograph makes an assertion, and it makes it in a particular mode - what the Greeks called the Aorist, a form of the past tense that is never actually completed but seems to go on indefinitely. Thus, the picture presents us with the past as a continuum which flows parallel to the present, but flows statically, a frozen river, so we may examine it at any point in the future. It is this imagined future self, looking at the pictures of the past, that is the true product of the camera. Although technology has the capability now to record entire lifetimes, meaning that every moment may be pulled from the foaming sea of oblivion to the dry land of perfect recall, the mythic power of the photograph nevertheless relates to the future, and not to the past. Every recording conceals the secret fantasy of a future self who will observe it; this future self is himself the simulacrum, the persona ficta. He exists beyond time, beyond action, beyond need; his only function is to witness the continuum of the past, as he might observe the steps that brought him to godhood. Through this fantasy, time is transformed from the condition of loss into a commodity that may be acquired and stockpiled; rather than disappear ceaselessly into the past, life accumulates, each moment becoming a unit of a total self that is a culmination of our experiences in a way that we - biological composites who profligately shed our cells, our memories and our possessions - can never be. And this fantasy self or persona ficta is the soul, as conceived by a materialist people; he is the apotheosis of the individual, arrogating reality to himself just as the bank does with its totalizing abstraction.”
― Paul Murray, The Mark and the Void

“A tiny number of very rich people, including fat cat bankers like us, are sucking up a bigger and bigger percentage of the wealth. And that gap will continue to widen, because with all our extra capital we go and buy up all the assets, so that for instance when Chang working down there in Spar needs somewhere to live, he has to rent his house from me, meaning that I'm getting most of his wages too. Now, provided you're me and not Chang, that's good news. But if you are Chang, then not only is your slice of the pie shrinking, but there are also more and more Changs trying to get a bite of it.”
― Paul Murray, The Mark and the Void