Bed Quotes

“You were one person alive and your brain was encased in a skull. There were other people out there. It took effort to be connected.”
― Tao Lin, Bed

“...one had to expect very little—almost nothing—from life, Aaron knew, one had to be grateful, not always trying to seize the days like some maniac of living, but to give oneself up, be seized by the days, the months and years, be taken up in the froth of sun and moon, some pale and smoothie-ed river-cloud of life, a long, drawn-out, gray sort of enlightenment, so that when it was time to die, one did not scream swear words and knock things down, did not make a scene, but went easily with understanding and tact, and quietly, in a lightly pummeled way, having been consoled–having allowed to be consoled–by the soft, generous, worthlessness of it all, having allowed to be massaged by the daily beating of life, instead of just beaten.”
― Tao Lin, Bed

“Life, people learned, was not easy. Life was not cake. Life was not a carrot cake.”
― Tao Lin, Bed

“Lately, they were always reassuring each other that nothing was wrong; and probably it was true—life wasn’t supposed to be incredible, after all. Life wasn’t some incredible movie. Life was all the movies, ever, happening at once. There were good ones, bad ones, some went straight to video.”
― Tao Lin, Bed

“As a child, she’d always had what she imagined were fascinating thoughts, but didn’t ever say them. Once, as a little girl, at recess, she thought that if she ran very fast at a pole and then caught it and swung quickly around, part of her would keep going, and she would become two girls.”
― Tao Lin, Bed

“Though if love was an animal, Garret knew, it would probably be the Loch Ness Monster. If it didn’t exist, that didn’t matter. People made models of it, put it in the water, and took photos. The hoax of it was good enough. The idea of it. Though some people feared it, wished it would just go away, had their lives insured against being eaten alive by it.”
― Tao Lin, Bed

“It sometimes seemed to him that for love to work, it had to be fair, that he should tell only half the joke, and she the other half. Otherwise, it would not be love, but something completely else–pity or entertainment, or stand-up comedy.”
― Tao Lin, Bed

“Death is the end of the fear of death. [...] To avoid it we must not stop fearing it and so life is fear. Death is time because time allows us to move toward death which we fear at all times when alive. We move around and that is fear. Movement through space requires time. Without death there is no movement through space and no life and no fear. To be aware of death is to be alive is to fear is to move around in space and time toward death.”
― Tao Lin, Bed

“People went up and down Sixth Avenue with the word motherfucker in their heads. They felt no emotions, had no sensation of life, love, or the pursuit of happiness, but only the knowledge of being stuck between a Thursday and a Saturday, air and things, this thought and the next, philosophy and action; birth, death, God, the devil, heaven, and hell. There was no escape, ever, was what people felt.”
― Tao Lin, Bed

“It was a face that said, “Fuck the world,” but said it reluctantly, and tonelessly, and then apologized, said “Sorry,” but said all of this so shyly that no one heard, anyway, except for himself. A year ago, Uncle Larry went to the hospital with the flu, somehow fell into a coma, and, a few days later, died.”
― Tao Lin, Bed

“Though she’d begun to get a bit fat that winter, it was in February, around when her father found a toy poodle (sitting there, in the side yard, watchful and waiting as a person), and adopted it, that a weightlessness entered into Chelsea’s blood—an inside ventilation, like a bacteria of ghosts—and it was sometime in the fall, before her 23rd birthday, that her heart, her small and weary core, neglected now for years, vanished a little, from the center out, took on the strange and hollowed heaviness of a weakly inflated balloon.”
― Tao Lin, Bed

“But then his parents changed. A year of California had changed them. They stopped sending money. Greg was forced to go out into the world, to interact with real people. And he was glad of this. He had always wanted to be a normal person. To be at ease in society. He had just been too scared to try. But now he was forced to, and so he did–he went and got a job at the public library. He was not quite a librarian, but close. Greg was a shelver. There would be carts of books to shelve, then there would be no more carts of books to shelve, then there would be carts of books to shelve.

As a shelver, Greg felt that life was passing him by in a slow and distant, but massive, way–like the moon.”
― Tao Lin, Bed

“He walked out into the night, thinking languageless thoughts...He ran suddenly across a street. At night, he knew, there could be the belief that something never before felt might be felt, something new. You could allow yourself quite easily this view of the world--this thrilling, midnightly faith--of there being something out there that loved you, that, at night, worshipped and searched for you, like a past life seeking its next, wanting desperately the continuation of itself. And though it would probably never find you, it would also, you believed at night, never give up, and this was enough--that something was out there and desperate and on its way.”
― Tao Lin, Bed

“Colin didn’t want to go back to his room. He walked around for a very long time, looking down at the sidewalks and streets, and thought of the things he and Dana might say to each other if she were with him. And every once in a while he would catch himself smiling and laughing a little, and it was those moments right after—as, having lapsed into fantasy, there was a correction, a moment of nothing and then a loose and sudden rush, back into the real world in a trick of escape, as if to some new place of possibilities—that he felt at once, and with clarity, most exhilarated, appreciative, disappointed, and accepting.”
― Tao Lin, Bed

“As a teenager, he made screaming noises at night in his room, like a deranged person. He threw his electrical pencil sharpener at the walls. His mother was downstairs in bed, crying a little, mostly asleep. Brian, in his room, felt as if he might explode, might already—in a slow and minuscule and lingering way—be exploding. He needed to explode. He lay there motionless, but he also lay there exploding. He smooshed his head into his mattress, making sounds like, 'aaaghh,' and 'ngggg,' and then went downstairs. He stood in the doorway of his mother’s bedroom. He started yelling things. His mother woke, warm and puffy from sleep, and—after Brian finished yelling—whispered that she was sorry for being a bad mother. Her face, ensconced in hair and pillow, was dramatic and friendless as something cocooning. She looked like a little girl, and Brian stood there, taking this in—trying to get at the meaning of things, to fit at once into his mind all the false and watery moments of his life. He stood there, and he looked. He looked some more. And then he went back to his room. He wrote down on paper: 'Don’t hurt any­one again.”
― Tao Lin, Bed

“There was a metal rod inside of Colin. The rod went from his stomach to the middle of his head. It was made of steel and sugar, and had been dissolving inside of Colin for ten or fifteen years, slow and sweet, above and behind his tongue; and he could taste it in that way, like an aftertaste, removed and seeping and outside of the mouth. Sometimes he’d glimpse it with the black, numb backs of his eyes. But what he really wanted was to wrench it out. Cut it up and chew it. Or melt it. Bathe in the hard, sweet lava of it.”
― Tao Lin, Bed

“Garret went across the street to the library. There was a hole in the sidewalk the size of a bathtub. Construction was being done, was always being done. It was the journey that mattered, Garret thought woozily, the getting-there part. The mayor, and then the president, had begun saying that. "And where are we going?" the mayor had asked. "When will we get there? What will happen to us once we get there?" He really wanted to know.”
― Tao Lin, Bed

“I won,” said Chelsea’s dad, and went to give Chelsea a high-five, but missed, as they were standing too close.

“My fault,” he said. “That was my fault.”

“Oh,” Chelsea said.

And he stepped back a little and tried again, but Chelsea, distracted now by something—maybe the plant in the far corner, standing and waiting like a person in a dream; or maybe the green shoe or some other thing that was out there and longing, to be looked at, and taken—wasn’t ready, and their hands, his then hers, passed through the air in a kind of wave, a little goodbye.”
― Tao Lin, Bed

“This wasn't sadness--there were no feelings of desperation or disaster, nothing like depression with its one slowed-down realization of having been badly and untraceably misunderstood--but rather a plain, artless form of loneliness; something uninteresting, factual, and teachable, perhaps, to children or adults, with flashcards of household items (toothbrush, pillow), coloring books of fleeting, unaccompanied things (hailstones that melt midair; puddles formed and unseen and gone; illusions of friends in the periphery), and a few real-world assignments (post-nap trip to the pet store in the early, breezy evening; Halloween night asleep on the sofa; Saturday night dinner in the parking lot, looking through the windshield at the pizza buffet restaurant you just got take-out from).”
― Tao Lin, Bed

“I'd like to disappear one day...I get the feeling sometimes that I can do that. It's like there's some place I really want to go to, and I'm not sure where, but I can still go. I think I'd really like that. I'd sit down one afternoon. I'd say, "Okay now, Susan, time to go." Clasp my hands or something. Then I'd do it. I'd just be gone then. No one would know. I wouldn't even know.”
― Tao Lin, Bed

“There was a rumor that year, that you might not be yourself. That you might actually be someone else. One of those people who refuse antidepressants, who can't hold down a job, who ends up sleeping, finally, in a hole.
That might be you, was what the rumor said.
People talked. They said, 'There's this rumor...' Then they pointed out something amusing that was happening in the distance. They shrugged. Itched their forearms. They were easily distracted. Later on, though, in the mouthy dens of their bathrooms, they looked in their mirrors, and they just were not sure. Someone was there; but was it them? And so they believed. They said things like, 'What does it even matter. I might not even be myself.' Then they threw themselves off a bridge, or else drank a quart of ice coffee and watched Indiana Jones and the Temple of Doom.”
― Tao Lin, Bed

“She felt strange. For a moment it seemed to her that the day was already over--she was in bed, asleep, and then it was the next day and now here she was again. 'Oh,' she said.”
― Tao Lin, Bed

“This was a place impossible for romance, a place where tea was brewed, earnestly, from paint chips, glass shards, and small change. In this world, Sean knew, one could put faith in a toe bone, a blood bone, a cartilage of eye--all the unloved contributors of one's own body world.”
― Tao Lin, Bed

“It sometime occurred to him that for love to work, it had to be fair, that he should tell only half the joke, and she the other half. Otherwise, it would not be love, but something completely else--pity or entertainment, or stand-up comedy.”
― Tao Lin, Bed

“...most days, a keen, gray energy (this deadened sort of voltage--something of the faux-sophistication, low-grade restlessness, and, in that she often had the urge to stop walking and curl against a building and sleep there and freeze to death, a passive-aggressive sort of suicidal despair) would move through her (though some afternoons around her, uncertainly, like she might be in the way, and then she'd just feel indistinct and hungry).”
― Tao Lin, Bed

“Everyone stared...at their own hands, or else abstractedly at the wall, as there had become in the room a feeling of immobilization, something of both nostalgia and doom--a sort of gigantic helplessness...an unpleasant urge to stay still for a very long time, forever, perhaps, not saying or thinking anything, but just accepting one another, entering and absorbing and maybe, finally, somehow--with anonymity, osmosis, conjecture, and luck--then, experiencing one another.”
― Tao Lin, Bed