Truls Ljungström > Recent Status Updates

We don’t want to understand

Hyperbole only works accompanied by speed

Hymn to themis

Thee I invoke young blossom of the earth

Vociferous bacchanalian furies hear!
Ye, I invoke, dread powers whom all revere;
Nightly profound in secret who retire
Tisiphone Alecto and Megara dire:
Deep in a cavern merged involved in night,
Near where Styx flows impervious to the sight

Artemis som både baccant och titan

For though rulest all things, victory divine
And glorious strife, and joyful shouts are thine

Hovet i Lahore

Hear golden titan, whose eternal eye
With broad survey, illuminates the sky
Self-born, unwearied in diffusing light
And to all eyes mirror of delight
Lots of all seasons, with thy fiery car
And leaping coursers beaming light from får

Mountstuart elphinstone

ATTEND muses to my sacred song, and learn what rites to sacrifice belong. Jove I invoke, the earth and solar light, the moons pure splendour and the stars of night.

Differentia jihadstat och krigarstat

Den blinde kung Isaac

Kazarerna och monoteism motsvarar rus upplevelse

Manuel och kilij arslan Ui

Diamond som determinist och återvändare till grekisk mytologiserande historieskrivning

Constantin v

Det konkreta som både resa och mål

Morality as immediate coping (new lecture - new page numbers?)

Etik ur ickemoralistiskt perspektiv

Kritik av da sein som epidemiologisk subjektivism, och motargument mot kritiken

Declaration and removal of will external and marked to short circuit the actor

Medelklassblyghet

Jaspers: psykoanalys marxism och rasism/rasteori som hatets tre källor u hans samtid

Mening skyddar inte mot ondska - ondska är meningslös per se

Exarch Heraclitus

Failure as waste of time
A jiddish proverb

Orpheus musician misogynist due to violent death

Arcimboldo, Rudolf II as Vertumnus, c. 1590, oil on canvas.

Nikolaus Pfaff, drinking cup, 1611, African rhinoceros horn, African warthog tusks and gilt silver.

The ‘Spanish’ traits Rudolf exhibited outwardly may also have corresponded to features of his ingrown character (as Maximilian II /said). In any case, Rudolf’s Spanish manner was soon observed. His stiffness of gait & gestures, laconic speech (a Venetian ambassador called him ‘Rodolfo di poche parole’ – Rudolf of few words), & what appeared to be arrogant demeanour were all noted as signs of his Spanish humores.