Sign in with Facebook
“For me, vulnerability is essential to spiritual and creative growth, whereas being invulnerable means being shut down, rigid, small. My experience of creating music and writing songs is finding enormous strength through vulnerability. You’re being open to whatever happens, including failure and shame. There’s certainly a vulnerability to that, and an incredible freedom. […] I think to be truly vulnerable is to exist adjacent to collapse or obliteration. In that place we can feel extraordinarily alive and receptive to all sorts of things, creatively and spiritually. It can be perversely a point of advantage, not disadvantage as one might think. It is a nuanced place that feels both dangerous and teeming with potential. It is the place where the big shifts can happen. The more time you spend there, the less worried you become of how you will be perceived or judged, and that is ultimately where the freedom is.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
“We’re often led to believe that getting older is in itself somehow a betrayal of our idealistic younger self, but sometimes I think it might be the other way around. Maybe the younger self finds it difficult to inhabit its true potential because it has no idea what that potential is. It is a kind of unformed thing running scared most of the time, frantically trying to build its sense of self – This is me! Here I am! – in any way that it can. But then time and life come along, and smash that sense of self into a million pieces. And then comes the reassembled self, the self you have to put back together. You no longer have to devote time to finding out what you are, you are just free to be whatever you want to be, unimpeded by the incessant needs of others.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
“Vulnerability is essential to spiritual and creative growth. Finding enormous strength through vulnerability. You're being open to whatever happens, including failure and shame. The two are connected, maybe - vulnerability and freedom.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
“But, in a way, that sense of death being present, and all those wild, traumatized feelings that went with it, ultimately gave us this weird, urgent energy. Not at first, but in time. It was an energy that allowed us to do anything we wanted to do. Ultimately, it opened up all kinds of possibilities and a strange reckless power came out of it. It was as if the worst had happened and nothing could hurt us, and all our ordinary concerns were little more than indulgences. There was a freedom in that.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
“To be awed. To experience a communal sense of awe. I can feel it on stage and see it in people’s eyes. And I experience it too. It’s certainly something I have felt many, many times at other artists’ concerts. It’s about reaching an essential and shared state through music – sometimes for a moment, sometimes for an entire concert. We’ve all experienced that. Not just a physical release, although there is that, too, but to be held by an artist at the crucial moment of expression – to be awed, second by second, at the way a song or piece of music unfolds, to be held on the edge of tears by the drama of it all, and to be, as an audience member, an essential participant in the drama itself. That is a wonderful thing. […] So thank God, quite literally, for music, because it’s one of the last remaining places, beyond raw nature, that people can feel awed by something happening in real time, that feeling of reverence and wonder. […] These are sacred moments.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
Jonathan’s 2025 Year in Books
Take a look at Jonathan’s Year in Books, including some fun facts about their reading.
8,614 books
|
128 friends
6,798 books
|
503 friends
810 books
|
49 friends
409 books
|
80 friends
1,552 books
|
164 friends
210 books
|
52 friends
457 books
|
37 friends
436 books
|
80 friends
More friends…
Favorite Genres
Polls voted on by Jonathan
Lists liked by Jonathan
