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“There’s a vegetarian takeaway place in Brighton called Infinity, where I would eat sometimes. I went there the first time I’d gone out in public after Arthur had died. There was a woman who worked there and I was always friendly with her, just the normal pleasantries, but I liked her. I was standing in the queue and she asked me what I wanted and it felt a little strange, because there was no acknowledgement of anything. She treated me like anyone else, matter-of-factly, professionally. She gave me my food and I gave her the money and – ah, sorry, it’s quite hard to talk about this – as she gave me back my change, she squeezed my hand. Purposefully. It was such a quiet act of kindness. The simplest and most articulate of gestures, but, at the same time, it meant more than all that anybody had tried to tell me – you know, because of the failure of language in the face of catastrophe. She wished the best for me, in that moment. There was something truly moving to me about that simple, wordless act of compassion.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
“[T]he luminous and shocking beauty of the everyday is something I try to remain alert to, if only as an antidote to the chronic cynicism and disenchantment that seems to surround everything, these days. It tells me that, despite how debased or corrupt we are told humanity is and how degraded the world has become, it just keeps on being beautiful. It can’t help it.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
“But, in a way, that sense of death being present, and all those wild, traumatized feelings that went with it, ultimately gave us this weird, urgent energy. Not at first, but in time. It was an energy that allowed us to do anything we wanted to do. Ultimately, it opened up all kinds of possibilities and a strange reckless power came out of it. It was as if the worst had happened and nothing could hurt us, and all our ordinary concerns were little more than indulgences. There was a freedom in that.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
“For me, vulnerability is essential to spiritual and creative growth, whereas being invulnerable means being shut down, rigid, small. My experience of creating music and writing songs is finding enormous strength through vulnerability. You’re being open to whatever happens, including failure and shame. There’s certainly a vulnerability to that, and an incredible freedom. […] I think to be truly vulnerable is to exist adjacent to collapse or obliteration. In that place we can feel extraordinarily alive and receptive to all sorts of things, creatively and spiritually. It can be perversely a point of advantage, not disadvantage as one might think. It is a nuanced place that feels both dangerous and teeming with potential. It is the place where the big shifts can happen. The more time you spend there, the less worried you become of how you will be perceived or judged, and that is ultimately where the freedom is.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
“I don’t fear death. It’s more that I just don’t want to lose any more people, because I love them and love having them around. But, of course, we can’t make these cosmic covenants: we can’t bargain with God. It’s like asking the world to stop turning. So you learn to make peace with the idea of death as best you can. Or rather you reconcile yourself to the acute jeopardy of life, and you do this by acknowledging the value in things, the precious nature of things, and savouring the time we have together in this world. You learn that the binding agent of the world is love.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
Jonathan’s 2025 Year in Books
Take a look at Jonathan’s Year in Books, including some fun facts about their reading.
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