Jonathan > Jonathan's Quotes

“Hope is optimism with a broken heart.”
― Nick Cave, Faith, Hope and Carnage

“[T]he luminous and shocking beauty of the everyday is something I try to remain alert to, if only as an antidote to the chronic cynicism and disenchantment that seems to surround everything, these days. It tells me that, despite how debased or corrupt we are told humanity is and how degraded the world has become, it just keeps on being beautiful. It can’t help it.”
― Nick Cave, Faith, Hope and Carnage

“And then comes the reassembled self, the self you have to put back together. You no longer have to devote time to finding out what you are, you are just free to be whatever you want to be, unimpeded by the incessant needs of others. You somehow grow into the fullness of your humanity, form your own character, become a proper person – I don’t know, someone who has become a part of things, not someone separated from or at odds with the world. You mean you get old. Yes, Seán, old and free!”
― Nick Cave, Faith, Hope and Carnage

“Vulnerability is essential to spiritual and creative growth. Finding enormous strength through vulnerability. You're being open to whatever happens, including failure and shame. The two are connected, maybe - vulnerability and freedom.”
― Nick Cave, Faith, Hope and Carnage

“We’re often led to believe that getting older is in itself somehow a betrayal of our idealistic younger self, but sometimes I think it might be the other way around. Maybe the younger self finds it difficult to inhabit its true potential because it has no idea what that potential is. It is a kind of unformed thing running scared most of the time, frantically trying to build its sense of self – This is me! Here I am! – in any way that it can. But then time and life come along, and smash that sense of self into a million pieces. And then comes the reassembled self, the self you have to put back together. You no longer have to devote time to finding out what you are, you are just free to be whatever you want to be, unimpeded by the incessant needs of others.”
― Nick Cave, Faith, Hope and Carnage

“There is a great deficit in the language around grief. It’s not something we are practised at as a society, because it is too hard to talk about and, more importantly, it’s too hard to listen to. So many grieving people just remain silent, trapped in their own secret thoughts, trapped in their own minds, with their only form of company being the dead themselves.”
― Nick Cave, Faith, Hope and Carnage

“But, in a way, that sense of death being present, and all those wild, traumatized feelings that went with it, ultimately gave us this weird, urgent energy. Not at first, but in time. It was an energy that allowed us to do anything we wanted to do. Ultimately, it opened up all kinds of possibilities and a strange reckless power came out of it. It was as if the worst had happened and nothing could hurt us, and all our ordinary concerns were little more than indulgences. There was a freedom in that.”
― Nick Cave, Faith, Hope and Carnage

“The more overtly unshakeable someone’s beliefs are, the more diminished they seem to become, because they have stopped questioning, and the not-questioning can sometimes be accompanied by an attitude of moral superiority. The belligerent dogmatism of the current cultural moment is a case in point. A bit of humility wouldn’t go astray.”
― Nick Cave, Faith, Hope and Carnage

“For me, vulnerability is essential to spiritual and creative growth, whereas being invulnerable means being shut down, rigid, small. My experience of creating music and writing songs is finding enormous strength through vulnerability. You’re being open to whatever happens, including failure and shame. There’s certainly a vulnerability to that, and an incredible freedom. […] I think to be truly vulnerable is to exist adjacent to collapse or obliteration. In that place we can feel extraordinarily alive and receptive to all sorts of things, creatively and spiritually. It can be perversely a point of advantage, not disadvantage as one might think. It is a nuanced place that feels both dangerous and teeming with potential. It is the place where the big shifts can happen. The more time you spend there, the less worried you become of how you will be perceived or judged, and that is ultimately where the freedom is.”
― Nick Cave, Faith, Hope and Carnage

“There’s a vegetarian takeaway place in Brighton called Infinity, where I would eat sometimes. I went there the first time I’d gone out in public after Arthur had died. There was a woman who worked there and I was always friendly with her, just the normal pleasantries, but I liked her. I was standing in the queue and she asked me what I wanted and it felt a little strange, because there was no acknowledgement of anything. She treated me like anyone else, matter-of-factly, professionally. She gave me my food and I gave her the money and – ah, sorry, it’s quite hard to talk about this – as she gave me back my change, she squeezed my hand. Purposefully. It was such a quiet act of kindness. The simplest and most articulate of gestures, but, at the same time, it meant more than all that anybody had tried to tell me – you know, because of the failure of language in the face of catastrophe. She wished the best for me, in that moment. There was something truly moving to me about that simple, wordless act of compassion.”
― Nick Cave, Faith, Hope and Carnage

“To be awed. To experience a communal sense of awe. I can feel it on stage and see it in people’s eyes. And I experience it too. It’s certainly something I have felt many, many times at other artists’ concerts. It’s about reaching an essential and shared state through music – sometimes for a moment, sometimes for an entire concert. We’ve all experienced that. Not just a physical release, although there is that, too, but to be held by an artist at the crucial moment of expression – to be awed, second by second, at the way a song or piece of music unfolds, to be held on the edge of tears by the drama of it all, and to be, as an audience member, an essential participant in the drama itself. That is a wonderful thing. […] So thank God, quite literally, for music, because it’s one of the last remaining places, beyond raw nature, that people can feel awed by something happening in real time, that feeling of reverence and wonder. […] These are sacred moments.”
― Nick Cave, Faith, Hope and Carnage

“I don’t fear death. It’s more that I just don’t want to lose any more people, because I love them and love having them around. But, of course, we can’t make these cosmic covenants: we can’t bargain with God. It’s like asking the world to stop turning. So you learn to make peace with the idea of death as best you can. Or rather you reconcile yourself to the acute jeopardy of life, and you do this by acknowledging the value in things, the precious nature of things, and savouring the time we have together in this world. You learn that the binding agent of the world is love.”
― Nick Cave, Faith, Hope and Carnage