Renée

“I don’t mean to sound pessimistic. I only do because I can see how wrong my choices were. Don’t do it like this. Don’t enter believing yourself a node in a grand undertaking, that your past and your trauma will define your future, that individuals don’t matter. The most radical thing I ever did was love him, and I wasn’t even the first person in this story to do that. But you can get it right, if you try. You will have hope, and you have been forgiven. Forgiveness, which takes you back to the person you were and lets you reset them. Hope, which exists in a future in which you are new. Forgiveness and hope are miracles. They let you change your life. They are time-travel.”
― Kaliane Bradley, The Ministry of Time

“All this unfolded in what I now know to call our last weeks. Within the action of this story, these memories mean little. After the first time Graham and I went to bed together, they are symbolically all of a piece. I could have written to you without including them; after all, the things that happen between lovers are lost to the work of history anyway. But I wrote it down because I need you to bear witness to it. He was here, by and with and in my body. He lives in me like trauma does. If you ever fall in love, you’ll be a person who was in love for the rest of your life.”
― Kaliane Bradley, The Ministry of Time

“Literature composed by women was stored not in books but in female bodies, living repositories of poetry and song. I have come across a line of argument in my reading, which posits that, due to the inherent fallibility of memory and the imperfect human vessels that held it, the Caoineadh cannot be considered a work of single authorship. Rather, the theory goes, it must be considered collage, or, perhaps, a folky reworking of older keens. This, to me --- in the brazen audacity of one positioned far from the tall walls of the university --- feels like a male assertion pressed upon a female text. After all, the etymology of the word ‘text’ lies in the Latin verb ‘texere’: to weave, to fuse, to braid. The Caoineadh form belongs to a literary genre worked and woven by women, entwining strands of female voices that were carried in female bodies, a phenomenon that seems to me cause for wonder and admiration, rather than suspicion of authorship.”
― Doireann Ní Ghríofa, A Ghost in the Throat

“If you ever fall in love, you’ll be a person who was in love for the rest of your life.”
― Kaliane Bradley, The Ministry of Time