“I been thinkin'," he said. "I been in the hills, thinkin', almost you might say like Jesus went into the wilderness to think His way out of a mess of troubles.
Seems like Jesus got all messed up with troubles, and He couldn't figure nothin' out, an' He got to feelin' what the hell good is it all, an' what's the use fightin' an' figurin'. Got tired, got good an' tired, an' His sperit all wore out. Jus' about come to the conclusion, the hell with it. An' so He went off into the wilderness."
"I ain't sayin' I'm like Jesus," the preacher went on. "But I got tired like Him, an' I got mixed up like Him, an' I went into the wilderness like Him, without no campin' stuff. Nighttime I'd lay on my back an' look up at the stars; morning I'd set an' watch the sun come up; midday I'd look out from a hill at the rollin' dry country; evenin' I'd foller the sun down. Sometimes I'd pray like I always done. On'y I couldn' figure what I was prayin' to or for. There was the hills, an' there was me, an' we wasn't separate no more. We was one thing. An' that one thing was holy."
"An' I got thinkin', on'y it wasn't thinkin, it was deeper down than thinkin'. I got thinkin' how we was holy when we was one thing, an' mankin' was holy when it was one thing. An' it on'y got unholy when one mis'able little fella got the bit in his teeth an' run off his own way, kickin' an' draggin' an' fightin'. Fella like that bust the holiness. But when they're all workin' together, not one fella for another fella, but one fella kind of harnessed to the whole shebang—that's right, that's holy. An' then I got thinkin' I don't even know what I mean by holy."
He paused, but the bowed heads stayed down, for they had been trained like dogs to rise at the "amen" signal. "I can't say no grace like I use' ta say. I'm glad of the holiness of breakfast. I'm glad there's love here. That's all." The heads stayed down. The preacher looked around. "I've got your breakfast cold," he said; and then he remembered. "Amen," he said, and all the heads rose up.”
― The Grapes of Wrath - An Opera in 3 Acts
Seems like Jesus got all messed up with troubles, and He couldn't figure nothin' out, an' He got to feelin' what the hell good is it all, an' what's the use fightin' an' figurin'. Got tired, got good an' tired, an' His sperit all wore out. Jus' about come to the conclusion, the hell with it. An' so He went off into the wilderness."
"I ain't sayin' I'm like Jesus," the preacher went on. "But I got tired like Him, an' I got mixed up like Him, an' I went into the wilderness like Him, without no campin' stuff. Nighttime I'd lay on my back an' look up at the stars; morning I'd set an' watch the sun come up; midday I'd look out from a hill at the rollin' dry country; evenin' I'd foller the sun down. Sometimes I'd pray like I always done. On'y I couldn' figure what I was prayin' to or for. There was the hills, an' there was me, an' we wasn't separate no more. We was one thing. An' that one thing was holy."
"An' I got thinkin', on'y it wasn't thinkin, it was deeper down than thinkin'. I got thinkin' how we was holy when we was one thing, an' mankin' was holy when it was one thing. An' it on'y got unholy when one mis'able little fella got the bit in his teeth an' run off his own way, kickin' an' draggin' an' fightin'. Fella like that bust the holiness. But when they're all workin' together, not one fella for another fella, but one fella kind of harnessed to the whole shebang—that's right, that's holy. An' then I got thinkin' I don't even know what I mean by holy."
He paused, but the bowed heads stayed down, for they had been trained like dogs to rise at the "amen" signal. "I can't say no grace like I use' ta say. I'm glad of the holiness of breakfast. I'm glad there's love here. That's all." The heads stayed down. The preacher looked around. "I've got your breakfast cold," he said; and then he remembered. "Amen," he said, and all the heads rose up.”
― The Grapes of Wrath - An Opera in 3 Acts
“He's a bar-room socialist, if that's what you mean. Beer and revolution go in, piss come out”
― Regeneration
― Regeneration
“I saw and heard all sorts of things in my fever; I was riding a merry-go-round, I wanted to get off but I couldn’t. I was one of many little children sitting in fire engines and hollowed-out swans, on dogs, cats, pigs, and stags, riding round and round. I wanted to get off but I wasn’t allowed to. All the little children were crying, like me they wanted to get out of the fire engines and hollowed-out swans, down from the backs of the cats, dogs, pigs, and stags, they didn’t want to ride on the merry-go-round any more, but they weren’t allowed to get off. The Heavenly Father was standing beside the merry-go-round and every time it stopped, he paid for another turn. And we prayed: “Oh, our Father who art in heaven, we know you have lots of loose change, we know you like to treat us to rides on the merry-go-round, we know you like to prove to us that this world is round. Please put your pocket-book away, say stop, finished, fertig, basta, stoi, closing time—we poor little children are dizzy, they’ve brought us, four thousand of us, to K"asemark on the Vistula, but we can’t get across, because your merry-go-round, your merry-go-round…”
But God our Father, the merry-go-round owner, smiled in his most benevolent manner and another coin came sailing out of his purse to make the merry-go-round keep on turning, carrying four thousand children with Oskar in their midst, in fire engines and hollowed-out swans, on cats, dogs, pigs, and stags, round and round in a ring, and every time my stag—I’m still quite sure it was a stag—carried us past our Father in heaven, the merry-go-round owner, he had a different face: He was Rasputin, laughing and biting the coin for the next ride with his faith healer’s teeth; and then he was Goethe, the poet prince, holding a beautifully embroidered purse, and the coins he took out of it were all stamped with his father-in-heaven profile; and then again Rasputin, tipsy, and again Herr von Goethe, sober. A bit of madness with Rasputin and a bit of rationality with Goethe. The extremists with Rasputin, the forces of order with Goethe.”
―
But God our Father, the merry-go-round owner, smiled in his most benevolent manner and another coin came sailing out of his purse to make the merry-go-round keep on turning, carrying four thousand children with Oskar in their midst, in fire engines and hollowed-out swans, on cats, dogs, pigs, and stags, round and round in a ring, and every time my stag—I’m still quite sure it was a stag—carried us past our Father in heaven, the merry-go-round owner, he had a different face: He was Rasputin, laughing and biting the coin for the next ride with his faith healer’s teeth; and then he was Goethe, the poet prince, holding a beautifully embroidered purse, and the coins he took out of it were all stamped with his father-in-heaven profile; and then again Rasputin, tipsy, and again Herr von Goethe, sober. A bit of madness with Rasputin and a bit of rationality with Goethe. The extremists with Rasputin, the forces of order with Goethe.”
―
“Let’s not talk about how I am. It’s a subject I know too much about to want to think about anymore.”
―
―
“You died.
I cried.
And kept on getting up.
A little slower.
And a lot more deadly.”
― Assata: An Autobiography
I cried.
And kept on getting up.
A little slower.
And a lot more deadly.”
― Assata: An Autobiography
Roberto Bolano's "The Savage Detectives"
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— last activity Oct 21, 2019 10:08AM
This group is designed to help readers share pleasure, pain, questions, answers, views, reviews and comments about "The Savage Detectives". ...more
نادي أصدقاء نوبل
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— last activity Nov 05, 2020 07:38AM
القراءة هي كالماء والهواء، جزء أساسي من الحياة اليومية للإنسان. ولقد أسسنا سابقاً "صالون الأدب الروسي"، وها نحن الآن نواصل جهودنا في تنشيط مشهد القراء ...more
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