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Pretend I'm Dead
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Milk Fed
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by Melissa Broder (Goodreads Author)
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Timothy Snyder
“Politicians in our times feed their clichés to television, where even those who wish to disagree repeat them. Television purports to challenge political language by conveying images, but the succession from one frame to another can hinder a sense of resolution. Everything happens fast, but nothing actually happens. Each story on televised news is ”breaking” until it is displaced by the next one. So we are hit by wave upon wave but never see the ocean.

The effort to define the shape and significance of events requires words and concepts that elude us when we are entranced by visual stimuli. Watching televised news is sometimes little more than looking at someone who is also looking at a picture. We take this collective trance to be normal. We have slowly fallen into it.

More than half a century ago, the classic novels of totalitarianism warned of the domination of screens, the suppression of books, the narrowing of vocabularies, and the associated difficulties of thought. In Ray Bradbury’s Fahrenheit 451, published in 1953, firemen find and burn books while most citizens watch interactive television. In George Orwell’s 1984, published in 1949, books are banned and television is two-way, allowing the government to observe citizens at all times. In 1984, the language of visual media is highly constrained, to starve the public of the concepts needed to think about the present, remember the past, and consider the future. One of the regime’s projects is to limit the language further by eliminating ever more words with each edition of the official dictionary.

Staring at screens is perhaps unavoidable, but the two-dimensional world makes little sense unless we can draw upon a mental armory that we have developed somewhere else. When we repeat the same words and phrases that appear in the daily media, we accept the absence of a larger framework. To have such a framework requires more concepts, and having more concepts requires reading. So get the screens out of your room and surround yourself with books. The characters in Orwell’s and Bradbury’s books could not do this—but we still can.”
Timothy Snyder, On Tyranny: Twenty Lessons from the Twentieth Century

W. Kamau Bell
“When art sets racism in the past, no matter how good it is, it allows white people in the audience (and others) to say to themselves "Wow! That racism sure was bad way back then!" It's what happens when people go see 12 Years a Slave. My response is always, "Yeah, you wanna know another time when racism was bad? Earlier today.”
W. Kamau Bell, The Awkward Thoughts of W. Kamau Bell: Tales of a 6' 4", African American, Heterosexual, Cisgender, Left-Leaning, Asthmatic, Black and Proud Blerd, Mama's Boy, Dad, and Stand-Up Comedian

Jane Austen
“You are very fond of bending little minds; but where little minds belong to rich people in authority, I think they have a knack of swelling out, till they are quite as unmanageable as great ones.”
Jane Austen, Emma

Will Schwalbe
“We're all in the end-of-your-life book-club, whether we acknowledge it or not; each book we read may well be the last, each conversation the final one.”
Will Schwalbe, The End of Your Life Book Club

Roxane Gay
“When I am walking down the street, men lean out of their car windows and shout vulgar things at me about my body, how they see it, and how it upsets them that I am not catering to their gaze and their preferences and desires. I try not to take these men seriously because what they are really saying is, “I am not attracted to you. I do not want to fuck you, and this confuses my understanding of my masculinity, entitlement, and place in this world.” It is not my job to please them with my body.”
Roxane Gay, Hunger: A Memoir of (My) Body

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This group is for those who would like to participate in the 2017 edition of the Mount TBR Reading Challenge which I am hosting on my blog My Reader's ...more
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