Brendan Moody

“It is a durable, ubiquitous, specious metaphor, that one about veneer (or paint, or pliofilm, or whatever) hiding the nobler reality beneath. It can conceal a dozen fallacies at once. One of the most dangerous is the implication that civilization, being artificial, is unnatural: that it is the opposite of primitiveness. . . . Of course there is no veneer, the process is one of growth, and primitiveness and civilization are degrees of the same thing. If civilization has an opposite, it is war. Of those two things, you have either one, or the other. Not both. It seemed to me as I listened to Tibe’s dull fierce speeches that what he sought to do by fear and by persuasion was to force his people to change a choice they had made before their history began, the choice between those opposites.”
― Ursula K. Le Guin, The Left Hand of Darkness

“I was unexpectedly, reluctantly, wholly in love, not just any love but a consuming love, an unwanted love, an inconvenient love, the kind of love that a man wants to be cured of, that makes a man feel ashamed of himself, only the more he denies it the more entangled he becomes, like one of those nautical knots that tightens with every pull. It felt like an infection, a sudden illness, in which everything is at once the same as it was before and yet transformed. Being in love is a kind of hypnosis and, as any hypnotist will tell you, to be hypnotized one must secretly want to be hypnotized, so secretly that one doesn’t even know it. Falling in love is an act of involuntary will.”
― Alex Landragin, Crossings

“I also bought an evening dress suit from a secondhand clothing store in Charing Cross Road. It was double-breasted and in a very heavy, uncomfortable material, and I looked, frankly, stupid in it, but it was the only one I could afford. Miss Leigh announced to us one day that Gone with the Wind was going to be rereleased theatrically, and she requested the pleasure of our entire company at the premiere, which would be my first. And so, also for the first time, I had to wear that tux in public. I had by this time bid farewell to my friends and moved out of the boardinghouse, to slightly nicer digs that were walking distance from the London Coliseum in St. Martin’s Lane. This meant that I would not need to get out of a taxi and walk the red carpet—I knew that I looked idiotic in my tuxedo and wanted to keep a low profile. Inside, there was a champagne reception before the film in the upstairs bar, and my castmates had a field day making fun of me and my shit suit. Evidently, Miss Leigh caught sight of this scene and took pity on me. For all of a sudden, her boyfriend, John Merivale, was at my side, whispering into my ear that he was going to be sitting on one side of Vivien at the screening and that she had requested that I sit on her other side. I was already besotted with her, and this act of kindness only intensified my feelings. The capper was that, once I was seated beside her, I addressed her as “Miss Leigh” and she took my hand in hers. “Patrick,” she said, “you are to call me Vivien.” My erstwhile Irish roommate was right: The memorable experiences were already piling up. One more happened that evening. The film had been running for about an hour when Vivien—I still couldn’t quite believe I got to call her that—turned to me and again took my hand. I could see that she was crying. “I am so sorry, Patrick, but I am going to have to leave,” she said. “So many of these dear people I worked with are now dead, and it is making me so sad. I hope you enjoy the rest of it.” And off she went into the night.”
― Patrick Stewart, Making It So: A Memoir

“On the other hand, it will be equally forgotten, that the vigour of government is essential to the security of liberty; that, in the contemplation of a sound and well informed judgment, their interest can never be separated; and that a dangerous ambition more often lurks behind the specious mask of zeal for the rights of the people, than under the forbidding appearance of zeal for the firmness and efficiency of government. History will teach us, that the former has been found a much more certain road to the introduction of despotism, than the latter, and that of those men who have overturned the liberties of republics the greatest number have begun their carreer, by paying an obsequious court to the people, commencing Demagogues and ending Tyrants.”
― Jacob E. Cooke, The Federalist