Fatma Ben Hlima

“To the delicate,
You will fall for the rough ones. the cold ones. the ones filled with apathy. you will spend your time counting their affection in change. you will stuff your pockets with silence. you will settle for second hand love. Delicate, you will be fashioned in the art of forgiveness. you will love like it’s a religion. you will memorize birthdays, phone numbers, and the moments you’ve heard goodbye. and when life becomes unyielding, and the burden too heavy, you will fault yourself. blame the material you are made of. say that you rip too easy, expect too much, give too often. you are a well that keeps on leaking.
but even if you overflow, even if the thunder finds your home, you must remain soft. and if they have broken your heart, allow it to make you softer. kinder. do not imitate the cruel. do not allow yourself to take the shape of those who hurt you.”
― Sabah Khodir

“Pain is inevitable. Suffering is optional. Say you’re running and you think, ‘Man, this hurts, I can’t take it anymore. The ‘hurt’ part is an unavoidable reality, but whether or not you can stand anymore is up to the runner himself.”
― Haruki Murakami, What I Talk About When I Talk About Running

“All efforts to render politics aesthetic culminate in one thing: war. War and war only can set a goal for mass movements on the largest scale while respecting the traditional property system. This is the political formula for the situation. The technological formula may be stated as follows: Only war makes it possible to mobilize all of today’s technical resources while maintaining the property system. It goes without saying that the Fascist apotheosis of war does not employ such arguments.”
― Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction

“One of the foremost tasks of art has always been the creation of a demand which could be fully satisfied only later. The history of every art form shows critical epochs in which a certain art form aspires to effects which could be fully obtained only with a changed technical standard, that is to say, in a new art form. The extravagances and crudities of art which thus appear, particularly in the so-called decadent epochs, actually arise from the nucleus of its richest historical energies.”
― Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction