Meghan

“It is well known that women carry poison in their pockets. Did you expect a gun? A woman with a gun would be just another policeman. We fall in love with the convicts, remember that. Policemen marry girls from the neighborhood, high school looms over their unions, the first uniform is her prom dress and his black bow tie and white shirt. But the girls are thinking of poison, thinking of poison as the lights go out on the dresser where the revolver has been placed with care for the night. The black shoes, the fine, thick serge of the coat, shoulders and thighs of stallions. And the policemen are usually shot down by someone out of shape, thin, thin, nothing but living bones. Remember that.”
― Elizabeth Hardwick

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
― Ira Glass

“A Doll’s House is about money, about the way it turns locks.”
― Elizabeth Hardwick, Seduction and Betrayal

“-and he flew in to her from the clutter of Somerville, the compost heap behind the Harvard Yard.”
― Elizabeth Hardwick, Sleepless Nights