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Difficult Loves
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“I like to talk about America. It's so mysterious.”
― Robert Ashley, Quicksand

David  Mitchell
“Controls is about fear, see. If you’re afraid enough of the reprisals, you don’t say no, you don’t fight back, you don’t run away. Saying yes is how you survive. It becomes normal. Horrible, but normal. Horrible, because it’s normal. Now, lucky you can say ‘Not standing up to him is giving him permission,’ but if you’ve been fed this diet since the year dot, there is no standing up. Victims aren’t cowards. Outsiders, like, they never have a clue how brave you have to be just to carry on.”
― David Mitchell, The Bone Clocks

Marcel Theroux
“The human personality is not an object, it's a process, a constant state of becoming, that depends on a web of interdependencies, binding us to one another with invisible filaments, to our time, to memories and possessions, and back to our changing selves. And even that image probably overstates the solidity and integrity of the human personality. Strip a person away from the relationships that constitute his identity—the friends, the loved ones, the familiar sounds—and the outcome is bound to be breakdown and madness.”
― Marcel Theroux

Daniel Woodrell
“I think one of our cardinal fuckups is how we insist that even vicious whimsical crazy shit needs to make sense, add up, belong to a reason. We lay this pain on ourselves--there must be a reason behind this horror, there must, but I ain't adequate to findin' it, and that's my fault, so torture me some more.”
― Daniel Woodrell, Tomato Red

Ben Fountain
“Without ever exactly putting his mind to it, he's come to believe that loss is the standard trajectory. Something new appears in the world-a baby, say, or a car or a house, or an individual shows some special talent-with luck and huge expenditures of soul and effort you might keep the project stoked for a while, but eventually, ultimately, its going down. This is a truth so brutally self-evident that he can't fathom why it's not more widely percieved, hence his contempt for the usual public shock and outrage when a particular situation goes to hell. The war is fucked? Well, duh. Nine-eleven? Slow train coming. They hate our freedoms? Yo, they hate our actual guts! Billy suspects his fellow Americans secretly know better, but something in the land is stuck on teenage drama, on extravagant theatrics of ravaged innocence and soothing mud wallows of self-justifying pity.”
― Ben Fountain, Billy Lynn's Long Halftime Walk

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