Nate Write

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The Cognitive Beh...
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Book cover for Steering The Craft: A Twenty-First-Century Guide to Sailing the Sea of Story
What it has to do is move—end up in a different place from where it started. That’s what narrative does. It goes. It moves. Story is change.
Nate Write
Scene action.
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Linda Seger
“that she must leave the convent to teach seven children (The Sound of Music) or that he’s given a chance to fight the champion (Rocky). Although this type of catalyst isn’t as forceful as an event, in relationship-based stories it might be very appropriate.”
Linda Seger, Making a Good Script Great

Linda Seger
“Sometimes the catalyst can be a piece of information that a character receives. Such a catalyst orients the audience to the subject of the story through dialogue”
Linda Seger, Making a Good Script Great

Linda Seger
“Sometimes a catalyst is situational, made up of a series of incidents that add up over a period of time. This sort of catalyst is rare, because hinting at action is usually not a strong way to start a story. Three films that have situational catalysts are Tootsie, Back to the Future, and Some Like It Hot. Tootsie, for instance, introduces the New York theater world, showing how difficult it is to get a job.”
Linda Seger, Making a Good Script Great

Linda Seger
“The strongest catalysts are specific actions.”
Linda Seger, Making a Good Script Great

Linda Seger
“The catalyst begins a story’s action. Something happens—a crime occurs, a letter arrives, Aunt Mary appears on the doorstep—and from that moment on the story is defined. Until the catalyst kicks off the story, the only information the audience has is where and when the film takes place. But once an event happens, the story suddenly has focus and direction.”
Linda Seger, Making a Good Script Great

50920 Beta Reader Group — 29899 members — last activity 9 hours, 56 min ago
A place to connect writers with beta readers. Sometimes writers get so involved in the plot they can't see the wood for the trees. Hang on a sec'--th ...more
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