Veronika

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The Way of Tarot:...
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Kurt Vonnegut Jr.
“The letter said that they were two feet high, and green, and shaped like plumber's friends. Their suction cups were on the ground, and their shafts, which were extremely flexible, usually pointed to the sky. At the top of each shaft was a little hand with a green eye in its palm. The creatures were friendly, and they could see in four dimensions. They pitied Earthlings for being able to see only three. They had many wonderful things to teach Earthlings, especially about time. Billy promised to tell what some of those wonderful things were in his next letter.
Billy was working on his second letter when the first letter was published. The second letter started out like this:
The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just that way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.
When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is "so it goes.”
Kurt Vonnegut, Slaughterhouse-Five

Vladislav Vančura
“„Tento způsob léta,“ děl vposled, odvraceje se od přístroje Celsiova, „zdá se mi poněkud nešťastným.”
Vladislav Vančura, Summer of Caprice

Mariusz Szczygieł
“Nebo jak dostal od manželky nový psací stroj. A musel ho vyzkoušet. I my bychom ho banálně vyzkoušeli, jenže pan Hrabal to provedl přímo úžasně. Než ten nový psací stroj vyzkoušel, přikryl peřinou ten starý, aby mu nebylo líto, že je mu nevěrný.
Pozorování měsíce. Nikdo vzdělaný, sčetlý, světaznalý neřekne, že dívat se na měsíc je krásné. ( To by hned vyšlo najevo, že dotyčný člověk nemá literární vzdělání a rád čte Paula Coelha. Tak hrozně ho to společensky diskvalifikuje, že mu na nějaké té párty klidně mohou nalévat polosladké rumunské víno místo burgundského a Elle Decoration nikdy neuveřejní fotky jeho bytu.) Jenže to by panu Hrabalovi bylo jedno. On totiž na mnoho věcí nahlíží s nadšením.”
Mariusz Szczygieł

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