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Man and His Symbols
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Virginia Woolf
“...I live; I die; the sea comes over me; it's the blue that lasts.”
Virginia Woolf, Melymbrosia

Arthur Schopenhauer
“What might otherwise be called the finer part of life, its purest joy, just because it lifts us out of real existence and transforms us into disinterested spectators of it, is pure knowledge which remains foreign to all willing, pleasure in the beautiful, genuine delight in art.”
Arthur Schopenhauer

Bob Dylan
“I think the truly natural things are dreams, which nature can't touch with decay.”
Bob Dylan

Arthur Schopenhauer
“Every epic or dramatic poem can always present to us only a strife, an effort, and a struggle for happiness, never enduring and complete happiness itself. It conducts its heroes to their goal through a thousand difficulties and dangers; as soon as the goal is reached, it quickly lets the curtain fall. For there would be nothing left for it but to show that the glittering goal, in which the hero imagined he could find happiness, had merely mocked him, and that he was no better after its attainment than before. Since a genuine, lasting happiness is not possible, it cannot be a subject of art.”
Arthur Schopenhauer, The World as Will and Representation, Volume I

Jeanette Winterson
“What art does is to coax us away from the mechanical and towards the miraculous. The so-called uselessness of art is a clue to its transforming power. Art is not part of the machine. Art asks us to think differently, see differently, hear differently, and ultimately to act differently, which is why art has moral force. Ruskin was right, though for the wrong reasons, when he talked about art as a moral force. Art is not about good behaviour, when did you last see a miracle behave well? Art makes us better people because it asks for our full humanity, and humanity is, or should be, the polar opposite of the merely mechanical. We are not part of the machine either, but we have forgotten that. Art is memory — which is quite different [from] history. Art asks that we remember who we are, and usually that asking has to come as provocation — which is why art breaks the rules and the taboos, and at the same time is a moral force.”
Jeanette Winterson

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