Juli Furstenberg

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D.S.   Smith
“Our DNA is coded to harmonise the frequency of the atoms we use to build ourselves. The frequencies of the subatomic particles making up the atoms are changed subtly enough to do this but not enough to change their structure. You could say throughout our development, from birth to death, our genes are composing a harmonic symphony that makes us what we are. It's what makes us individual; it's our life force, our soul.”
D.S. Smith, Unparalleled

Behcet Kaya
“My initial impression of her had been totally wrong. The impression that she was this sweet and stunningly beautiful Vietnamese girl who had survived a difficult time in her life, and was, perhaps, still vulnerable. But, now it was different. She was nothing but a paid whore. It took me a moment to analyze it. Totally against my character, but I realized, if only for a fleeting instant, I wanted to take this whore to bed, even though there would be no spice of pursuit, and it would generate no particular tension between us.”
Behcet Kaya, Treacherous Estate

Michael Chabon
“I was still carrying the tuba, for no reason other than that, in my current circumstances, it passed for good company. That's another way of saying it was all I had.”
Michael Chabon, Wonder Boys

Jack Getze
“Emily’s fear of raising me—her panic at being a mother—lived in the air like an advancing lightning storm. I reminded myself how young she was, how scared. But I could only see her distress over my birth as a rejection. Her alarm was impossible not to take personally.”
Jack Getze, Making Hearts

Jerome K. Jerome
“After breakfast the host takes the young man into a corner, and explains to him that what he saw was the ghost of a lady who had been murdered in that very bed, or who had murdered somebody else there - it does not really matter which: you can be a ghost by murdering somebody else or by being murdered yourself, whichever you prefer. The murdered ghost is, perhaps, the more popular; but, on the other hand, you can frighten people better if you are the murdered one, because then you can show your wounds and do groans.

("Introduction" to TOLD AFTER SUPPER)”
Jerome K. Jerome, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

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