Lara

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Wie man wird, was...
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Der Club
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The Games Gods Play
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by Abigail Owen (Goodreads Author)
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Caleb Azumah Nelson
“of unresolved grief, large and small, of others assuming that he, beautiful Black person in gorgeous Black body, was born violent and dangerous; this assumption, impossible to hide, manifesting in every word and glance and action, and every word and glance and action ingested and internalized, and it’s unfair and unjust, this sort of death”
Caleb Azumah Nelson, Open Water

Caleb Azumah Nelson
“You dance through topics like two old friends, finding comfort in a language which is instantly familiar. You create a small world for yourselves, and for you both only, sitting on this sofa, looking out at the world which has a tendency to engulf even the most alive.”
Caleb Azumah Nelson, Open Water

Ashley Poston
“You don't ever lose the sadness, but you learn to love it because it becomes a part of you, and bit by bit, it fades. And eventually, you'll pick yourself back up and you'll find that you're okay. That you're going to be okay. And eventually, it will be true.”
Ashley Poston, The Dead Romantics

Caleb Azumah Nelson
“I know I'm a photographer, but if someone else says I'm that, it changes things because what they think about me isn't what I think about me.”
Caleb Azumah Nelson, Open Water

Caleb Azumah Nelson
“We are all hurting, you said. We are all trying to live, to breath, and find ourselves stopped by that which is out of our control. We find ourselves unseen. We find ourselves unheard. We find ourselves mislabelled. We who are loud and angry, we who are bold and brash. We who are Black. We find ourselves not saying it how it is. We find ourselves scared. We find ourselves suppressed, you said. But do not worry about has come before, or what will come; move. Do not resist the call of a drum. Do not resist the thud of a kick, the tap of a snare, the rattle of a hi-hat. Do not hold your body stiff but flow like easy water. Be here, please, you said, as the young man took a cowbell, moving it in a way which makes you ask, which came first, he or the music? The ratata is perfect, offbeat, sneaking through brass and percussion. Can you hear the horns? Your time has come. Revel in glory for it is yours to do so. You worked twice as hard today, but that isn’t important, not here, not now. All that matters is that you are here, that you are present, can’t you hear? What does it sound like? Freedom?”
Caleb Azumah Nelson, Open Water

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