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Updating Technology in Re-Releases of Older Series
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For those unfamiliar with the series:
This Can't Be Happening at MacDonald Hall!
Go Jump in the Pool!
Beware the Fish!
The War with Mr. Wizzle
The Zucchini Warriors
MacDonald Hall Goes Hollywood
Something Fishy At Macdonald Hall
This Can't Be Happening at MacDonald Hall!
Go Jump in the Pool!
Beware the Fish!
The War with Mr. Wizzle
The Zucchini Warriors
MacDonald Hall Goes Hollywood
Something Fishy At Macdonald Hall

Barbara wrote: "Is this not like altering a book to make a UK or USA edition? Does it not alter the author's intentions and writing style?"
Definitely!! Reminds me of the changes in the HP series. I am not sure though if Korman agreed to the changes (and what bugs me is that online reviews for CM magazine all really praise these changes because according to the reviewers, the newer releases are selling better than the original series, but the original series also is no longer in print).
Definitely!! Reminds me of the changes in the HP series. I am not sure though if Korman agreed to the changes (and what bugs me is that online reviews for CM magazine all really praise these changes because according to the reviewers, the newer releases are selling better than the original series, but the original series also is no longer in print).


LauraW wrote: "I think changing the technology in the story is different in a substantial way from changing the book for a UK or USA or Aus edition. Technology is specific to the era and makes the book into an e..."
especially if everything else remains the same, remains or at least can be seen as being from a specific time, it just looks strange and as Laura pointed out, makes the author appear as though he/she had not done enough research (and not just that, it makes it appear as though modern children are not enlightened enough to figure out the recent past, which I would resent, were I a child).
especially if everything else remains the same, remains or at least can be seen as being from a specific time, it just looks strange and as Laura pointed out, makes the author appear as though he/she had not done enough research (and not just that, it makes it appear as though modern children are not enlightened enough to figure out the recent past, which I would resent, were I a child).

At the very least, if they are going to revise the books to make them appeal to more current generations, they should be required to change the authorship, e.g., Gordon Korman and Somebody Else (revising author).
Abigail wrote: "LauraW wrote: "I think changing the technology in the story is different in a substantial way from changing the book for a UK or USA or Aus edition. Technology is specific to the era and makes the..."
Most of the originals are available on sites like alibris and abe books etc. (I would only consider the new releases if you are intent on comparing/contrasting).
Most of the originals are available on sites like alibris and abe books etc. (I would only consider the new releases if you are intent on comparing/contrasting).

I wouldn't be too sure of that. I have not read them, but there are many "new" volumes of Nancy Drew that -- based on its cover art -- may have new technology: Danger on the Great Lakes. Have you seen the 2007 Nancy Drew movie? I've not, but I checked out the trailer--lots of cell phones. There are also all kinds of different series about Nancy Drew as a kid etc. (Sleepover Sleuths).
I have mixed feelings about the updating of books. In general, I think it is a poor idea. Of course, that precludes that the book can still be in print and have sales in its original edition. Gordon Korman is a name that children today will recognize...but...if the book was written in a way that would confuse kids about its time period, then I can kind of understand why the publisher might try to update it to repackage and sell it. Little House on the Prairie doesn't need updating because it is clearly historical. The 80s? Confusing for kids. It is not the distant past and I bet many kids today would not understand that a color tv in your bedroom was a rarity. I guess that while I don't agree with publishers changing books in this manner, I have to say that I would not be surprised if the books would not "sell" in their original format. I pull books from my library from the 80s and 90s because no one is reading them. One example I find intriguing is The Babysitters' Club. I had two whole shelves of them from the 80s and 90s. Probably 50 books. They NEVER checked out. Then recently, some of them have been re-released with new covers etc. (don't know about the technology). Kids actually ask me about them now. I still wouldn't call them hot, but they are only interested in the new stuff. I kept some of my old ones, and no, they don't really want to read those. (Clearly I am not talking about ALL kids here--but generalizations count in marketing).
Michele wrote: "Abigail wrote: Take the Nancy Drew books, which were condensed and rewritten, in the late 1950s. Of course there, the changes were less technological - as far as I know, no one has put cell phones,..."
If a book originally published in the 80s is confusing, there are dictionaries etc. and children can ask questions. That is what I did when I read books published in the 50s and 60s and was unsure of some of the cultural norms (this was in the 70s and 80s when publishers actually seemed to still publish the originals and not automatically update them). I think we are mollycoddling and spoon feeding children to their own detriment (and children will leave school not being able to do independent research or ask relevant questions, they will just expect everything to fall into their laps, including books, research papers and the like). Not only that, but it also feels as though many publishers (and society in general) seem intent on selling children short, on automatically assuming that children are going to be confused about the 80s (just like I felt that publishers were and are selling children and their intelligence short by automatically changing British English to American English for the HP series etc., we don't seem to have much confidence in North America in the capabilities of our children and teenagers). On the other hand, I guess I can understand publishers changing and updating series if they believe that in order to sell the series, this must be done (but I still don't agree with it and when I write my reviews for the updated series, said reviews will definitely reflect my displeasure with the updated versions).
If a book originally published in the 80s is confusing, there are dictionaries etc. and children can ask questions. That is what I did when I read books published in the 50s and 60s and was unsure of some of the cultural norms (this was in the 70s and 80s when publishers actually seemed to still publish the originals and not automatically update them). I think we are mollycoddling and spoon feeding children to their own detriment (and children will leave school not being able to do independent research or ask relevant questions, they will just expect everything to fall into their laps, including books, research papers and the like). Not only that, but it also feels as though many publishers (and society in general) seem intent on selling children short, on automatically assuming that children are going to be confused about the 80s (just like I felt that publishers were and are selling children and their intelligence short by automatically changing British English to American English for the HP series etc., we don't seem to have much confidence in North America in the capabilities of our children and teenagers). On the other hand, I guess I can understand publishers changing and updating series if they believe that in order to sell the series, this must be done (but I still don't agree with it and when I write my reviews for the updated series, said reviews will definitely reflect my displeasure with the updated versions).

I was never a huge Nancy Drew fan--more of a Trixie Belden girl myself. :)
I sometimes find it dispiriting that kids are primarily soooooooo reluctant to read outside what is marketed primarily to them. (I always get a few kids that will try anything). But, I don't think the general public is interested in old stuff either. And I don't count Goodreads fanatics. We are not the general public.
Michele wrote: "Those '50s Nancy Drews are still the most popular in my library....
I was never a huge Nancy Drew fan--more of a Trixie Belden girl myself. :)
I sometimes find it dispiriting that kids are pri..."
I guess I should not consider myself as a typical kid (I was not, and yes, I would read anything that was remotely interesting, actually, I was often more interested in older books and series, both then and now).
I was never a huge Nancy Drew fan--more of a Trixie Belden girl myself. :)
I sometimes find it dispiriting that kids are pri..."
I guess I should not consider myself as a typical kid (I was not, and yes, I would read anything that was remotely interesting, actually, I was often more interested in older books and series, both then and now).


I'd vote against changing technology *or* British/American.
But as Michele points out, I'm not the type of buyer the publishers are marketing to. So, I just remind myself to check *original* publication date when in doubt.
But as Michele points out, I'm not the type of buyer the publishers are marketing to. So, I just remind myself to check *original* publication date when in doubt.
Afaik, lots of those old series had 'stables' of writers. Carolyn Keene is a pseudonym, too, is it not? Adult series, too. Even now, similar things go on. James Patterson, for example, often writes "with" someone else - sucker bet who does the heavy lifting....

The main problem for me is that updated technology in books that were written in the 60s, 70s, 80s and perhaps even in the 90s will generally read as though technology has been updated. In other words, one will end up reading a book that still (obviously) feels as though it is a 60s, 70s and 80s book (theme-wise etc.), but with an unnatural, superimposed covering of modern technology (unless the books have been completely rewritten and that is even more of an issue).
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Fortunately the tech. updating isn't generally done to the older texts, the ones with horse 'n' buggy settings. Generally it's more along the lines of changing a walkman to an iPod, in my experience.
Otoh, one can't make a story more or less racist or sexist or bigoted by taking out the N word or calling an adult aide a woman instead of a girl. It's silly, not to mention dishonest (as Beth points out) to try. Sanitizing and bowdlerizing is a bigger deal, and publishers can't just casually mess around and hope nobody notices, as they sometimes can with technology updates.
I do like Laura W.'s suggestion about adding the adapter's name to the title, but I don't think it would work. And, again, usually the changes are so minor that the adapter doesn't actually do much more than a proofreader would. Ime.
Otoh, one can't make a story more or less racist or sexist or bigoted by taking out the N word or calling an adult aide a woman instead of a girl. It's silly, not to mention dishonest (as Beth points out) to try. Sanitizing and bowdlerizing is a bigger deal, and publishers can't just casually mess around and hope nobody notices, as they sometimes can with technology updates.
I do like Laura W.'s suggestion about adding the adapter's name to the title, but I don't think it would work. And, again, usually the changes are so minor that the adapter doesn't actually do much more than a proofreader would. Ime.
Sanitising (or rewriting) older fiction insults readers' intelligence and also has the (I think very dangerous) tendency to paint the past in different colours than they were originally painted. Pretending the past was not racist and/or sexist when it was is simply wrong and gives the wrong impression of the former.
Also, I think with "technology updates" (same with that boneheaded move to change Harry Potter and the Philosopher's Stone to Harry Potter and the Sorcerer's Stone for North America) really insults children and children's intelligence.
Beth, a case in point, the MacDonald Hall series by Gordon Korman (the first books of which came out in the late 70s/early 80s when I was in junior high school) has recently been updated to now include emails and the like (but the books still have an 80s feel to them, and the updates really grate and often feel totally fake and as you have stated, an anachronism). And in one of the books, The War with Mr. Wizzle, much of the humour actually stems from the fact that a new teacher, Mr. Wizzle, wants to computerise the school and the students rebel (with the updated technology, the students' animosity towards Mr. Wizzle and his computer does not make all too much sense). I love this series, but I would only recommend older (and usually out of print) books of the series, and not the in-print ones with their ridiculous technology updates.
Also, I think with "technology updates" (same with that boneheaded move to change Harry Potter and the Philosopher's Stone to Harry Potter and the Sorcerer's Stone for North America) really insults children and children's intelligence.
Beth, a case in point, the MacDonald Hall series by Gordon Korman (the first books of which came out in the late 70s/early 80s when I was in junior high school) has recently been updated to now include emails and the like (but the books still have an 80s feel to them, and the updates really grate and often feel totally fake and as you have stated, an anachronism). And in one of the books, The War with Mr. Wizzle, much of the humour actually stems from the fact that a new teacher, Mr. Wizzle, wants to computerise the school and the students rebel (with the updated technology, the students' animosity towards Mr. Wizzle and his computer does not make all too much sense). I love this series, but I would only recommend older (and usually out of print) books of the series, and not the in-print ones with their ridiculous technology updates.
Beth Sniffs Books wrote: "That is just plain sad. Now the original story doesn't even make sense to the technology text update.
And WHY WHY WHY are publishers doing this?
Or I suppose more importantly, the author is still..."
If the author is agreeing to the changes, that is sad, but I think it is actually even sadder if the author is being forced by the publisher to do this.
And WHY WHY WHY are publishers doing this?
Or I suppose more importantly, the author is still..."
If the author is agreeing to the changes, that is sad, but I think it is actually even sadder if the author is being forced by the publisher to do this.

I'm a bit of a purist, so I'm with you on that one. I find it somewhat dishonest to try to gloss over crude things that very much happened in the past.
As for replacing certain dated vocabulary or maybe slang in particular, I can understand that in some cases it might salvage books and make them accessible to a new group of readers. And I’m assuming that when references to technology are modernized it’s because young readers themselves claim it makes all the difference to them?! It does seem awfully shortsighted however. Are they going to rewrite the books every fifteen years to update the names of all gadgets and accessories? And I hope they make it clear that the new versions are modern “adaptations”, I would feel really cheated if I were to only accidentally find out they weren’t the original text.
Fjóla wrote: "Gundula wrote: "Sanitising (or rewriting) older fiction insults readers' intelligence and also has the (I think very dangerous) tendency to paint the past in different colours than they were origin..."
I think a lot of times though, certain publishers simply assume that young readers will not "get" older technology (which I would find horribly presumptive and insulting if I were a child today).
I think a lot of times though, certain publishers simply assume that young readers will not "get" older technology (which I would find horribly presumptive and insulting if I were a child today).

Well, that is my question. I don't know if anyone here has insight into publishing, but I would hate to think that they were going to great lengths rewriting books without at least checking whether that is what the readers really want?!
Fjóla wrote: "Gundula wrote: "I think a lot of times though, certain publishers simply assume that young readers will not "get" older technology (which I would find horribly presumptive and insulting if I were a..."
But even if young readers want this, is it necessarily a good thing? And I think both you and I kind of think that it is not.
But even if young readers want this, is it necessarily a good thing? And I think both you and I kind of think that it is not.
So you basically get (especially with the earlier books of the series) a delightful 70s, early 80s feel that is, unfortunately, now kind of marred with and by 90s and 21st century technology (feels kind of jarring to me, so much so, that I have actually purchased the original series). I don't know, but it feels like you are in a way reading an older book that has somehow received a very incomplete paint job of mordernisation. And why?? Do publishers really believe that today's children will not know what a colour tv is and that in the late 70s it would have been a novelty for a student to have one in his school dorm room, sigh. And much of the updating is very superficial, the feel of the series remains 70s, early 80s, so the updates do not only seem unnecessary, they also don't really work with the general feel and theme of the series.
I am in the process of reading and reviewing the entire Maddonald Hall series. I guess what I will end up having to do is to read both the older and the newer versions and write the appropriate reviews (I guess you can tell by my ranting, that the newer versions will get a less positive review). And for those of you interested in the series, if you can find the original series on ABE Books and the like, I would definitely recommend the earlier, original series over the newer versions.