Classics for Beginners discussion

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The Fellowship of the Ring
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The Fellowship of the Ring by J.R.R. Tolkien
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What should I do?"
I wouldn't even worry about that; the Hobbit is good in itself, but is not necessary at all to the trilogy. I read the Hobbit, but I read it so long ago I am going to reread it sometime later.


Perhaps that's a topic worthy of a separate thread. I've only been able to come up with instances where a show is arguably better than the novel it's based on, but I can't think of a movie.


There's Stardust for one (bring on the angry Gaiman fans!) and How to Train Your Dragon for another. I could probably think of a few more if I sat here long enough, but generally I actually agree - most book to film adaptions aren't as good as the books. And though the LotR films are mostly great, the books are better (ignoring Tom Bombadil).


on a side note...i'm so not gonna be able to finish this book by the end of july...altho i'm really trying...

Have you tried other fantasy novels? They're not all quite like Tolkien.


I did not like the Fellowship of the Rings movie (although I wanted to like it) but now that I have read the book I have put it in my Netflix queue for another viewing... hoping to like it more!

What the hell??? Is the shortest book of the series, Did Peter Jackson lost the hability to edit??? O.o
(sorry, just venting)

Wow. Didn't want to believe that but just found a link. Enthusiasm to see the film in December massively waning, not sure I'll bother. I was actually kinda hoping the film might finally make me like the book a bit more too.

Julie I'd try some of the shorter sharper and more fluid fantasy authors. If you didn't like Tolkien I'd avoid anything like The Wheel of Time, Jonathan Strange & Mr Norrell or A Song of Fire and Ice. I'd recommend trying something like Mistborn: The Final Empire or perhaps Warbreaker which stand more on their own and are more readable. Or you could try a more fairytale style of fantasy in Daughter of Smoke and Bone or Stardust.

Thanks, Jonathan. I've seen the movie Stardust, and liked it, so I'll try to read the book as well. I'll look up the other books as well:)

Needs a copy of Calibre to convert it from pdf to mobi, for kindle, (or to epub for anything else), but that's no great hardship - takes about 10 seconds to convert. Calibre's here: http://calibre-ebook.com/ if anyone wants it - free and not a big download - it worked a treat for me when I switched from Sony eReader to Kindle - my 200-odd books converted in less than 20 minutes.


On other fantasy, Sanderson's writing is pretty 'tame'; it has mass appeal because of the simple narrative structure and excellent pacing (The Way of Kings was better than any of the Mistborn books, but it kicks off a Tolkien-esque series; admittedly I haven't read Warbreaker yet), but if you want more originality I again suggest Moorcock's Elric saga. Based on The Sandman and American Gods, I'd also happily back anything by Neil Gaiman.


You can find them here-
http://www.gutenberg.org/wiki/Fantasy...
The form might seem a bit strange at first, but they're worth a look being so short and broken into 'tales'. These in turn are very often structure more than narrative, a kind of 'concentrate' of ideas in the way of the most poignant 'natural myths' (better known ones with similarity being the biblical Book of Genesis and the Enuma Elish). Apart from the histories intertwined with the epic story of the narrative in LotR, I think Dunsany is better on this myth construction front than Tolkien.
@Louise- Which of Gaiman's work did you read?

I still plan to give The Graveyard Book and Neverwhere a go because damn, I love his ideas and lots of people I now think he's great, but I just can't get on with his writing. It's all 'look how clever I am' and very little heart or characterisation.

Interesting. I disagree with regards to The Sandman (the best series in the format since V for Vendetta) and American Gods (engaging enough that I finished it in record time), and I never noticed any sort of flaunting, just more mature influences than is usually the case (his characterisations can be a bit stark, but I consider this a virtue given the propensity in fantasy nowadays to deaden every mystery about a character- Morpheus for instance, would never have worked with cloying sympathy at every turn).
I hear there's an anniversary edition of American Gods (not the one I read I think), so I might reread it before I get to Anansi Boys (whenever that may be).
I liked the Neverwhere television series, though it's not quite so deep as American Gods. But maybe the novel is better still.

And I agree, I don't want cloying sympathy but I don't get any sense of mystery at all from his characters either. If they seemed remotely real beyond their designated role for the plot it would be helpful (Anansi Boys was the best at this, American Gods and Stardust the worst). I only managed to finish American Gods by taking it to an event where I had to queue for several hours - two years running because after getting halfway through the first year as soon as I had my other books available I picked them up instead rather than continue.
But everyone praises him so much and the ideas behind his stories are so interesting that I continue reading his books because I really really want to like them. Just...no luck so far.

And ..."
It wasn't an issue for me as I said, so perhaps I may be wrong in this, but it might be that this shortcoming you perceive is the result of the author being influenced primarily by myth, where characters (or heroes, rather) are very often archetypal and defined there on by function (their most personal motivations seem destiny).
Of course, we can't force ourselves to like a work because others have great regard for its author. I think that undermines the process of criticism. That said, we can still close in on what is appealing or not given some set of expectations (standing in for a prospective reader who embodies them), as I think this discussion has tried (and to some extent succeeded) to do for Tolkien's LotR.
I recall coming to Austen's Pride and Prejudice myself (either aptly or ironically as you like it) with no small amount of prejudice; the opposite of your case with Gaiman. Partly this was because I was suspicious about how wide the appeal of it was- as a matter of likelihoods, usually it will only be something so tame as to engage no one on anything particularly worthwhile that is accepted (and in fact lauded) so. Neither did I hear anything in the reviews I came across that suggested otherwise; in fact, most of the reasons why the novel was said to be worthwhile seemed flimsy. For all that, when I got to it I did enjoy it, if for reasons other than and sometimes antithetical to some of the most commonly offered.

It might be, but I don't quite buy that as the reason I don't like him. I've read and enjoyed a lot of mythology, epic poetry, folklore and fairytales both in translations and retelling, for fun, and for my studies. It's been a huge passion of mine since I was about 3 and the main reason that I keep thinking I should give Gaiman another go, because his ideas really do appeal. His writing just hasn't yet worked for me in the same way. Most other writers I would totally have given up on after this many dud books (and I don't feel at all bad for thinking several other authors a lot of my friends or critics adore are utter rubbish) but Gaiman always has this spark of potential that has me going 'pick it up, this could be really good'.
But back to LotR! Very glad I didn't reread it this time. As well as not having the time I think it'd be one of the books that isn't nearly so awesome for me the second time round. Absolutely 5 star adored it but even without rereading I can pick up on all sorts of things I was too entranced to spend much time thinking about then but would really hamper my enjoyment if I picked it up again.

It might be that in a novel-length work what I mentioned is a sustained feature (without the flourishes offered by longer epics too, while myths and fairy tales are shorter and more various for different paths of origin), but oh well, to each their own.
On LotR (with apologies for my part in the excursion on the thread), this was the first time I reread it (I'm still on it actually, due to begin book four when I get time) and it's not the lukewarm trudge I thought it might be. Usually works with pronounced action or chains of epiphany I find are best for rereads, but I liked the adventure tale well enough.

Speaking on re-reading The Lord of the Rings it's one of those books I can read again and again. I must do it this year when I can. Speaking of books I believe we have another childhood favourite of mine to read this month.

What the hell??? Is the shortest book of the s..."
I didn't realize that. Thought for certain it would only be two films and also am not liking that it will be drug out for an extra year.
Books mentioned in this topic
Stardust (other topics)Anansi Boys (other topics)
Neverwhere (other topics)
Good Omens (other topics)
Marvel 1602 (other topics)
More...
Authors mentioned in this topic
China Miéville (other topics)Brandon Sanderson (other topics)
I see. Wikipedia indicates two more animated adaptations by Rankin/Bass, 'The Hobbit' and 'The Return of the King' respectively, though these don't seem to have quite the recognition.
I liked some of the changes in Peter Jackson films like Arwen's expanded role, but didn't care for others, like the almost unrecognisable Faramir.