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What Else are you Reading - 2025
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Stephen
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Mar 29, 2025 11:51PM

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Listened to Earthlight. Short Tom Clancy knock-off. Also not worth it. YMwillnotV

Some of those stories are comically absurd because there aren't many creatures more absurd than humans. Some of the stories are pretty ugly or take ugly turns because we have that in us as well. But the stories also explore the many different ways our lives touch other lives and how joyful, sad, and ultimately beautiful that is.
I can say that for this reader, at least, tears were definitely shed.

You jest a bit, but there's a reason there's about four people working their way through Patrick O'Brian. If you're into world building, reading historical fiction, or fiction written by historical authors, is often just as gratifying as stuff like sci-fi and fantasy.
Plus, Jane Austen is just good anyway.



I had to give up on Engines of Empire. It's a pale imitation of A Game of Thrones.

I like the books more than the show. And I LOVE the show! Currently reading book 6, Joe Country.

I think I've read it before but I can't remember anything about it, so I'm looking forward to getting stuck in.


Yeah, it was 2 stars from me. Despite the almost-interesting setting, it came across as generic and bland to me. I recall it feeling like there were no consequences and that it was like The Blade Itself, basically a 500-page first chapter.

I've started Direct Descendant. So far it's fun. It's described as a queer, cozy horror and it's living up to that.
I've also started the second Dungeon Crawler Carl novel, Carl's Doomsday Scenario. More of the same which is fine by me.


Next is The Thursday Murder Club by Richard Osman.

Next up is A Sorceress Comes to Call. One of the five Hugo finalists for best novel I haven't read. I'm going to try to read them all by August.

Now I've started The Tainted Cup.



On audio The Gate of the Feral Gods by Matt Dinniman (book 4 of Dungeon Crawler Carl)
And in hardcover, A Choir of Lies by Alexandra Rowland which is interesting so far — it’s got the idea of someone writing a text and someone else annotating it. It’s set in fantasy-Amsterdam.

I probably shouldn’t leave a review, I’m not at all the target demographic. While I am a fan of clitoris flicking (I consider myself an amateur enthusiast), the constant self imposed drama and angst that never actually serves any purpose really started to grate. Coupled with an odd interlude when they visited some 1 dimensional societies and then jumped around the POV at the end just made me happy it was over. I doubt I’ll see this series through.


I've started The Spellshop which is cute though I suspect I know where the story will go and how it'll get there. My hold also came in on libby for The Ballad of Songbirds and Snakes, which I read the first 100 pages very quickly because that book just starts crazy and keeps going.

Couldn't agree more.


Perhaps the most fun part for me was free associating on how this world came to exist. It's all well off late-medieval, underpopulated future earth with people falling into major categories of maker, bard, adventurer, cook, healer, your basic D&D stuff. It felt a lot like Jack Vance's Dying Earth books except it's more like exuberant Earth. So I decided these were the slackers left behind when Earth went to the stars. Like, "oops, the ships left TUESDAY?" And the people who went left behind some cool nanotech so the stay-behinds would be okay.

I snagged The Ballad of Songbirds and Snakes from my library (see above) so reading that with my eyes. Made a lot of progress last weekend and was enjoying it, then this week happened and I've had no time to go back to it. Hopefully tonight or this weekend I'll get back.

I snagged The Ballad of Songbirds and Snakes f..."
I thought Spellshop was a pleasant cosy fantasy but I see what you mean about the Mary Sue-ishness.
Ballad: (view spoiler)

So, the intro went on and on (and ON and ON) about how SF was okay, but wasn't it great how some authors tried to steer it into literary forms? Er. NO! SF is what it is and if a story naturally fits into a more lit'rary format then that's fine. Trying to force it some other way leads to tortured stuff that people read to feel "edified" but isn't fun. I remember reading some of the books referenced in the intro and, at the time, wondering what the heck they were about.
But as for High Crusade, it's a joy start to finish. Among his many works Anderson had several that included a historical flourish. Whether nominally SF or nominally Fantasy, they touched on the ancient world, often visiting the Scandinavian part of the world his family came from. He always brought a historical accuracy to these works.
High Crusade begins, well, with an incipient crusade. Troops gather in an English village prepared to go to the Holy Land. An invading alien craft lands to take over Earth in much the way these aliens have done to other planets. But, they've gotten lazy about it and, well, shenanigans! The whole village winds up in the ship and, of course, they get lost.
Many silly events follow that show how some medieval warriors could take on a technological society and defeat them. Why not, Star Wars did the same two decades later.
The story is told from the POV of the village pastor and includes his attempts to keep the crusade holy. Many amusing bits of "how would an 11th century Englishman see a technological society" follow.
The collection is built on more ponderous works, and this book both fits and doesn't. There is a high level of historical accuracy in The High Crusade, as you'd expect from Anderson. But it's done with a gleeful joy of presentation. The historical accuracy is "kidding on the square" on the absurd premise.

* "Way Station" Clifford Simak
* "Flowers for Algernon" Daniel Keyes
* ". . . And Call Me Conrad" Roger Zelazny
Of these, I'd read "Way Station" a few years back and didn't reread. That one follows a former Confederate soldier manning a, well, way station for interstellar travelers. His position has made him nominally immortal which his small-town neighbors politely ignore. The Simak I've read has been modestly off-putting in its nihilism. Some big ideas made it worth reading for me, but nowhere near the praise the, well, I suppose I'll coin a phrase: "Litforcers," trying to make everything fit English-prof standards and looking down on genre works that don't fit. Reading the intro of the Anthology I get the impression that Simak, writing small-town Midwest works, represented the "outsider art" of the era. Eh. Okay.
"Flowers for Algernon" was a reread. I read the book at least three decades ago, having read the short it was based on four decades ago. On first read I kind of glossed over the literary pretension in the novel, not really getting it. It's even more painful now. The mentally retarded Charlie undergoes an operation to increase intelligence - which works, but is temporary. He is for a period of months a genius, only to lose it all. It works fairly well as a short story. The book is filled in with endless angst over things his mother did that he only understands later. I feel like it is a book length exploration of the joke that the Freudian psychologist tells his patients: "If it's not one thing, it's your mother!" And, of course, with the literary pretension there's the nihilistic ending. It would have been so easy to end this book on a high note. Nope, can't have that.
". . . And Call Me Conrad" was...odd. I flat out love "Night in the Lonesome October" but haven't read a lot of Zelazny. Kind of a hole in my SFnal reading. So I was looking forward to this and, well, nothing. It's a lot of Greek references which I mostly got, having been to Greece and enjoying soaking up the culture. It's just that it didn't really make an enjoyable story. The novel is a post-apocalyptic Earth that nuked itself to oblivion and whose struggling Lunar and Martian colonies were eventually adopted by an alien race. They pretty much own Earth to the chagrin of the few survivors. Kind of techno-fantasy as radioactive mutations lead to mythical beings re-emerging, as if any straying from the base genome lets other forces shape the DNA.
The MC is a mysterious figure who is mysteriously immortal and mysteriously connects to the land and people and zzzz. I had little reaction to this book. Whereas with "Algernon" I roll my eyes at the pretension (but I get it) and "Way Station" forces a format I don't care about (but I know why Simak did it) this one just left me blah. I thought I would be at least edified by an "important" SFnal work. Nah. A waste of a good premise.
All in all these books made me feel like watching the Oscars, where a bunch of the nominated works are in movies I've never seen, have no interest in seeing, and made much lower box office than "unworthy" works. So the literati give awards to themselves. Well, go ahead, that doesn't make the works any better.


- The Mysterious Case of Rudolf Diesel: Genius, Power, and Deception on the Eve of World War I (A very interesting biography about a complex man and about his mysterious disappearance in 1913.)
- Razorblade Tears (Good crime-fiction. Overall a damn good suspense-action story with breakneck pace. It doesn't do to anger hard old men.)
Now reading:
- The Magnificent Nine (A Firefly story. Jayne Cobb gets a call from his past. Off to a good start!)
- On the Moor: Science, History and Nature on a Country Walk (Richard Carter’s walks in the countryside lead him to examine many diverse topics.)

It's the author's debut novel. DEBUT! *flings hands in air*

The first-person POV main character is from Liverpool so this is clearly the right choice of accent for the book, although I bet there’s loads of people in the Audible reviews whinging they can’t understand him. It’s funny because living in Liverpool I hear Scouse accents every day, but never on audiobooks.

While from the library I’ve got Antimatter Blues by Edward Ashton, the sequel to our BotM.

I could go on but I don't want to give the impression I hated it, it just could have been much better. I eventually got drawn in and I already have the second one ready to go.
Next though is The Narrow Road Between Desires by Patrick Rothfuss.

I also read On Samuel R. Delany's Dhalgren too. It was like reading a medical journal.

Next up is Warhost of Vastmark by Janny Wurts. Book 3 of The Wars of Light and Shadow series.

OK, that may be overstating it but it was good and I enjoyed it even while at the same time it made me want something else.
Don't avoid it just because you're pissed it isn't book 3.
Next is The Man Who Died Twice by Richard Osman.

I've also started reading the Dresden Files again. I read a few of the novels many years ago but I decided to start over and try to read the whole series (novels, short stories, and graphic novels) in internal chronological order. So far so good (two novels, one short story, and one graphic novel down) and so many more to go.
According to the list I found online, there are 53 entries in the series to date with more on the way.
This is the list I'm following: The Complete Chronological Dresden Files Book Order.
https://www.tlbranson.com/dresden-fil...


Up next...well, I did procure Greenteeth, so maybe that. I also have A Letter to the Luminous Deep in physical form sitting next to me as I type this. And I have Everyone in My Family Has Killed Someone on Kindle and audio. So I have options. I think I'll definitely be reading "Everyone in My Family Has Killed Someone", probably in audio. But for what I read with my eyes...we'll see.

I have started listening to The Martian Contingency, the latest Lady Astronaut book from Mary Robinette Kowal. Enjoying it so far although it's been a while since I read the previous book in the series so I'm trying to remember everything that went before.
I'm also reading a romance novel I picked up at a charity book stall, It Happened One Summer. It's about a spoiled LA party girl who for contrived reasons has to spend the summer at a small fishing town where she definitely isn't going to end up falling for the surly fisherman guy she's just met. It's a fun read for sitting in my garden in the sunshine.


I'm about 15% in, and the writing style isn't gelling with me. The author appears to have recently discovered swearing and seems to enjoy using "fuck" as punctuation. What makes this even more jarring is that he can't seem to decide whether the characters are speaking French or English (and why French, in a world that has nothing to do with France?).
Basically, it feels like the author read Interview with the Vampire and thought they could transplant that vibe into a fantasy setting.
In any case, hope springs eternal, so I'll keep reading - hoping the people who say it gets better in the second half are right...


Oh well, onwards and, hopefully, upwards. Next up: Malice by John Gwynne...
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