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Dennis E. Taylor
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#390 - Interview with Dennis E. Taylor
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One thing he said that truly resonated was about "he said" and "she said". I don't remember which book it was - maybe an early Scalzi book or some other book read by Wil Wheaton. ALL I COULD HEAR was "he said" and "she said". It was sooo painful. I definitely remember commenting on it in my review (and I went to find it, here it is!).
Thanks as always for the show and the great interviews!
That is something that annoys me about audiobook. All the "said's" stand out if overused. To the point of annoyance.
In a book they're needed. But in a good audio performance, they're redundant.
I am Bob
In a book they're needed. But in a good audio performance, they're redundant.
I am Bob
terpkristin wrote: "I really enjoyed this interview. I enjoyed the first Bob book well enough but not enough to continue with the series.
One thing he said that truly resonated was about "he said" and "she said". I ..."
Haha, I feel like I REMEMBER that from that book!
One thing he said that truly resonated was about "he said" and "she said". I ..."
Haha, I feel like I REMEMBER that from that book!

In a book they're needed. But in a good audio performance, they're redundant.
..."
Totally! Any overused or mispronounced words stand out. I don't remember the "said"s in Redshirts, but it's been a few years since I listened to it.
I'll never forget that Seanan McGuire uses "bemused" in every October Daye novel (at least the 1st 8) & it's unclear from the context if she's using the adjective correctly. Why not substitute a better word once in a while?
Rant done.

or maybe from Old Man's War
https://www.goodreads.com/topic/show/...
or Fuzzy Nation
https://www.goodreads.com/topic/show/...
a common theme for Scalzi's earlier books when narrated aloud



Regarding the line about having a Bob write the books: There is an SF editor who has an AI program to help you write. It's supposed to anticipate your style. I don't think the editor would appreciate being outed so they will remain anonymous, but this may not be all that far off.

So let's say we adapt this to the Search for Bender. Oh no! Ten thousand Bobs! We'll never wind up on the same one.


A lot of Anglophone students get taught the same thing at school (ie don’t repeat ‘said’) to create variety in your writing.... and then you go to creative writing class and they tell you not to use explained/whispered/stated etc because it’s distracting. I’ve also seen advice to never attribute dialogue at all.
As ever, the ‘right answer’ is somewhere in the middle- too much explained/whispered/stated etc can be distracting, but then so can having every line of dialogue with ‘said’ after it. (I’ll echo others by saying this was definitely a distraction in Scalzi’s Redshirts audiobook). And not knowing which character said what is even worse.

Her wrongheaded advice summed up here: https://io9.gizmodo.com/he-said-she-s...
This is actually a pretty common way of writing that a number of bestselling authors use, but I don’t like it.

I haven’t found that an issue with CJA’s work. I wonder if how you consume the book makes a difference? Did you listen to CJA’s books? I’ve only read her stuff in kindle, whereas Scalzi I read in audiobook. I think perhaps the eye glides over ‘said’ more easily, but when it’s read out loud the constant repetition of ‘said’ is unavoidable.

I find this to be the case. If an author usually goes with "s/he said" then it disappears, but if they go out of their way to chose a different variation each time the writing feels far too forced. Has anyone ever graded student papers? It's easy to tell which ones like to pick up a thesaurus to avoid using the same word twice, usually because things just end up looking very unnatural. I feel that way if I see a different intro word each time someone speaks.
Books mentioned in this topic
Agent to the Stars (other topics)Old Man's War (other topics)
Fuzzy Nation (other topics)
https://www.patreon.com/posts/40173624
https://soundcloud.com/swordandlaser/...
http://swordandlaser.com/home/2020/7/...