102 books
—
4 voters
Classicism Books
Showing 1-50 of 307
Phèdre (Mass Market Paperback)
by (shelved 5 times as classicism)
avg rating 3.69 — 24,450 ratings — published 1677
SPQR: A History of Ancient Rome (Paperback)
by (shelved 4 times as classicism)
avg rating 4.06 — 80,087 ratings — published 2015
The Iliad (Hardcover)
by (shelved 4 times as classicism)
avg rating 3.93 — 504,911 ratings — published -800
Tartuffe (Paperback)
by (shelved 3 times as classicism)
avg rating 3.66 — 42,965 ratings — published 1664
The Republic (Paperback)
by (shelved 3 times as classicism)
avg rating 3.97 — 224,154 ratings — published -400
The Odyssey (Paperback)
by (shelved 3 times as classicism)
avg rating 3.83 — 1,179,380 ratings — published -700
Glorious Exploits (Hardcover)
by (shelved 2 times as classicism)
avg rating 4.14 — 18,725 ratings — published 2024
The Latinist (Hardcover)
by (shelved 2 times as classicism)
avg rating 3.41 — 3,631 ratings — published 2022
Don Juan (Paperback)
by (shelved 2 times as classicism)
avg rating 3.55 — 17,547 ratings — published 1665
Le Cid (Mass Market Paperback)
by (shelved 2 times as classicism)
avg rating 3.59 — 16,866 ratings — published 1636
The Princesse de Clèves (Paperback)
by (shelved 2 times as classicism)
avg rating 3.35 — 18,686 ratings — published 1678
The Darkening Age: The Christian Destruction of the Classical World (Kindle Edition)
by (shelved 2 times as classicism)
avg rating 4.07 — 6,506 ratings — published 2017
The Fires of Vesuvius: Pompeii Lost and Found (Hardcover)
by (shelved 2 times as classicism)
avg rating 4.10 — 5,320 ratings — published 2008
Oedipus Rex (The Theban Plays, #1)
by (shelved 2 times as classicism)
avg rating 3.73 — 235,786 ratings — published -429
Women & Power: A Manifesto (Hardcover)
by (shelved 2 times as classicism)
avg rating 4.02 — 39,020 ratings — published 2017
Circe (Hardcover)
by (shelved 2 times as classicism)
avg rating 4.22 — 1,325,551 ratings — published 2018
Confronting the Classics: Traditions, Adventures and Innovations (Hardcover)
by (shelved 2 times as classicism)
avg rating 3.70 — 2,398 ratings — published 2013
The Symposium (Paperback)
by (shelved 2 times as classicism)
avg rating 4.09 — 88,716 ratings — published -380
Wuthering Heights (Paperback)
by (shelved 2 times as classicism)
avg rating 3.90 — 2,013,007 ratings — published 1847
Pride and Prejudice (Hardcover)
by (shelved 2 times as classicism)
avg rating 4.29 — 4,743,157 ratings — published 1813
The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone (Paperback)
by (shelved 2 times as classicism)
avg rating 4.00 — 70,467 ratings — published -450
The Penelopiad (Hardcover)
by (shelved 2 times as classicism)
avg rating 3.71 — 85,649 ratings — published 2005
Lysistrata (Paperback)
by (shelved 2 times as classicism)
avg rating 3.86 — 53,104 ratings — published -423
Clouds (Paperback)
by (shelved 2 times as classicism)
avg rating 3.61 — 11,707 ratings — published -423
Prometheus Bound (Paperback)
by (shelved 2 times as classicism)
avg rating 3.94 — 21,342 ratings — published -480
The Literary Pocket Companion (Hardcover)
by (shelved 1 time as classicism)
avg rating 4.21 — 63 ratings — published 2004
Apología de Raimundo Sabunde (Hardcover)
by (shelved 1 time as classicism)
avg rating 2.80 — 5 ratings — published
The Education of Cyrus (Paperback)
by (shelved 1 time as classicism)
avg rating 4.05 — 1,188 ratings — published -360
Seduced: Art & Sex from Antiquity to Now (Hardcover)
by (shelved 1 time as classicism)
avg rating 3.86 — 14 ratings — published 2007
Discourse on Metaphysics/The Monadology (Philosophical Classics)
by (shelved 1 time as classicism)
avg rating 3.74 — 264 ratings — published 1992
Utopia (Paperback)
by (shelved 1 time as classicism)
avg rating 3.55 — 82,224 ratings — published 1516
Inferno (Kindle Edition)
by (shelved 1 time as classicism)
avg rating 4.03 — 204,430 ratings — published 1321
Reservoir Bitches (Kindle Edition)
by (shelved 1 time as classicism)
avg rating 4.19 — 15,448 ratings — published 2019
Nightcrawling (Hardcover)
by (shelved 1 time as classicism)
avg rating 3.96 — 59,385 ratings — published 2022
Wearing the Lion (Hardcover)
by (shelved 1 time as classicism)
avg rating 3.74 — 914 ratings — published 2025
The Divine Comedy of Dante Alighieri, Volume 2: Purgatorio (Paperback)
by (shelved 1 time as classicism)
avg rating 4.05 — 29,739 ratings — published 1321
A Rome of One's Own: The Forgotten Women of the Roman Empire (Hardcover)
by (shelved 1 time as classicism)
avg rating 4.16 — 3,206 ratings — published 2023
The Will of the Many (Hierarchy, #1)
by (shelved 1 time as classicism)
avg rating 4.60 — 174,328 ratings — published 2023
The Apothecary Diaries (Light Novel): Volume 4
by (shelved 1 time as classicism)
avg rating 4.57 — 7,461 ratings — published 2015
The Apothecary Diaries (Light Novel): Volume 3
by (shelved 1 time as classicism)
avg rating 4.52 — 6,815 ratings — published 2015
The Leavers (Hardcover)
by (shelved 1 time as classicism)
avg rating 3.89 — 50,555 ratings — published 2017
Conversations with Friends (Kindle Edition)
by (shelved 1 time as classicism)
avg rating 3.73 — 594,023 ratings — published 2017
On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas)
by (shelved 1 time as classicism)
avg rating 4.16 — 44,703 ratings — published 49
Conqueror's Blood (Gunmetal Gods, #2)
by (shelved 1 time as classicism)
avg rating 4.08 — 1,136 ratings — published 2021
Piranesi (Hardcover)
by (shelved 1 time as classicism)
avg rating 4.22 — 447,866 ratings — published 2020
Malice (Malice Duology, #1)
by (shelved 1 time as classicism)
avg rating 3.92 — 32,996 ratings — published 2021
Babylonia (Hardcover)
by (shelved 1 time as classicism)
avg rating 4.09 — 13,418 ratings — published 2024
The Stolen Queen (Hardcover)
by (shelved 1 time as classicism)
avg rating 3.91 — 52,621 ratings — published 2025
The Iron Flower (The Black Witch Chronicles, #2)
by (shelved 1 time as classicism)
avg rating 4.30 — 29,862 ratings — published 2018
Poems of Thomas Carew (Hardcover)
by (shelved 1 time as classicism)
avg rating 3.95 — 20 ratings — published 1640
“Put shortly, these are the two views, then. One, that man is intrinsically good, spoilt by circumstance; and the other that he is intrinsically limited, but disciplined by order and tradition to something fairly decent. To the one party man's nature is like a well, to the other like a bucket. The view which regards man as a well, a reservoir full of possibilities, I call the romantic; the one which regards him as a very finite and fixed creature, I call the classical.
One may note here that the Church has always taken the classical view since the defeat of the Pelagian heresy and the adoption of the sane classical dogma of original sin.
It would be a mistake to identify the classical view with that of materialism. On the contrary it is absolutely identical with the normal religious attitude. I should put it in this way: That part of the fixed nature of man is the belief in the Deity. This should be as fixed and true for every man as belief in the existence of matter and in the objective world. It is parallel to appetite, the instinct of sex, and all the other fixed qualities. Now at certain times, by the use of either force or rhetoric, these instincts have been suppressed - in Florence under Savonarola, in Geneva under Calvin, and here under the Roundheads. The inevitable result of such a process is that the repressed instinct bursts out in some abnormal direction. So with religion. By the perverted rhetoric of Rationalism, your natural instincts are suppressed and you are converted into an agnostic. Just as in the case of the other instincts, Nature has her revenge. The instincts that find their right and proper outlet in religion must come out in some other way. You don't believe in a God, so you begin to believe that man is a god. You don't believe in Heaven, so you begin to believe in a heaven on earth. In other words, you get romanticism. The concepts that are right and proper in their own sphere are spread over, and so mess up, falsify and blur the clear outlines of human experience. It is like pouring a pot of treacle over the dinner table. Romanticism then, and this is the best definition I can give of it, is spilt religion.”
―
One may note here that the Church has always taken the classical view since the defeat of the Pelagian heresy and the adoption of the sane classical dogma of original sin.
It would be a mistake to identify the classical view with that of materialism. On the contrary it is absolutely identical with the normal religious attitude. I should put it in this way: That part of the fixed nature of man is the belief in the Deity. This should be as fixed and true for every man as belief in the existence of matter and in the objective world. It is parallel to appetite, the instinct of sex, and all the other fixed qualities. Now at certain times, by the use of either force or rhetoric, these instincts have been suppressed - in Florence under Savonarola, in Geneva under Calvin, and here under the Roundheads. The inevitable result of such a process is that the repressed instinct bursts out in some abnormal direction. So with religion. By the perverted rhetoric of Rationalism, your natural instincts are suppressed and you are converted into an agnostic. Just as in the case of the other instincts, Nature has her revenge. The instincts that find their right and proper outlet in religion must come out in some other way. You don't believe in a God, so you begin to believe that man is a god. You don't believe in Heaven, so you begin to believe in a heaven on earth. In other words, you get romanticism. The concepts that are right and proper in their own sphere are spread over, and so mess up, falsify and blur the clear outlines of human experience. It is like pouring a pot of treacle over the dinner table. Romanticism then, and this is the best definition I can give of it, is spilt religion.”
―
“The shortness of High Renaissance is typical of the fate of all the periods of classical style in modern times; since the end of feudalism the epochs of stability have been nothing but short episodes. The rigorous formalism of the High Renaissance has certainly remained a constant temptation for later generations, but, apart from short, mostly sophisticated, and educationally inspired movements, it has never prevailed again. On the other hand, it has proved to be the most important undercurrent in modern art; for even though the strictly formalistic style, based on the typical and the normative, was unable to hold its own against the fundamental naturalism of the modern age, nevertheless, after the Renaissance, a return to the incoherent, cumulative, co-ordinating formal methods of the Middle Ages was no longer possible. Since the Renaissance we think of a work of painting or sculpture as a concentrated picture of reality seen from a single and uniform point of view - a formal structure that arises from the tension between the wide world and the undivided subject opposed to the world. This polarity between art and the world was mitigated from time to time, but never again abolished. It represents the real inheritance of Renaissance.”
― The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
― The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque





