King Lear Quotes

Quotes tagged as "king-lear" (showing 1-30 of 36)
William Shakespeare
“And worse I may be yet: the worst is not
So long as we can say 'This is the worst.”
William Shakespeare, King Lear

William Shakespeare
“A knave; a rascal; an eater of broken meats; a
base, proud, shallow, beggarly, three-suited,
hundred-pound, filthy, worsted-stocking knave; a
lily-livered, action-taking knave, a whoreson,
glass-gazing, super-serviceable finical rogue;
one-trunk-inheriting slave; one that wouldst be a
bawd, in way of good service, and art nothing but
the composition of a knave, beggar, coward, pandar,
and the son and heir of a mongrel bitch: one whom I
will beat into clamorous whining, if thou deniest
the least syllable of thy addition.”
William Shakespeare, King Lear

William Shakespeare
“Thou whoreson zed! Thou unnecessary letter! My lord, if you will give me leave, I will tread this unbolted villain into mortar, and daub the wall of a jakes with him. *all cheer for Shakespearean insults*”
William Shakespeare

William Shakespeare
“I cannot heave my heart into my mouth. I love your majesty according to my bond; no more no less.”
William Shakespeare, King Lear

William Shakespeare
“Sir, I love you more than words can wield the matter; dearer than eye-sight, space, and liberty, beyond waht can be valued, rich or rare; no less than life, with grace, health, beauty, honor; as much as child e'er loved, or father found; a love that makes breath poor, and speech unable; beyond all manner of so much I love you.”
William Shakespeare

William Shakespeare
“Fare thee well, king: sith thus thou wilt appear,
Freedom lives hence, and banishment is here.”
William Shakespeare, King Lear

William Shakespeare
“LEAR: ...yet you see how this world goes.
GLOS.: I see it feelingly.”
William Shakespeare

Oscar Wilde
“To call an artist morbid because he deals with morbidity as his subject-matter is as silly as if one called Shakespeare mad because he wrote ‘King Lear.”
Oscar Wilde, The Soul of Man Under Socialism

William Shakespeare
“Hear, nature, hear; dear goddess, hear!
Suspend thy purpose, if thou didst intend
To make this creature fruitful!
Into her womb convey sterility!
Dry up in her the organs of increase;
And from her derogate body never spring
A babe to honour her! If she must teem,
Create her child of spleen; that it may live,
And be a thwart disnatured torment to her!
Let it stamp wrinkles in her brow of youth;
With cadent tears fret channels in her cheeks;
Turn all her mother's pains and benefits
To laughter and contempt; that she may feel
How sharper than a serpent's tooth it is
To have a thankless child! Away, away!”
William Shakespeare

“When art is made new, we are made new with it. We have a sense of solidarity with our own time, and of psychic energies shared and redoubled, which is just about the most satisfying thing that life has to offer. 'If that is possible,' we say to ourselves, 'then everything is possible'; a new phase in the history of human awareness has been opened up, just as it opened up when people first read Dante, or first heard Bach's 48 preludes and fugues, or first learned from Hamlet and King Lear(/I> that the complexities and contradictions of human nature could be spelled out on the stage.

This being so, it is a great exasperation to come face to face with new art and not make anything of it. Stared down by something that we don't like, don't understand and can't believe in, we feel personally affronted, as if our identity as reasonably alert and responsive human beings had been called into question. We ought to be having a good time, and we aren't. More than that, an important part of life is being withheld from us; for if any one thing is certain in this world it is that art is there to help us live, and for no other reason.

John Russell, The Meaning of Modern Art: History as Nightmare, Vol. 3

William Shakespeare
“Time shall unfold what pleated cunning hides: Who cover faults, at last shame them derides.”
William Shakespeare, King Lear

William Shakespeare
“I yet beseech your majesty,--
If for I want that glib and oily art,
To speak and purpose not; since what I well intend,
I'll do't before I speak,--that you make known
It is no vicious blot, murder, or foulness,
No unchaste action, or dishonour'd step,
That hath deprived me of your grace and favour;
But even for want of that for which I am richer,
A still-soliciting eye, and such a tongue
As I am glad I have not, though not to have it
Hath lost me in your liking.”
William Shakespeare

William Shakespeare
“The quality of nothing hath not such need to hide itself”
William Shakespeare

“Nathan "N.R." Gaddis did not say ::

2109 fellow Goodreaders [can’t be wrong] gave [King Lear] 1 star. Many call it boring. Some even say it is predictable and has no moral lesson. That these people have the right to vote and to procreate is frightening to me.”
Nathan "N.R." Gaddis

William Shakespeare
“Rumble thy bellyful! Spit, fire! spout, rain!
Nor rain, wind, thunder, fire, are my daughters:
I tax not you, you elements, with unkindness;
I never gave you kingdom, call'd you children,
You owe me no subscription: then let fall
Your horrible pleasure: here I stand, your slave,
A poor, infirm, weak, and despised old man:
But yet I call you servile ministers,
That have with two pernicious daughters join'd
Your high engender'd battles 'gainst a head
So old and white as this. O! O! 'tis foul!”
William Shakespeare

Vladimir Nabokov
“I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. No matter how many times we reopen 'King Lear,' never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert's father's timely tear. Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them.”
Vladimir Nabokov, Lolita

Emily St. John Mandel
“The king stood in a pool of blue light, unmoored.”
Emily St. John Mandel, Station Eleven

William Shakespeare
“Thy youngest daughter does not love thee least; nor are those empty-hearted whose low sounds reverb no hollowness.”
William Shakespeare, King Lear

William Shakespeare
“Put on what weary negligence you please,
You and your fellows; I'll have it come to question:
If he dislike it, let him to our sister,
Whose mind and mine, I know, in that are one,
Not to be over-ruled. Idle old man,
That still would manage those authorities
That he hath given away! Now, by my life,
Old fools are babes again; and must be used
With cheques as flatteries,--when they are seen abused.
Remember what I tell you.”
William Shakespeare

William Shakespeare
“Yet I am doubtful, for I am mainly ignorant. What place this is, and all the skill I have
Remembers not these garments. Nor I know not
Where I did lodge last night. Do not laugh at me,
For as I am a man, I think this lady
To be my child Cordelia.”
William Shakespeare

William Shakespeare
“I profess myself an enemy to all other joys, which the most precious square of sense possesses, and find I am alone felicitate in your dear highness love.”
William Shakespeare, King Lear

William Shakespeare
“With base? with baseness? bastardy? base, base?”
William Shakespeare

“King Lear asked Gloucester: 'How do you see the world?' And Gloucester, who is blind, answered: 'I see it feelingly.' I see it feelingly.”
Earthlings

William Shakespeare
“The gods are fair, and they use our little vices to punish us”
William Shakespeare

Edward St. Aubyn
“The leafless trees, with their black branches stretched hysterically in every direction, looked to him like illustrations of a central nervous system racked by disease: studies of human suffering anatomized against the winter sky.”
Edward St. Aubyn, Dunbar

Jonathan Rosenbaum
“But the strength that remains, which is principally destructive, is the film's dialectical relationship to most of the other movies that we see, its capacity to make their most time-honored conventions seem tedious, shopworn, and unnecessary. This originality often seems to be driven by hatred and anger, emotions that are undervalued in more cowardly periods such as the present...”
Jonathan Rosenbaum, Placing Movies: The Practice of Film Criticism

William Shakespeare
“I will do such things,--
What they are, yet I know not: but they shall be
The terrors of the earth.”
William Shakespeare

“Frequent suggestions were made during the course of the trial that the motives of the donor and the donees alike, in carrying out this transaction, were to escape death duties. I feel constrained to dispose once and for all of these suggestions by the short answer that the existence or otherwise of such motives is irrelevant, excep as evidence for or against the bona fides of the transactions. There is the highest authority for the proposition that, if a man can lawfully so order his affairs that the payment of revenue duties of any kind is reduced or avoided altogether, there is no legal objection to his doing so. Whatever may be thought as the the morality of such transactions in these times from the point of view of patriotism and public spirit, there is no ground for ignoring their legal effect, unless such transactions be proved to be amere sham, such as those falling within the words 'not bona fide' in the act of 1894, or the phrase 'artificial transaction' in the Finance Acts of more recent years.

Attorney General vs. Goneril Albany in re the estate of King Lear, MORE LEGAL FICTIONS”
A. Laurence Polak

Christopher Moore
“I gave you all!" screeched Lear, waving a palsied claw at Regan.
"And you took your bloody time giving it, too, you senile old fuck," said Regan.”
Christopher Moore, Fool

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