Kelly > Kelly's Quotes

“We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it.”
― Tom Stoppard

“Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head.”
― Orhan Pamuk, The New Life

“Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We’ve got to live, no matter how many skies have fallen.”
― D.H. Lawrence, Lady Chatterley's Lover

“My youngest brother had a wonderful schtick from some time in high school, through to graduating medicine. He had a card in his wallet that read, ‘If I am found with amnesia, please give me the following books to read …’ And it listed half a dozen books where he longed to recapture that first glorious sense of needing to find out ‘what happens next’ … the feeling that keeps you up half the night. The feeling that comes before the plot’s been learned.”
― Guy Gavriel Kay

“There are things that happen and leave no discernible trace, are not spoken or written of, though it would be very wrong to say that subsequent events go on indifferently, all the same, as though such things had never been.”
― A. S. Byatt, Possession

“The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake.

Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?

We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.

They can keep their heaven. When I die, I'd sooner go to middle Earth.”
― George R.R. Martin

“Historians are left forever chasing shadows, painfully aware of their inability ever to reconstruct a dead world in its completeness however thorough or revealing their documentation. We are doomed to be forever hailing someone who has just gone around the corner and out of earshot.”
― Simon Schama, Dead Certainties: Unwarranted Speculations

“Oh! And they read English novels! David! Did you ever look into an English novel? Well, do not trouble yourself. It is nothing but a lot of nonsense about girls with fanciful names getting married.”
― Susanna Clarke, Jonathan Strange & Mr Norrell

“You've no idea how long life goes on and how many, many changes it brings. Young people seem to imagine that it's over in a flash, that they do this thing, or that thing, and then die, but I can assure you they are quite wrong.”
― Nancy Mitford, Love in a Cold Climate and Other Novels

“If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive.”
― Audre Lorde

“But you know as well as I, patriotism is a word; and one that generally comes to mean either my country, right or wrong, which is infamous, or my country is always right, which is imbecile.”
― Patrick O'Brian, Master & Commander

“What ho!" I said.
"What ho!" said Motty.
"What ho! What ho!"
"What ho! What ho! What ho!"
After that it seemed rather difficult to go on with the conversation.”
― Wodehouse, My Man Jeeves

“He had no more imaginary space, nowhere he could escape to, no more expectations, all he could do was make himself available to the present moment, to what was immeasurable, the terrible profusion of moments that make up a day.”
― Laurence Cossé, A Novel Bookstore

“Heaven preserve me from littleness and pleasantness and smoothness. Give me great glaring vices, and great glaring virtues, but preserve me from the neat little neutral ambiguities. Be wicked, be brave, be drunk, be reckless, be dissolute, be despotic, be a suffragette, be anything you like, but for pity's sake be it to the top of your bent. Live fully, live passionately, live disastrously. Let's live, you and I, as none have ever lived before.
(- to Vita Sackville-West, October 25, 1918)”
― Violet Trefusis, Violet to Vita: The Letters of Violet Trefusis to Vita Sackville-West, 1910-1921

“I felt it shelter to speak to you.”
― Emily Dickinson

“One must not put trust in novelists, Beth; they create worlds to fit their own needs and drive their characters mad in doing it.”
― Mary Robinette Kowal, Shades of Milk and Honey

“She had lived her early years as though she were waiting for something she might, but never did, become.”
― Marguerite Duras, The Ravishing of Lol Stein

“Like all who are impassioned, I take blissful delight in losing myself, in fully experiencing the thrill of surrender. And so I often write with no desire to think, in an externalized reverie, letting the words cuddle me like a baby in their arms. They form sentences with no meaning, flowing softly like water I can feel, a forgetful stream whose ripples mingle and undefine, becoming other, still other ripples, and still again other. Thus ideas and images, throbbing with expressiveness, pass through me in resounding processions of pale silks on which imagination shimmers like moonlight, dappled and indefinite.”
― Fernando Pessoa

“As for time, it is forever shrinking. Oppressed by multitasking and managerial efficiency, we live under a perpetual time pressure. The disease of this millennium will be called chronophobia or speedomania, and its treatment will be embarrassingly old-fashioned. Contemporary nostalgia is not so much about the past as about vanishing the present.”
― Svetlana Boym, The Future of Nostalgia

“Love, it seems to me, is that condition in which one is most contentedly oneself. If this sounds paradoxical, remember Rilke’s admonition: love consists in leaving the loved one space to be themselves while providing the security within which the self may flourish. As a child, I always felt uneasy and a little constrained around people, my family in particular. Solitude was bliss, but not easily obtained. Being always felt stressful- wherever I was there was something to do, someone to please, a duty to be completed, a role inadequately fulfilled: something amiss. Becoming, on the other hand, was relief. I was never so happy as when I was going somewhere on my own, and the longer it took to get there, the better. Walking was pleasurable, cycling enjoyable, bus journeys fun. But the train was very heaven.”
― Tony Judt, The Memory Chalet

“An offering for the sake of offering, perhaps. Anyhow, it was her gift. Nothing else had she of the slightest importance; could not think, write, even play the piano. She muddled Armenians and Turks; loved success; hated discomfort; must be liked; talked oceans of nonsense: and to this day, ask her what the Equator was, and she did not know.

All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was!-that it must end; and no one in the whole world would know how she had loved it all; how, every instant . . .”
― Virginia Woolf, Mrs. Dalloway

“She could sense it very clearly: for me, no less than for her, the past counted far more than the present, remembering something far more than possessing it. Compared to memory, every possession can only ever seem disappointing, banal, inadequate ... She understood me so well! My anxiety that the present 'immediately' turned into the past so that I could love it and dream about it at leisure was just like hers, was identical. It was 'our' vice, this: to go forwards with our heads forever turned back.”
― Giorgio Bassani

“Dreams, memories, the sacred--they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.”
― Yukio Mishima, Spring Snow

“It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.”
― Ian McEwan, Atonement

“J'ai toujours pensé qu'il valait mieux plaire beaucoup à une seule personne, qu'un peu à tout le monde.”
― Vita Sackville-West, All Passion Spent

“Make up a story... For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief's wide skirt and the stitch that unravels fear's caul.”
― Toni Morrison, The Nobel Lecture In Literature, 1993

“Hello," She said.
There was a long silence.
"Hello," said Artemis again.
"Are you talking to me?" said the tree. It had a faint Australian accent.
"Yes," said Artemis. "I am Artemis." If the tree experienced any recognition, it didn't show it. "I'm the goddess of hunting and chastity," said Artemis.
Another silence. The the tree said, "I'm Kate. I work in mergers and acquisitions for Goldman Sachs."
"Do you know what happened to you, Kate?" said Artemis.
The longest silence of all. Artemis was just about to repeat the question when the tree replied.
"I think I've turned into a tree," it said.
"Yes," said Artemis. "You have."
"Thank God for that," said the tree. "I thought I was going mad."
Then the tree seemed to reconsider this. "Actually," it said, "I think I would rather be mad." Then, with hope in its voice: "Are you sure I haven't gone mad?"
"I'm sure," said Artemis. "You're a tree. A eucalyptus. Subgenus of mallee. Variegated leaves."
"Oh," said the tree.
"Sorry," said Artemis.
"But with variegated leaves?"
"Yes," said Artemis. "Green and Yellow."
The tree seemed pleased. "Oh well, there's that to be grateful for," it said.”
― Marie Phillips, Gods Behaving Badly

“He had reached that moment in life, different for each one of us, when a man abandonds himself to his demon or to his genius, following a mysterious law which bids him either to destroy or outdo himself.”
― Marguerite Yourcenar, Memoirs of Hadrian

“Does not everything depend on our interpretation of the silence around us?”
― Lawrence Durrell, Justine

“It struck me as pretty ridiculous to be called Mr. Darcy and to stand on your own looking snooty at a party. It's like being called Heathcliff and insisting on spending the entire evening in the garden, shouting "Cathy" and banging your head against a tree.”
― Helen Fielding, Bridget Jones’s Diary